*Chugging Along* Leave Us Reviews!

Last week, folks downloaded over 400 free copies of Cirsova #5! We were briefly #1 in our Amazon Free Stuff category.

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Hopefully, a few of you will leave us a review to let us know what you thought! Amazon reviews go a long way to help us out and require very little effort.

Also, Issue 7 has been out in the wild for about 3 weeks now. If you have had a chance to read it, please let us know what you thought!

Finally, just a reminder, you can still vote Schuyler Hernstrom’s The First American or Spencer Hart’s Death on the Moon for the Planetary Awards and S.H. Mansouri’s Beyond the Great Divide for the Ursa Major Awards!


Jesse Eisenberg’s Lex Luthor and Why I Defend It

So far, the DCEU has been pretty terrible.

  • Man of Steel was an overly serious and pompous trainwreck that fundamentally misunderstood the character of Superman and managed to make the two plus hours of non-stop action dreary and tiresome.
  • Batman vs. Superman had a few decent moments of pathos that were tied more to our memories of Chris Nolan’s Batman than anything the movie actually gave us, but those were largely mired in a poorly paced mess of a plot that relied on a number of assumptions and the feeling that we’d “missed something”. Plus making Gotham Metropolis’ Jersey City was a strange choice.
  • Suicide Squad was another trainwreck that felt like it should’ve been the second movie in its own franchise and was edited so haphazardly that I think they were going for a Tarantino feel but without an ounce of finesse; fans cheered it against critics because a) they’re fans, b) everyone hates critics, even when they’re right on occasion, and c) Harley Quinn fangirls & boys.
  • Wonder Woman was heralded as brilliant because it was the first entry into the franchise that was a competently done film.
  • After watching creepo Ezra Miller try to pressure an uncomfortable and embarrassed looking Gal Gadot into saying his Smash-the-Patriarchy BS during a promo interview, I figure I’ll wait until my gym picks up Justice League to watch it.
  • The fact that they’ve hired Ava DuVernay to direct New Gods suggests that WB & DC are entirely unserious about the prospect of making good movies in the immediate future.

LuthorNow for my dangerous claim: the one bright spot of the DCEU was Jesse Eisenberg’s Lex Luthor. It was the one genuinely interesting thing that the films did in terms of storytelling, direction, and acting. His Luthor was not without problems, of course—the biggest being that his character was named Lex Luthor.


The main complaint I hear about him is “He’s not Lex Luthor; he’s not my Lex Luthor,” and no, he’s really not. Which is why it’s a damn shame they call him Luthor, because now you CANNOT do anything else with the character. Lex Luthor is usually portrayed as either a criminal mastermind, a mad scientist, or evil corporate billionaire with tons of resources at his disposal. In most cases, he’s set himself up as untouchable, and in fan favorite portrayals (StAS, L&C:NAoS) he’s often a cool, calculating and collected character—quite the opposite of Eisenberg’s portrayal. You need that aloof, powerful and untouchable nature to remain an ongoing villain to Superman. Yet the Luthor portrayed in BvS is a fantastic Batman villain and far more interesting than your typical portrayal of Luthor.

At its core, Batman vs. Superman is a story about three men who are living in the shadows cast by their absent fathers*. Their fathers have shaped who they are, what they do, what they believe, and they are constantly trying to live up to ideals that they think will make the ghosts in their memories proud. Eisenberg’s Luthor is shattered by this pressure. He’s the broken mirror that’s held up to Batman and Superman; could they turn into this broken and groveling man who is desperate to make Daddy proud? Many times in his adventures, Bruce Wayne comes close to this; he approaches the edge and often has be pulled back by his friends and loved ones. He sees himself, to a degree, in a character like Eisenberg’s Luthor, and it terrifies him. He wears the mask of the happy playboy billionaire, but every day inside he’s asking himself “Am I making my father proud?” And it makes Bats and the folks watching him wonder “How is he going to avoid ending up like that? Can he? How similar they are!” Like I said, A GREAT BATMAN VILLAIN!

Now, I understand why a lot of people don’t like him, I really do! And I agree, he’s NOT Lex Luthor, and his character should NOT have been called Lex Luthor. Calling him Lex prejudiced fans against character and ensured that this intriguing villain, great in his own right, cannot be used or explored further in future. It’s a shame, because really he was the one worthwhile thing the DCEU gave us.

*:One aspect that sets Supes & Bats apart from Luthor in the film is their love for their mother—something which Luthor is not shown to have—which brings them together against him at the movie’s climax, but that’s like an essay unto itself, right there!

Prelude to the Death Crypt of the Ultralich

I don’t have a better name for my current game yet, and it ultimately may not take the direction implied in the name (though the mass combat game I ran two weeks ago did serve as a “distant prologue”).

I’m experimenting with a dynamic exploration-focused dungeon, one which begins… almost empty!

The design concept ties into adventure hook that got the party there:

There’s a small town celebrating its founding day, which is normally a smaller affair, but this is the anniversary of the end of the Wizard War. There’s a stone marker outside of town on a hill, and it’s an “historical site” which Wizard War nerds might want to check out on the 500th anniversary. Between the end of the Wizard War and the founding of the town, there was a “rain of dirt” (possibly a volcano, possibly magic upheaval) that buried whatever was there. Folks didn’t want the spot to be totally forgotten, so they put up a plaque. The party found the ruin because a child playing on the hill fell down a sinkhole.

The complex is actually a small buried temple built on top of a previously buried monastery that was built over a series of crypts to seal up some of the residual evils of a Lieutenant of the Ultralich who was defeated on that spot. Below that are caverns and who knows what; I haven’t even fully keyed the crypt area.

The top level is mostly empty, stripped bare, and even the purpose is somewhat of a mystery until the players find the chapel. There are a few collapsed tunnels at the edges of the map, and a room with bats indicating that the room is near the surface of the hillside. Eventually, these tunnels may become excavated as more adventurers and possibly clergymen and historians begin to explore the upper ruins. These empty rooms will serve as future sites of minor archaeological base-camps or refuges for vagrants and bandits. But for now, the party has the ruins to themselves.

I remembered how much I hated the Bruce Heard game I was in because, despite all of the cool fair and carnival stuff around, I didn’t get a chance to interact with it, so if my players decide to do some carnival games, I’ll let them. We’re going to Millennium Fair it. I’m also allowing them to create a bit of the town themselves, picking what they need to have in the town, letting them name places and people. We’ve already ended up with an awesome tavern keeper named Crazy Jim, whose specialty is Owlbear stew. Over the course of the evening, it was established that Crazy Jim is a retired adventurer of ridiculous level.

My DM (a player in this game) is on a Delicious in Dungeon kick, and I’m happy to oblige. Turns out, the secret to making top-notch Owlbear Stew: you gotta make em good and angry. Most animals if they’re all riled up, the meat can get tough and gamey. But Owlbears are different—when an owlbear gets mad, their muscles get all loosened up, like they’ve done a bunch of stretches and then gotten a massage; makes em move all fluid-like. So, if you want the best Owlbear meat, you’ve gotta get em real good and pissed off before you kill them—the meat’ll just fall off the bones.

So, for now, my dungeon chef is contenting himself with frying up centipedes and mice with the wild green onions he’s picked.

Interestingly, my three players have all opted to run Thieves. They reason that this way they’ll always be able to be sneaky and at least one of them will always get a backstab. They have a fighter and Halfling for hirelings; we’ll see how all of this will work out. The halfling’s probably better at hiding from things than they are at this point, but there’s been very little to hide from so far.

The downside of everyone playing thieves, I can’t use this as an opportunity to really go for broke on sticking to the book on Moldvay magic rules. I went out of my way to stock the dungeon with scrolls to reward someone who picked “Read Magic” as their one first level spell. There’s an NPC elf lady whose spell is read magic, but the party didn’t pick her as a hireling, so she very well may end up as part of a rival adventuring party.

The second level of the dungeon, once they reach it, has two mini-side dungeons off of it. One is a workshop with a few high-loot-value mechanical monstrosities that are terrifyingly out of depth. The other is the original monastery’s library, which has been taken over by Aranea.

A lot of the treasure will be hidden in the crypt below the 2nd level, but opening the vault to the crypt will trigger some stuff that will turn much of level 2 “active”. This could upset anyone trying to set up shop on the first floor, definitely a corner of the 2nd floor, and maybe even the rest of the town.

Cirsova #5 Free All This Week!

We’ve been running a promotion on twitter, where for every 100 retweets, we’ll make a back issue of Cirsova free.

We’re making #5 free first, because it contains both The First American (Schuyler Hernstrom) and Beyond the Great Divide (S.H. Mansouri), which are finalists for the Planetary Awards and the Ursa Major Awards respectively.

So, download the issue, read those stories, and go vote!

An Opportunity

Just a heads up on this: any Cirsova contributors with stories in 2018 issues are eligible for potential inclusion in this Best Of anthology.


When I was looking for short fiction markets I ran across a call for submissions for The Best American Science Fiction And Fantasy 2018.  As near as I can determine, it’s a legitimate anthology, open to SF and Fantasy stories published during 2018.  For full details on the requirements, read the link, but the short form is that they are looking for stories published in magazines or anthologies this calendar year (not self-published) by American or Canadian writers and published by American or Canadian publishers.

This means, for example, that stories published in Cirsova magazine would qualify, provided the author is American or Canadian. (Unfortunately Superversive Press is Australian, which means I can’t send “mDNA”).

It doesn’t say specifically when the submission period will end, but the implication is that it will be open all year.

This looks to me to be a chance to promote Pulp Rev/New Adventure…

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“Beyond the Great Divide” by S.H. Mansouri an Ursa Major Award Finalist

“Beyond the Great Divide”, S.H. Mansouri’s Slagborn tale from our Eldritch Earth issue, is a finalist for the 2017 Ursa Major Awards in the Best Short Fiction category!

The Ursa Major Award is given out in numerous categories for (often SFF) works pertaining to Anthropomorphic non-human characters. In the case of Beyond the Great Divide, that would be our human-hating insectoid/land-crab-men, the Slagborn, who populate some of the more inhospitable regions of the Eldritch Earth.

Anyone can vote!

All you need to do is register to be sent a voter token in your email.