Cirsova 2019 Awards Eligibility by Category

Cirsova Magazine of Thrilling Adventure and Daring Suspense is a semi-pro publication that, in 2019, paid .0125 per word for original fiction. In addition to its flagship magazine, Cirsova Publishing has released original fiction in Misha Burnett and Louise Sorensen’s Duel Visions and the 35th Anniversary Editions of Michael Tierney’s Wild Stars.

Cirsova has published 38 eligible works of fiction in 2019.

[Bold works are Tangent Recommended; * indicates Ursa Major Award eligibility]

Novel

Novella

  • Halcyon, by Caroline Furlong [S. Spec.]*

Novelette

  • The Elephant Idol, by Xavier Lastra [2.1]
  • La Molejera, by Marie Brennan [2.2]
  • The Ghost of Torreon, by Edd Vick and Manny Frishberg [S. Spec.]
  • The Bullet From Tomorrow, by Misha Burnett [S. Spec.]
  • The Star-God’s Grave, by Schuyler Hernstrom [S. Spec.]
  • Bleed You Dry, by Su-Ra-U [S. Spec.]
  • The Last Fortune of Ali al’Ahmar, by Rev. Joe Kelly [S. Spec.]
  • The Blacklight Ballet, by Misha Burnett [Duel Visions]

Short Stories

  • Young Tarzan and the Mysterious She, by Edgar Rice Burroughs & Michael Tierney [2.1]
  • Atop the Cleft of Ral-Gri, by Jeff Stoner [2.1]
  • The Idol in the Sewers, by Kenneth R. Gower [2.1]*
  • Born to Storm the Citadel of Mettathok, by D.M. Ritzlin [2.1]
  • The Book Hunter’s Apprentice, by Barbara Doran [2.1]
  • How Thaddeus Quimby the Third and I Almost Took Over the World, by Gary K. Shepherd [2.1]
  • Deemed Unsuitable, by WL Emery [2.1]
  • Warrior Soul, by J. Manfred Weichsel [2.1]
  • Seeds of the Dreaming Tree, by Harold R. Thompson [2.1]
  • The Valley of Terzol, by Jim Breyfogle [2.1]
  • Moonshot, by Michael Wiesenberg [2.1]
  • A Little Human Ingenuity, by William Huggins [2.2]
  • The Burning Fish, by Jim Breyfogle [2.2]
  • For I Have Felt a Fire in the Head, by Adrian Simmons [2.2]
  • Pale Moon’s Bride, by Ville Merilainen [2.2]
  • Pawn to the Queen, by Christine Lucas [2.2]
  • People of Fire, by Jennifer Povey [2.2]
  • Blue-Like-The=Sky, by Spencer E. Hart [2.2]
  • Doomsday Shard, by Ken McGrath [2.2]
  • Titan, by Rebecca DeVendra [2.2]
  • The Handover of the Scepter of Greatest Regret, by Hal Y. Zhang [2.2]
  • The Grimgrip, by Michael Tierney [Wild Stars III: Time Warmageddon 35th Anniversary Edition]
  • Sinker, Sailor, by Louise Sorensen [Duel Visions]
  • Ragged Angels, by Louise Sorensen [Duel Visions]
  • The Green Truck, by Louise Sorensen [Duel Visions]
  • Selena, by Louise Sorensen [Duel Visions]*
  • The Statue, by Louise Sorensen [Duel Visions]
  • The Summer of Love, by Misha Burnett [Duel Visions]

Covers for the Spring and Fall issues + Wild Stars Omnibus were done by Anton Oxenuk.

Omnibus Cover 0.05a

Cover for the Summer Special and art for our Illustrated Stark were by StarTwo.

Covers for the 35th Anniversary Editions of Wild Stars were by Mark Wheatley.

Proof Frontsproofs 7

Duel Visions’ cover was by Susan Bolhafner.

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Retro Fandom Friday – Enchantress of Venus Edition

[originally posted here at Castalia House]

This is it, the final Retro Fandom Friday for some time! People were abuzz in the Vizigraph about the Fall issue of Planet Stories, which featured Enchantress of Venus as its cover story. I totally did not plan for this to fall on the day that our Illustrated 70th Anniversary Edition of Enchantress of Venus comes out, but hey, it is a happy coincidence!

First letter we’ll look at comes from W. Paul Ganley:

What is Planet coming to? How dare your cover illustrate a story! All the science-fiction tradition, gone–Destroyed by a mere flick of the paint brush–lost forever. Oh, well, I suppose an artist had to hit upon a picture that would follow a story just by the laws of chance–even though they don’t read the story. (They don’t, do they?)

 

Enchantress of Venus automatically slips into first place, by three laps head of Action on Azura. It also automatically places Leigh Brackett fourth upon my list of authors–no, wait a minute, I’ll make that third. Will Jenkins(…)has slipped.

 

I agree with Rodney Palmer: Brackett’s work is undeniably like that of Burroughs’. Not, I believe, in style, but in the mood she creates. (Burroughs, by the way, is my favorite writer.) Oddly, her style is akin to that of Bradbury (my second favorite author); I say oddly, because I see no similarity in the styles of Bradbury and Burroughs.

 

I guess her character, Stark is here to stay. Now, I have a question I’d like you to answer when (?) you print this. Did Miss (?) (Married.–Ed.) Brackett write any stories about Stark before she left science-fiction-writing ‘way back when I wasn’t reading (anything, probably)? (See Ed Cox’s letter, below.–Ed.) If so what are teh titles, and in what issues did they appear (I want to get them, if any)? If she didn’t, here is a request–two requests. First, have her continue the series, as she can have him as a hero on any planet she chooses, without detracting from the story value–in fact, it would enhance the story. Second, if N’Chaka is a new character, how about a story (book-length novel, huh?) about his early childhood. I doubt whether the fen will accuse her of pirating Burroughs’ work. I’d like to read about the adventures of Stark in his youth in Mercury, and about the incidents of which she has but hinted in her latest stories.

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Short Reviews – Sword of Fire, by Emmett McDowell

[originally posted here at Castalia House]

Sword of Fire, by Emmett McDowell, was the featured cover story of the Winter 1949 issue of Planet Stories. It can be read here at Archive.org.

Whatever the hell that is they’re riding is totally making epic meme-face.

At last we get to the exciting cover story of the Winter issue!

Dashing raygun pulp hero Jupiter Jones is on a mission for the Galactic Colonization Board to chart nearby star system with potentially habitable worlds when his ship, the Mizar, gets hit by a space warp that throws him half-way across the universe. Without fuel and supplies to get back, he’s forced to land on an earth-like alien world to seek out the necessary fissiles to get him home.

Jones finds himself on a strange planet with several divergent humanoid races, most of which are the bred-slaves of a race of evil telepathic mollusk men! Lucky for Jones, in the octopods’ temple, they have a giant tentacle monster statue made out of uranium that may be his ticket home!

The Octopods managed to take over the world because the humanoid civilization had found these small creatures that, when affixed to the neck, gave them telepathic powers. Having telepathic powers and small mollusks attached to your spinal cord became all the rage. Of course, the small mollusks were the young life-stage of horrible tentacle monsters from the sea, and everyone who had one of the buggers stuck to his or her neck was easily enslaved.

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Short Reviews – Let The Ants Try, by Frederik Pohl (as James MacCreigh)

[originally posted here at Castalia House]

Let The Ants Try by Frederik Pohl (as James MacCreigh) appeared in the Winter 1949 issue of Planet Stories. It can be read here at Archive.org.

A man’s first enemy is his family—for he sees them first—but he sides with them against the families across the way. And still his neighbors are allies against the Ghettos and Harlems of his town—and his town to him is the heart of the nation—and his nation commands life and death in war.

Let The Ants Try is a great one. A lot of pulp stories I’ve read have tried to mix humor and horror, often with varying results, but I think this one nails it. It has an almost absurd premise, practically a joke, that’s played straight through to the end with pretty terrifying and grisly results.

In the not-too-distant future of 1960, we’re looking at Fallout: Detroit. The bombs fell, and it was hell on earth. Those who died in the initial blast were the lucky ones—those outside the city had the fortune to die slow and miserable deaths from radiation sickness. When the radiation finally died down enough, Dr. Salva Gordy, a professor of mathematics and physics, moved back to the ruins of Detroit, to be where his family had been and because he felt he had nowhere else to go.

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Short Reviews – The Green Dream, by Bryce Walton

[originally posted here at Castalia House]

The Green Dream, by Bryce Walton, appeared in the Winter 1949 issue of Planet Stories. It can be read here at Archive.org.

Even though I took Walton to task for his 5-point letter on illogical themes in STF, I’ve got to admit that between Savage Galahad and The Green Dream, I’m fairly impressed by his ability to convey the alien and the weird.

In The Green Dream, drug lord Owen Baarslag is accompanied by a strange alien girl, Joha, on his quest for revenge.

Owen is quite a heel:

To the Tellurian colonists scattered minutely through the rich area of Sector 5, Owen Baarslag was an unspeakable obscenity. A degenerate derelict; an abnormal who had “gone native” and things even more despicable. A Stith addict who eked out a precarious existence in the most polluted occupation known: that of forcing the timid Venusian swamp natives to harvest the meagre crops of aukweed from the lake bottoms.

He wasn’t always, though. He was once a scientist, quite brilliant, actually, until he was outlawed by the academy. Owen forever harbors a grudge against his twin brother, Albert, also a brilliant scientist, who was the one who turned in the very psyche eval that condemned him.

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Short Reviews – The Night Has a Thousand Eyes, by John and Dorothy de Courcy

[originally posted here at Castalia House]

The Night Has a Thousand Eyes, by John and Dorothy de Courcy, appeared in the Winter 1949 issue of Planet Stories. It can be read here at Archive.org.

There have been a number of husband and wife team throughout SFF history. And we’ve long-since put to bed the myth that pulps weren’t publishing stories by women unless they hid behind a male name. But John and Dorothy de Courcy may be one of the first husband/wife teams I’ve seen credited together, and exclusively together, in the pulps. (Moore and Kuttner were independently well-known, and Moore was always credited under her maiden name when they were credited jointly; John & Dorothy seem to be exclusively a couple thing, and that’s kind of adorable). The de Courcy’s also seem to have some small contemporary popularity and recognition via Libravox despite having a relatively small body of work from the late 40s, published mostly in a couple Ziff-Davis magazines and fanzines.

The Night Has a Thousand Eyes is one of those SFF crime-thrillers that could work a contemporary setting just as well as a futuristic one and makes you wish SFF of this era was better represented on the big and small screen. The story’s anti-hero is a rough pace pirate type hanging in an even rougher dive—he’s doing impossibly stout shots to impress folks, but this leads to him getting into a scuffle where he accidentally kills a man: the brother of an exotic dancer who witnessed the murder.

The last thing Captain Brace wants is a run-in with the spaceport authorities. He wants to spare the girl if he can, but his options are limited. He can’t keep her along, but selling the dancer to human traffickers is almost as unpalatable as killing her.

Despite its brutal premise, and its tense and thrilling execution, The Night Has a Thousand Eyes is a touching and emotional story with a powerful ending.