“Is “Fireworks” (…) an homage to those bawdy ‘80s sex comedies like “Porky’s” and “Private Resort?”
I’ll be honest. I did not think Fireworks was that great; it was nowhere near as good as Your Name, though it still had a lot of charm and a lovely aesthetic to it. What I didn’t pick up on was anything that justifies Lemire’s need to equate Fireworks to one of the raunchiest R-rated sex comedies ever filmed.
Fireworks is about first love, from a boy’s perspective—from a boy who’s hovering in the awkward realm between childhood and adolescence. He wants to be a man and have the opportunity to prove himself, but, being a child and inexperienced and unwise to the ways of the world, he really doesn’t know what to do and has a hard time figuring it out.
Norimichi’s love for and fixation on Nazuna is innocent and non-sexual. For all of the shots of Nazuna that Lemire complains about, Nazuna’s portrayed not as a woman to be lusted after but something pure and elfin, beautiful and innocent, something that Norimichi wants to cherish and protect, even though he doesn’t really know how. She is the idealization of first love. Yes, there’s billowing skirts, subtle glimmer on the lips, hair wafting aetherially in the breeze—but no, there are not upskirts, downshirts, boob-shots, etc. She’s mysterious, and though imperfect, Norimichi idealizes her because she’s his first love.
Now, the boob jokes from the friends and about the teacher that Lemire complains about: Norimichi’s friends exist to show a contrast between Norimichi’s youth and innocent affections and male adolescent posturing. The awkward adult relationship between the teacher and her boyfriend, who cracks a joke about her breasts is there in juxtaposition to the purity of Norimichi’s first love.
Yes, all of the agency in the story is with Norimichi, because it’s a story of a boy trying to become a man and protect someone he loves.
Lemire is mad about this, too, but anyone who compares the story of a boy’s first love and how that boy would try to do anything he could to make life better for that girl to a movie where a bunch of high schoolers get into a violent prank feud with a redneck brothel owner is probably a broken human being.
*:This is a rhetorical question; since her resume includes 8 years working with the Armenian Genocide-denying Young Turks network, the answer is obviously yes.