Realities of Short Fiction Economics

The economic reality of short fiction publishing that authors and editors are both afraid to admit is that supply outstrips demand on an astronomical level.  Even token markets get more subs than they can publish. Only editors who insist on fiction having value try to pay reasonable rates, even if in many cases it’s not economical for them. Even Neil Clarke of Clarkesworld has expressed some frustration with the financial realities of running a pro-paying magazine.

Authors want to be paid, of course, but authors also want to be published. Some (many) authors REALLY want to be published–they care more about having their story out there than making money. And the ratio of authors/stories to editors/publications? It makes it so that stories lack value in an economic sense.

There’s no scarcity.

At all.

Even when there is quality, there is not scarcity, so there’s not a lot of economic incentive to pay “pro” rates [especially given the often decent-to-high quality of fiction/authors willing to accept less].

The scarcity of short fiction comes in name recognition, not the fiction itself. There are a gorillion amazing stories, but for instance, there is only one Sky Hernstrom–with only one Sky Hernstrom creating a limited supply of Sky Hernstrom stories, the value on those stories becomes a premium. If I can pay Sky more for a story than another guy because I want to be the pub carrying Sky Hernstrom stories, then that’s where the value comes into fiction, not through the slush pile of great undiscovered and unpublished fiction we see every year.

The addendum to this is that if we’ve published you once, there’s a much higher chance we will publish you in the future, because a) we like your stories, b) your stories become part of our “brand” so to speak and c) if our readers like your stories, they will buy us to read them.

Some have suggested that the only viable option for authors is a sort of donation/patronage system for their writing. And that, I gather, is what Clarke and other SFF pubs are doing to keep themselves afloat–small donors, subscribers, and whales subsidize the many non-paying readers like the ones Clarke is struggling to monetize. For an unknown author, building that level of patronage may be difficult, but it doesn’t have to be the only option.

Truly devoted fictioneers have the tools available so that they can really scrounge for every publication out there they could possibly submit to–Ralan, Duotrope, and Submission Grinder are a few examples of such tools.

Publishing across many outlets is a great way of increasing visibility to the point where releasing periodic anthologies is feasible.

As much as I’d like to publish everything a few of our authors put out, it would be bad for them because it would restrict the visibility of their works to our audience.

If they published 4 stories with us, they would have 4 stories that were seen by the same set of eyes more or less, but if they published 4 stories in 4 magazines, they’d have reached as many as 4 times as many readers, including those who would be interested in catching up on what they missed in a collected anthology.

If you’re interested in submitting to Cirsova Magazine, we pay semi-pro rates at approximately .0125 per word for short fiction up to 10,000 words. We will be opening in Mid-October for submissions. More details are here.

Our latest issue, the Cirsova Summer Special is available now, and our upcoming Fall issue will be out September 16th. If you’re interested in submitting fiction to us, it will be helpful to read at least one issue to get an idea of the kinds of stories that we are looking for!

Submissions for Cirsova Issue 4 is still open! (Except if you’re reading this now, they’re not)

Important Update: We are pretty full up – at this point, we are already looking at options to keep too many good stories from bumping one another out of our available slots.  We have decided that it would be better to close submissions a week early rather than be forced to send out more rejection letters to authors competing in an already crowded pool of submissions.

Issues 2 & 3 are full, but we’re still buying for 4!

Important Update:

We’re good on Fantasy stories!  We have more than enough fantasy stories to fill several issues, so even if you send a really good fantasy story, chances are getting slimmer and slimmer that we’ll be able to buy it.

So what should you send?  Raygun Romances!

Spacemen and Spacecops on Mars or Venus or Mercury, investigating unrest among the natives, corruption in the colonial monopolies, intrigues in the native royal courts, planning revolts to reclaim the ancient cities from the Earth Man, freeing enslaved earth from alien monsters or even hunting Nazis on hidden jungle moons.

Examples of the kinds of stories which will be top priority going forward:

The Spider-Men of Gharr by Wilbur Peacock

Raiders of the Second Moon by Basil Wells

Red Witch of Mercury by Emmett McDowell

Lorelei of the Red Mist by Leigh Brackett & Ray Bradbury

The Martian Circe by Raymond F Jones

Moon of Danger by Albert de Pina

 

I’ve created a proper webpage for the magazine, which you can find up there on the top menu.

I’ve posted updated submission guidelines as well so that people aren’t looking at a six month old blog post.

I’ve added a contributor page which will contain a list of all Cirsova contributors and their contributions linked to where else you can find those individuals on the web.  This will be updated on an ongoing basis as each new issue comes out.

Cirsova’s listing at The Grinder should be updated soon, and Cirsova now has its own Duotrope listing.

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