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I figured out last night why Anthony and I had such a disagreement on Fantastic Beasts and Where to Find Them, particularly in regards to who the protagonist should be: I went into Fantastic Beasts blind, not having read any reviews or articles, exposed myself to any spoilers, or even really seen any previews!
I spent a good chunk of the movie unsure as to whether or not Newt was a villain.
The film starts with a montage of newspaper clips all “Villainous Villain Engages in Villainy!” The movie then takes us to a weird looking shifty guy who acts shifty. I spent the first 10 minutes of the film thinking “Is this the bad guy?”
The first thing Newt does is arrive in America with a suitcase, looking every which way like he’s worried he’s going to get caught, and lie to a customs inspector about what he has with him – he’s obviously smuggling something. He fidgets his way to a bank, sits down, makes highly conspicuous small-talk on the bench, and when he gets up, he’s left a silver egg behind. Newt spends the first 10 minutes of the movie looking like a freaking terrorist worried someone is going to notice he’s strapped with C4, and then, holy crap, he just left a monster egg in the middle of a crowded bank and this is a movie about the trouble caused by magic monsters getting loose (I know that much)!
On the other hand, the first things we find out about Jacob are that he’s trying to start a small business, family is important to him, and he is a World War One vet, which makes him a pretty damn big hero in my book.
While Jacob is obviously a solid dude, I literally spent the first quarter of the movie unsure what kind of person Newt was. If you look at the story on its own, in a vacuum divorced from back of book text, trailer clips showing middle-to-late scenes in the movie, and review buzz, Newt’s motives remain uncertain until the big reveal of his pocket-dimension menagerie. That comes roughly 45 minutes into the movie.
I spent the first 10 minutes thinking Newt was maybe a bad guy and the next 35 minutes wondering just what his angle was. I think in that context, I can be forgiven if I couldn’t peg him right away as the story’s protagonist when Kowalski was introduced right away as clearly a good and honest man.
So when the guy I knew from the start of the movie was a good guy disappears from most of the last act (Kowalski is gone for a seriously long time after he makes like’s gonna go with Queenie and do something big) and the guy who spent the first 45 minutes of the movie acting like he could plausibly be the villain, or is at least a Cyrano Jones, is the one who has the big showdown with the real bad guy, yeah, I was bummed.
Fantastic Beasts and Where to Find Them came so close to being a good movie that it hurt. It had so many things going for it, and all they needed to do was just fall into place to tell a story far better than any of the Harry Potters. But alas, it was not meant be! The refusal to take the last necessary steps into awesome territory and a final fifteen minutes that came crashing down around what had been built up, as though to telegraph just how badly I was about to be disappointed, managed to drag the whole thing into the rubbish bin. When I found myself thinking “Oh, my God, a pulpy story in the Harry Potter universe?!” I realized that there was no way I would not be disappointed, and no amount of finger crossing could save me.
Fantastic Beasts has a lot of stuff going for it, especially early on. In fact, up through the scene where they’re at the goblin speakeasy, I’m thinking “Man, this is fantastic!”
To begin with, FB starts essentially the same way as Mo-Sanshon!; an outsider crosses the path of a normal guy and drags him off on a wild adventure. Newt Scamander, a squirrely wizard with a menagerie of monsters enlists the help of the unwitting Jacob Kowalski to help him recover creatures that have escaped. Kowalski is the normal joe, everyman hero like the kind you’d see in the pulps – he was a part of the expeditionary forces in World War One, he’s a blue collar worker, and he has a dream of starting his own business.* Where these two cross paths is in the bank where Kowalski is trying to get a loan to open a bakery; at this point, we don’t know if Scamander is going to be a shifty villain or wild trickster, given the trouble he’s causing, but we know right away that Kowalski is someone we’re going to be rooting for!
Not only does it have the perfect pulp adventure setup, it’s got dames! Tina Goldstein is tough and no nonsense; she takes her job seriously and she’s capable – unfortunately, her compassion (and a bit of temper) had put her in a bad spot with her superiors and it’s shaken her confidence a bit. Her sister Queenie is smart and sexy, a powerful master of domestic arts (I know how this sounds, but watching her make dinner for Kowalski was absolutely one of the best scenes in the whole movie), and devilishly clever, but even though she can read people’s thoughts, she doesn’t resent men for thinking she’s a bombshell. She even falls for the normie every-joe!
The fact that Kowalski holds his own fairly well, a few bumbles aside, and isn’t reduced to a punching bag works out really strongly for a good chunk of the film. Unfortunately, the movie can’t fully embrace the fact that Jacob Kowalski is the real hero of the story. Wizards can do, get into, and get out of just about anything; Kowalski can’t, which is why the stakes for him as a mere mortal who’s won the heart of a gorgeous wizard dame are incredibly high and why he’s the one to root for. Unfortunately, when things reach their head with the uninteresting A-plot-that-feels-like-a-B-plot with whatshisname the evil wizard and the crazy orphan boy, Kowalski never gets his big-damn-hero moment that he desperately needs…that WE desperately need. Frankly, Scamander doesn’t get one either, and the whole unmasking of the bad guy as being some other bad guy felt incredibly anti-climactic. I didn’t care about the kid with the crazy chaotic magic powers or the guy trying to manipulate him; I cared about whether or not Kowalski would be able to break the no-normies-hooking-up-with-wizards taboo and if he’d get that bank loan!
Spoilers! There have been spoilers before, but I’m really going to spoil it now.
Even though the movie was starting to completely fall apart by the big wizard… conversation at the end, I’m thinking “Okay, there’s still a chance… there’s still a chance!” President Wizard Lady says ‘this is a disaster, we can’t wipe the memories of everyone in Manhattan’, and Scamander says ‘lol, yeah we can, cuz this thing I have’. Kowalski has to get wiped. There’s a teary scene as Kowalski steps into the rain where he’ll forget his big adventure and his love with Queenie. While Scamander gets pardoned and is allowed to go off back to England with his monsters and publish his book, the best he gets is an awkward derpy scene with Tina; we needed a moment of ‘Damnit all, New York is the publishing capital of the world, I’ll stay!’ with a big kiss on the docks. The final scene where Kowalski has his bakery with pastries shaped like the half-forgotten monster and a smiling Queenie shows up tries to bring things back around, but it’s nowhere near as good as we’d gotten to see him stand up to the President Wizard and say “I’ll have any dame I want, and I want her, and she wants me, and you wizards be damned if you’re gonna stop us!”
This movie came SO CLOSE to being what I wanted from a gonzo fantasy movie set in the Roaring 20s New York, and that’s what makes it hurt the worst. Frankly, the characters were far more likable than anyone else in the Potterverse. But one of the major problems the movie had was trying to work in a good versus evil conflict that just wasn’t nearly as interesting as the main good-guys and the host of cool, scary, and cute monsters. If they had completely excised the stupid and inane plot about Grindelwald pretending to be Graves and the kid who’d gone crazy supernova from being forced to hide his magic powers by a crazy magic hating orphanarium marm and just made it about tracking down a bunch of weird monsters that had escaped and undoing the damage they’d done, it would’ve been a much better story, because all of the parts of the movie focusing on the later were absolutely wonderful. Supposedly, there are going to be several more movies about Grindelwald, which sucks, because his storyline was the worst part of the movie that dragged the whole damn thing down. I don’t care about what the wizards do with boring generic evil wizard-guy, I wanted to see Scamander throw his British reserve to the wind and give Goldstein that hero’s kiss she obviously wanted and was literally crying because she knew she would not get.
*:Normal joes tended to be a lot more awesome back then; it’s a law of averages thing.
Move: 90’ (30’)*
Attacks: Gaze / 2 claws + 1 bite
Damage: Special / 2d6 each + Special/
No Appearing: 1
Save As: F12
The Wise Red Fellow stands well over 9 feet tall, even though his body appears to be that of a frail and stooped old man. His body is hunched over to support his enormous triangular head.
The head of this creature appears to always face the person observing it, even if directly behind it. Any individual caught in the Wise Red Fellow’s gaze must save vs. paralysis or be transfixed. If the victim succeeds on their saving throw, they must again make a saving throw against spells at -4 or be affected as per the spell Fear. Dwarves need not make the first saving throw and suffer no penalty on the second. Elves need not make either saving throw.
The Wise Red Fellow will move towards a paralyzed target, taking two rounds to reach them regardless of distance. Upon reaching the victim, the Wise Red Fellow will swallow them whole. Characters killed in this manner cannot be restored outside of a Wish spell.
If forced to fight, the Wise Red Fellow will attack with its two long-clawed hands. If both claw attacks hit, the Wise Red Fellow does no damage but will attempt a bite attack; if the bit attack succeeds, it does no damage, but the Wise Red Fellow will swallow its victim whole.
The Wise Red Fellow is immune to spells cast by Elves. Damage dealt to the Wise Red Fellow by magical weapons is halved.
The Wise Red Fellow is thought to be either a demon or a creature of fey, perhaps even a forgotten god. Legend holds that its head is filled and weighted with polished stones and its heart is an uncut ruby that oozes blood on the solstices. Supposedly, it possesses the knowledge of all beings it has consumed; some witches claim it can be summoned and petitioned for aid on an equinox by pouring sacrificial blood onto uncut rubies.
Earlier this year, I read Berserker and thought it was a pretty solid collection of short stories. I don’t know that I’m ready or have the time to plunge headlong, committing myself to the extensive Berserkerverse, but the first book was pretty great (even though I keep hearing folks say ‘the writing wasn’t as good in that one).
I wrote a little about Berserker last week. Though the series isn’t specifically name-dropped in Appendix N (Saberhagen does get an “et al,”), I thought it was quite good and a spiffy intro to his stuff. My enjoyment of the first installment may have contributed to my Black Friday purchasing decisions (Changeling Earth and the Complete […]
We’ve just about finished going through all of the submissions for 2017. We should be able to announce the line-up for at least issue 5 by mid-December. Issue 6 may be a little later, partly because the incredibly tough choices that need to be made within the constraints of budget and space. While I can always adjust for space, the only way we can adjust for budget is by our reader’s support.
I need to put together the pre-order Kickstarter for next year. I’ll probably flip it live in January so you’ll have someplace to spend that Christmas money you get.
With everything that’s been going on, I’ve struggled to keep up with both my pulps column AND writing new gaming content, but the last couple weeks, S:tT helped inspire me to get a few more gaming posts, and the long weekend let me not only catch up on my Planet Stories reading, I started the first volume of Swords of Steel. I’m always a little wary of promoting advertisers by way of review (ethics, and all), so I wanted to read it for myself before I started going into how you need to buy this (but really, support our sponsors, so they’ll continue to sponsor us). You need to read them. I’ll do some mini posts on it, if not actual reviews of the stories, but Swords of Steel is the real deal, and if you want more stories like the kinds we love and publish, DMR’s anthology series is a must read.
Lastly, things are coming along nicely with the Stark project. I’m probably going to go over the text AT LEAST one more time before I say “the text is good to go”, but I have the text from all three novellas prepped, formatted, and checked against the original Planet Stories text. I’ve avoided taking an editorial pen to the text except in occasions where an obvious typographical error is present and in one or two instances where a missing comma creates a confusing sentence.
The stage I’m at now is writing up character descriptions backed with examples from text, assembling project specs that could be turned over to artists. Once that stage is done, I’ll just need to scrounge the money I need to get things started. Fortunately, the Kickstarter for that is more or less ready for me to flip a switch on. When the day comes, I’ll have a press release to send out.
Lastly, I’m considering writing a self-help/DIY book on how to put out an SFF mag or anthology. I’ve gotten a lot of comments along the lines of “oh, wow, that’s so impressive, I wish I could do something like that, it’s crazy how you managed to put out a magazine that looks as good as it does.” The truth is, anybody can do it, and unless you go at the breakneck pace I did for 2016, it doesn’t cost a lot of money, either. So, I may try to collate and impart what I have learned.