W – Windir

I didn’t have time to write anything for W, so, uh…  Here’s a Windir album on youtube that I scheduled yesterday.

Of note, originally I was going to write something about weather, so it bears mentioning that Windir is no more because Valfar died after being caught in a snow-storm in the Sogndal Valley in the dead of winter…

Advertisements

V – Varg Vikernes

Fantasy has always had big impact on metal, and metal has had a big impact on fantasy. But so rarely have the two been joined so integrally as by Varg Vikernes. Sure Summoning, which is a great band, may put out album after album of (often obscurely) Tolkien themed black metal, but at the early forefront of the movement was Varg. While many of the other black metal bands had ‘cool’ ‘evil-sounding’ names in English, Burzum stood out. Meaning ‘Darkness’ in the Black Tongue of Mordor, Burzum was the brainchild of its sole member, ‘Count Grishnakh’, whose name was also an obscure lord of the rings reference. The project sprung out of an earlier effort, Uruk-hai, but beyond and apart from singing songs about elves and hobbits, as most metal bands are wont to do, Burzum explored the black and white morality presented in Tolkien’s world as it could be applied to the real world, viewing it through the lens of his own unique brand of Norse pagan nationalism.

Tolkien’s Middle Earth is a setting heavily influenced by old English and Scandinavian culture and mythology. However because he was a Christian writer essentially writing morality tales for a Christian audience, his cultures tended to be rather flat morally, which could be seen as a bowdlerization of the peoples from whom they were derived. His Orcs were uniformly evil, and his Men of the East were all barbarous, vile and amoral; a traditional view of less civilized pre-Christianized warrior societies and cultures.

For Varg, darkness represented the adventure to be had in the world, and when the light had purged that darkness, society would become decadent for that lack of adventure. Recall for a moment, how little of any import or interest happens in the 4th age; though it may be Middle Earth’s ‘happily ever after’, there is something sad about Sam all alone in his final days, looking to the west. In a more real-world sense, Varg explores the ideas of an ancient world that has been purged and homogenized by Christianity. The old ways and ancient culture is inevitably lost. It’s a recurring theme in fantasy, the departure of magic from the world. From the exodus of Dunsany’s Magician in the Charwoman’s Shadow to the last desperate attempt to stop the march of man’s progress by the Woodsy Lord in Thief, fantasy is filled with stories of a world diminished by the absence of these things. Man creates light to push back the darkness, because man fears the dark. But that is where the magic is.

Over his long career, he has recorded several albums that run quite the range of genre and style, never easy to peg down. His stuff gets lumped in with Black Metal because of the time in which Burzum was recording and individuals associated with him, though he has distanced himself from the movement and scene which he was never actively a part of.

This track from the album Hvis Lyset Tar Oss (If the Light Takes Us) is quintessential black metal, provided you like keyboards in your black metal:

This track from Filosofem is more along the lines of (oldschool) industrial metal:

This track from Daudi Baldrs (The Death of Baldr), which was recorded while in prison (for the slaying of Øystein Aarseth, who had concocted an elaborate plan to murder Vikernes, in self-defense), is something else entirely.

If I ever get around to playing Daggerfall again, I fully intend to go through with my plan to swap out the original sound files for the Daudi Baldrs album.  As a fellow fan of the Elder Scrolls, I think he might be able to appreciate that.

After being released from prison, he put out a pair of excellent metally albums, but has been on a much more experimental bent the last few years with Umskiptar (neo-folk with some heavier elements) and Sol Austan, Mani Vestan, which admittedly reminds me a lot of the stuff I was doing with Medicide before I had my mid-life crisis.

There are plenty of reasons you can find to not like Varg or to discount his body of work, but I won’t go into them here. You can do your homework and come to your own conclusions. As for me, I’ve found that despite any disagreement, qualms or whatnot, I’ve found his output incredibly enjoyable and excellent inspirational material for fantasy settings. Oh, yeah, and have I mentioned he’s working on an RPG? MYFAROG.org. You can find a lot of his thoughts on music, gaming and other things at Burzum.org.   He regularly blogs about religion and survivalism over at Thulean Perspective over on the blog-list there.

 

How Many Dead Babies Does it Take to Power a Home?

Probably enough that you should be worried that I wasn’t telling a joke.

People’s reaction should probably be akin to Dr. Orpheus’ when he discovered the power source of Doc Venture’s Joy Can.  But it won’t be.  We’ve become pretty blase about the creepiest shit.

On the plus side, I guess we’re so far through the looking glass and the moral event horizon so far behind us, pretty much anything goes and no one’s actions, no matter how reckless or depraved, should be questioned or judged.  Do what you want.  There’s no reason to follow any laws or respect the personages of others.  Have a ball, for the end of civilization is upon us! ::knocks a small stack of papers containing helpful tips and guidelines for appropriate software testing best practices off desk::

Note: I do think that the shot at Pontius Pilate is somewhat unfair.  I mean, yeah, he did uphold the sentence handed up by the Jewish people to kill Jesus*, but by all accounts, he was not a monster.

*:which under Buddhist rationale would make him a saint, as his actions against Christ were responsible for the fulfillment of destiny, making him an integral and essential part of the prophecy, which also makes him instrumental in mankind’s salvation.

S – Shared Universe

Did you know that Simon & Simon, Magnum PI, Murder She Wrote, Hawaii Five-0 and Whiz Kids all take place in the same universe?

It doesn’t happen often, and a lot of times when it does, we don’t remember it, but sometimes various popular TV shows exist in the same shared universe. I’m not talking about franchised-out series like Law & Order or CSI, where the parent show is acknowledged in the name. I’m talking about shows that exist as franchises unto themself but become interconnected in some way so that they share the same universe. This is typically done in one of two ways. One is the back-door pilot, in which a new team of characters are introduced in hopes that the audiences like them and then give them the chance to get their own show. The other is the cross-over, in which suddenly series A is getting its peanutbutter in series B’s chocolate.

How well this works and the connotations it bears on both (or all) series are determined largely by the nature of the shows. Sometimes it works out in a way that isn’t too out there, like with NCIS (spun off from Jag) or Jake and the Fatman (spun off from Matlock). But you also end up with some really weird ones, especially when you get into crossovers.

Profiler was part of the wave of criminal profilers with mild psychic powers shows that started cropping up in the 90s. Other than the fact that the main character could see the crime through the Victim’s eyes like she was Laura Mars or something, the show existed in a fairly normal police procedural world. Until Jarod from the Pretender shows up and suddenly we learn that Sam Waters is actually living in a dystopian science-fiction universe where evil near omniscient mega-corporations are spying on everyone and developing supermen.

Another show that got shoe-horned into a universe via crossover was Millenium, which for some weird reason I’d always assumed was part of the X-Files universe, even though confirming it certainly made Frank Black’s dark world of satanists and serial killers a lot more cartoonish.

Diagnosis Murder may take the cake: it featured characters from Promised Land (a Touched by an Angel spinoff), Mission: Impossible, Matlock and had characters show up in a Monk novel, which means that Angel Della Reese, Dr. Dick Van Dyke, Ben ‘Andy Griffith’ Matlock, Cinnamon Carter, Jake and the Fatman all canonically exist in the same universe as Adrian Monk. We’re in Scooby-Doo & the Harlem Globetrotters* territory here!

*:Pre-Crisis, of course…