One of the few things Anna Kreider and I have in common is we both find the art in Magic the Gathering rather disappointing. However, whilst Wundergeek’s complaints largely revolve around boob plates and the elves being too sexy, my gripe is the artistic shift away from the iconic art styles that defined MTG during its 90s heyday.
Before his death, Quinton Hoover, one of the artists who, perhaps more than any other with the exception of Douglas Schuler, shaped the aesthetic and implied setting of MTG, remarked that one of the reasons why he was out was that by the 00s, the art directors just didn’t want the kind of fantasy art he was known for and he couldn’t conform his style to the sort of art they did want.
The art was still pretty solid by the time I had quit regularly playing and collecting(late 1999), and not all of the stuff I’ve seen since was bad, but I’d noticed that there was definitely a shift that had started going on in Rath and Urza that struck me as being stylistic forerunner of the typical Wizards of the Coast fantasy art that you see all over the place these days. But rather than complain about the new art, I’d like to show a few of my favorite examples of the classic art.
Quinton Hoover’s clean line-art was second to none. Even so-so cards like this one became icon parts of MTG because of Hover’s art.
Another classic Hoover common.
A card whose endless popularity has nothing to do with how good it is.
I promise, Hoover illustrated cards that didn’t suck, but even the ones that did, his art made them worth holding onto.
All censoring this card did was send us kids to the dime boxes to buy up as many of the older versions as we could when we found out we’d been cheated out of burning pentagram.
But Schuler was someone who knew that evil existed and could be vanquished by good. Only thing that would make this better would be a Teutonic Eagle.
I also dug this Joan of Arc-ish piece; these found their way into a lot of my white decks.
Never neglect your education.
Of course, his Serra Angel is perhaps one of the most iconic images in all of MTG.
Whoa, hey, a thing is happening here! Betcha the squeamish Pathfinder feminists aren’t happy about this lady character or the lady who illustrated her, but man, don’t you want to know more about this character whose story this card gives you a tiny window into?! Baroh’s a mixed bag, but I do like a lot of her stuff.
Though Rebecca Guay often goes for a hazy feel in her water-colors, all of her line-work is incredibly strong and solid.
This was one of my all time favorites. It was a mediocre card in its day and even just a couple years of power creep later rendered it beyond bad, but man, who would not want to read half a dozen short stories about this lady!? Really, the early MTG flash fiction was a bigger selling point for me than the game itself.