Jesse Eisenberg’s Lex Luthor and Why I Defend It

So far, the DCEU has been pretty terrible.

• Man of Steel was an overly serious and pompous trainwreck that fundamentally misunderstood the character of Superman and managed to make the two plus hours of non-stop action dreary and tiresome.
• Batman vs. Superman had a few decent moments of pathos that were tied more to our memories of Chris Nolan’s Batman than anything the movie actually gave us, but those were largely mired in a poorly paced mess of a plot that relied on a number of assumptions and the feeling that we’d “missed something”. Plus making Gotham Metropolis’ Jersey City was a strange choice.
• Suicide Squad was another trainwreck that felt like it should’ve been the second movie in its own franchise and was edited so haphazardly that I think they were going for a Tarantino feel but without an ounce of finesse; fans cheered it against critics because a) they’re fans, b) everyone hates critics, even when they’re right on occasion, and c) Harley Quinn fangirls & boys.
• Wonder Woman was heralded as brilliant because it was the first entry into the franchise that was a competently done film.
• After watching creepo Ezra Miller try to pressure an uncomfortable and embarrassed looking Gal Gadot into saying his Smash-the-Patriarchy BS during a promo interview, I figure I’ll wait until my gym picks up Justice League to watch it.
• The fact that they’ve hired Ava DuVernay to direct New Gods suggests that WB & DC are entirely unserious about the prospect of making good movies in the immediate future.

Now for my dangerous claim: the one bright spot of the DCEU was Jesse Eisenberg’s Lex Luthor. It was the one genuinely interesting thing that the films did in terms of storytelling, direction, and acting. His Luthor was not without problems, of course—the biggest being that his character was named Lex Luthor.

 

The main complaint I hear about him is “He’s not Lex Luthor; he’s not my Lex Luthor,” and no, he’s really not. Which is why it’s a damn shame they call him Luthor, because now you CANNOT do anything else with the character. Lex Luthor is usually portrayed as either a criminal mastermind, a mad scientist, or evil corporate billionaire with tons of resources at his disposal. In most cases, he’s set himself up as untouchable, and in fan favorite portrayals (StAS, L&C:NAoS) he’s often a cool, calculating and collected character—quite the opposite of Eisenberg’s portrayal. You need that aloof, powerful and untouchable nature to remain an ongoing villain to Superman. Yet the Luthor portrayed in BvS is a fantastic Batman villain and far more interesting than your typical portrayal of Luthor.

At its core, Batman vs. Superman is a story about three men who are living in the shadows cast by their absent fathers*. Their fathers have shaped who they are, what they do, what they believe, and they are constantly trying to live up to ideals that they think will make the ghosts in their memories proud. Eisenberg’s Luthor is shattered by this pressure. He’s the broken mirror that’s held up to Batman and Superman; could they turn into this broken and groveling man who is desperate to make Daddy proud? Many times in his adventures, Bruce Wayne comes close to this; he approaches the edge and often has be pulled back by his friends and loved ones. He sees himself, to a degree, in a character like Eisenberg’s Luthor, and it terrifies him. He wears the mask of the happy playboy billionaire, but every day inside he’s asking himself “Am I making my father proud?” And it makes Bats and the folks watching him wonder “How is he going to avoid ending up like that? Can he? How similar they are!” Like I said, A GREAT BATMAN VILLAIN!

Now, I understand why a lot of people don’t like him, I really do! And I agree, he’s NOT Lex Luthor, and his character should NOT have been called Lex Luthor. Calling him Lex prejudiced fans against character and ensured that this intriguing villain, great in his own right, cannot be used or explored further in future. It’s a shame, because really he was the one worthwhile thing the DCEU gave us.

*:One aspect that sets Supes & Bats apart from Luthor in the film is their love for their mother—something which Luthor is not shown to have—which brings them together against him at the movie’s climax, but that’s like an essay unto itself, right there!

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Retrospective: Batman and the Outsiders Vol.1 & Outsiders Vol. 1

I’ve been meaning to write this up for a while, but I’ve just been so busy that I’m only now getting around to it! A couple weeks back, I finished the original run of Outsiders. That includes Batman and the Outsiders Vol. 1, Adventures of the Outsiders (a continuation of BatO vol 1 sans Batman), and Outsiders Vol. 1 (a deluxe format monthly that ran concurrently with the conclusion of BatO post-Crisis, taking place one year after).

Outsiders was a title with peaks and valleys in its relatively brief run. By the time it was cancelled, it’s hard to not look at it as a mercy killing. I won’t say that Looker’s arrival ruined the Outsiders, but many of its best stories predate her addition to the team. After Jim Aparo left the original title, Mike Barr’s writing was still on enough to deliver some great stories, but by the time Jim had left the deluxe format title to other artists, like Erik Larsen (who drew Geo-Force’s chin longer than the rest of his head from the lip up), Mike had started writing for a main-line Batbook and was phoning it in a bit.

The Outsiders were never a great superhero team, and a lot of their team fights were run-of-the-mill Silver Age schlock (to which it was sort of an homage, if not the last gasp). The real charm of the Outsiders was in the deeply personal moments that these characters would sometimes share with each other and the reader.

Halo didn’t exactly have it easy, either, but she’s pretty chipper about it.

 

For instance, Katana begins as a very complex character; she’s lost her husband and her child and sworn bloody vengeance. Batman helps temper some of that vengeance, and taking care of Halo stirs her maternal instincts, though there’s the tension of being an adoptive mother of a teenage daughter that she has to work through. One of the great touches that I wish more had been done with was Bruce setting Tatsu up with her own oriental bookstore in Gotham as a front; she gets the ball rolling to open a store of her own on the West Coast in the deluxe series, but nothing ever comes of it. You can’t imagine how much I would love a series of Katana solving cozy oriental occult mysteries out of her bookstore. Unfortunately, Katana spends much of Outsiders Vol 1 just being the close-combat character with no powers who speaks in stilted English. While much of Katana’s personal drama actually does get resolved to satisfactory degrees (something I gather that gets rolled back in later books), the series misses out on opportunities to develop her further.

Halo goes through a pretty powerful arc, and has a rough ride, learning she was never human to begin with, finding her human host body was a terrible person, and nearly being absconded with by Kobra cultists while trying to find herself. She unfortunately spends much of Outsiders Vol 1 filling in the twee teenager role, but without near as many of the touching moments, such as when she and Brion were teased at as a couple but mutually backed away—the great “you’re like a sister/I’ve never had a brother before” moment was powerful, especially given Terra’s death over in Titans, but it was a bond that never really developed deeply.

Fans were often split as to whether Katana or Black Lightning were Batman’s #2 on the team while he was leading it. Many folks in the letters especially wished to see Black Lightning step up into the leadership role. And I’ll give Outsiders Vol 1 this: the arc where BL is wanting to try to get back on better terms with his ex-wife, but the African politician behind the food aid charity she’s working with turns out to be an evil dictator who’s stealing the money and turning his country into a Soviet satellite really was the best the deluxe run had to offer. And it was good. But Geo-Force was, for story reasons, the nominal team lead.

Except once Batman left, Brion kinda lost his chill, and Looker showing up to cheat on her husband (and lead Brion to cheat with Denise) didn’t help things. Looker, who was something of a knock-off of Dazzler, is portrayed as a chronic narcissist, is drawn like a drag queen, and never gets any character development beyond “Thot who cheats on her husband who misses her deeply”. Which is a real shame, because her origin arc in the final issues of BatO was really good and set her up to be a potentially better character than she ultimately ended up being.

Emily Briggs ultimately cheats on her husband because he loved her for who she was; she wanted him to be attracted to the attention seeking fame-whore persona she adopted when her physique changed. It’s pretty tragic.

Metamorpho was pretty great throughout. I really have no complaints where Rex was concerned other than the fact that he gets killed off for the garbage Millennium Crossover. He doesn’t get Ben Grimmed too hard, but his condition does give him some motivation. Stuff with he and Sapphire Stagg was solid, and just before he’s killed off, the two of them adopt a child together.

I get that it was a way they could end the comic and it had to tie into Millennium somehow, but making Dr. Jace a Manhunter sleeper agent was a terrible choice. After Batman left, she became the de facto team coordinator (if not leader), since Brion was usually having mantrums. She helped keep the team together, and really even played a role in starting it, since it was she who gave Brion his powers. Making Looker, who had sewn discord among them members of the team pretty much from the moment she showed up to the last battle with the Manhunters, the mole would’ve been a much better twist than making Dr. Jace suddenly evil for no reason.

Barr wrote a brutal, violent, and often petulant Batman, yet somehow his other characters from Outsiders tended to shine the brightest when he was around. His return at the end of Outsiders Vol 1. and the appearance in the Annual (a story that made me reconsider whether Kobra was trash-tier) were bright spots not for him, but for the other team members, but it wasn’t quite enough. Halo’s haircut, Looker being foisted front-and-center on so many occasions, and the character development that made first run what it was getting kind of tossed in some cases, flatlined in others, left an ensemble title with the ensemble spread thin even when the stories themselves were solid.

I need a better camera. I did a grid transfer enlargement of a panel of Geo-Force fighting Superman from BatO 19, one of the best issues. 

It sounds like I’m dumping really hard on a series that I do love, but I guess I kind of am. I’ll admit that a lot of the love I have for the Outsiders is for the potential that the characters and the title had that ultimately go unrealized. But I don’t want anyone to think that there weren’t high points. There were. Lots of them. And that’s why it was hard to watch a title that had so many great moments and great character development begin to grow stale and flanderize some of its best characters.

Oh, yeah, and Atomic Knight is an Outsider for like 3 or 4 issues.

DC Metal’s Dark Knights Ranked

As promised, I am ranking the Dark Knights from DC’s Metal event.

First, I’d like to note a few things about the other cross-over/tie-in titles:

Gotham Resistance was the real gem of the event. It picks up with Damian right after Batman’s disappearance, and brings in the Teen Titans, Suicide Squad, Green Arrow, and Nightwing for an all-out-assault on a Gotham City that has been transformed into a series of Malebolges by the Batman Who Laughs and a number of Gotham Rogues he’s empowered with Nth Metal Joker cards. The story flowed well across all four titles and, despite the fact that they’re titles I’m not interested in, made me consider giving them a shot because they were ALL GOOD!

Bats Out of Hell was a disappointment. While the B-team heroes brought an A-game story, the A-team heroes’ writers brought their B-game. Despite a shot to have some really great fights between the Dark Knights and the Justice League, or some good character development to build on some of the stuff established in the one-shot tie-ins, Bats Out of Hell was largely wasted. The first two issues felt like a muddle mess of clips, failing to establish much of story in its own right. Part 3 had a decent idea of primarily featuring a Knight interacting with his counterpart, but gets an F for execution. Hal Jordan and the Green Lantern Corps 32 literally uses Dawnbreaker’s power as an excuse to not draw half the comic. “Oh, he has power over light AND darkness? Let’s make ever other panel solid black and not draw backgrounds!” This meeting was nothing but wasted potential, and I much rather would’ve seen a Wonder-Woman tie-in devoted entirely to her and Merciless.

Batman Lost was really good. It may not have been a work of genius, but it’s easy to mistake a competently done Batman story in this vein as being genius because they’re so easy to mess up. It reminds me a bit of those navel gazey and introspective Bat stories that Grant Morrison is prone to writing; you know, the ones that that are tie-ins to his Bat Saga but are so off the wall that they don’t get collected in context of the works that would allow them to make the remotest amount of sense? It was like that, only you could follow it and it was enjoyable enough. It didn’t feel like a complete waste of time as a Bat story, even if it was kind of filler.

Now, onto the rankings of the Knights!

7. The Drowned – The Drowned is by far my least favorite of the Dark Knights. The gulf between the 6 and 7 slots are tremendous. The art wasn’t bad, but other than the whole “Batman is a woman in this world—also she is Aquaman,” it didn’t really do much to look at the character in any sort of unique, insightful, or exciting way. It had a nice aesthetic, but it failed to do anything with it and just was not an interesting book.

6. Red Death – Okay, Red Death is down here in number 6, but not because it was bad, just the others were better! Batman fuses with the Flash to gain access to the Speed Force. It’s kind of Cronenbergesque. The reason why it’s ranked so low is Red Death book really just portrays one brief scene between the two. I liked the concept, but wanted something meatier.

5. Dawnbreaker – Dawnbreaker gets a lot of hate because Dawnbreaker is dumb. The premise, that is. The Green Lantern ring went to Bruce Wayne, who used it for revenge against criminals and went insane with power (like that one time Green Lantern went insane, except worse, because he’s Batman and has Maximum Willpower + 200%). He ends up killing everyone and everything, plunging his world into total darkness. It’s dumb, yeah, but his book tells a complete story with beginning, middle, and end, and it features some really great artwork of Lantern-Ring horrors; which is what makes HJ&tGLC 32 that much more disappointing.

4. Batman Who Laughs – Batman Who Laughs falls in the middle because it met expectations. And meeting expectations was not easy to do, and this could’ve been a big let-down. As it is, though, we got a pretty gruesome Bat story that gives us a decent canonical reason for why, at the end of the day, Batman CAN’T kill the Joker. Imagine Return of the Joker, only with the real Batman being possessed and not schlubby middle-aged Tim Drake. Had a real “Oh, man… Oh, shit…” vibe to it; not for the faint of heart.

3. Murder Machine – Murder Machine was kind of bizarre and surreal, but oh my gosh it had some amazing art! In MM’s universe, Bane killed Alfred instead of breaking Batman’s back, and an AI Alfred program goes crazy, Batman along with it. This is one I need to reread so it’ll make more sense in context of the rest of the Event, but it was good enough that I decided to pick up all of Metal even though the Outsiders were a bait-and-switch in The Casting.

2. Devastator – This one was a real surprise; I expected Devastator to be in the middle, but whoa. Here we have a Batman who had to deal with a Superman who went crazy, so he injected himself with the Doomsday virus. I was not expecting that what sent this Batman off the deep end was seeing Superman kill Lois. Devastator’s interactions with Lois were some of the most powerful in the whole event (the “I’m doing this for you, Lois…”), in part because, unlike with some of the Knights, we don’t really have an “evil” Batman so much as a Batman who is broken by his worst fear—Superman going full murdergod and no force on earth able to stop him—coming true.

1. Merciless –Another big surprise and the best of the bunch. I’m a DCAU Wonder Woman x Batman OTP guy, so this one really tugged at the heart strings. Bats and Wonder have been leading the force of good in an extensive war with Ares. Wondy dies, and it breaks the Bat. Bats takes up Ares’ Helm of War, and goes all death knight crusader. And it’s awesome. Merciless is one of the only ones of the bunch who I could see having worked as a standalone villain. In fact, a Batman corrupted by Ares would make a pretty good recurring Wonder Woman villain, especially given the weakness of her own rogue gallery. The biggest letdown of Metal so far has been that Merciless and WW haven’t gotten much page time together, and the couple panels they got Bats Out of Hell were bland and even kinda spoiled some of Merciless’ depth. But still! Of the whole bunch, this is the one I want to see more of after Metal is over.

Addenda: Mom-Jeans Lois is smokin’ hot.

Plowing through Batman Trades

Spent a lot of the weekend reading a backlog of comics I’d gotten across various Christmases and birthdays and made a lot of headway.

I’ve got to say, I’ve actually really been enjoying the Final Crisis era Batman stories, particularly the Dick/Damien pairing (shades of Prodigal?), but I’ve got to say, the continuity of it is damnably confounding.

I’d known that Batman “died” in Final Crisis and that he would eventually pop back up and launch Batman, Inc., but when the story is being told across several titles, including special series and new titles, and collected in trades that don’t give any indication of reading order, it’s been a hassle figuring out which books to read. Sometimes Bruce’s dead, sometimes he’s back, sometimes he’s back but not really back… Early on, it also took me a bit in some of the books to go “Oh, okay, this is Dick”, because for some reason Dick Grayson gets drawn a lot like Bruce Wayne did in the 90s (sickly Dustin Hoffman from Midnight Cowboy).

The Batman & Robin series that picks up after Battle for the Cowl was really good. Trade-mark dark Grant Morrison, sure, but it’s the “good” Grant Morrison. While he’s probably my second favorite Bat writer after Dixon, the pendulum swings wide: when he’s on, he’s on, but there’s always the chance that he’ll churn out some absolutely muddled non-sense that’s damn near impossible to figure out what’s going on. And he’s on for Batman & Robin. Last Rites and Time and the Batman are a damn mess, but that’s probably because they’re respectively tacked on to a trade out of continuity or isolated from the story that would give it the context needed for them to make sense as anything but a fever dream of random Batman panels.

I also enjoy some of the arcs in the mainline titles featuring the Dick/Damian team, like the story of Vicki Vale trying to piece together the connections for her big expose on the Bat Family and the Road Home event that ties into those. Except the thing that bugs me is that they have so many overlapping and intersecting storylines that only some of them make sense.

Everything is building up to Bruce’s dramatic return from TimeTM. The main Batman books do a slow-burn story, working in some of the major threads but with the missing Bruce as a haunting spectre. The Batman & Robin book works on those same threads but in a much more serial manner, with Bruce’s absence becoming ever more pressing as the Black Glove and Joker are both fighting over Wayne’s legacy in their own ways until Batman 1.0 showing up at the last minute is a matter of life and death. Which doesn’t exactly jibe with a Bruce Wayne who has time to dick around subtly and not-so-subtly testing members of the Bat Family around the world while Dr. Hurt is in Gotham pretending to be Thomas Wayne, slandering Bruce as a deviant lunatic, and trying to murder everybody with cultists.

The storylines are good on their own, and I’m interested to see where the Vicki Vale one goes (if it goes anywhere), but when taken as a whole, they are a damn mess as far as any sort of continuity is concerned. I think I’m a few arcs away from covering everything I’m interested in from this period, and will be glad to be going back to the Pre-Knightfall stuff, mostly out of Legends of the Dark Knight.

Just Another Comics Post

I’ve been binging a bit on comics lately, and I’ve come to the conclusion that, whenever I can help it, I’ll go for the single-issues over trade paperbacks.

On one hand, it’s an economic issue. Oddly enough, buying a full run of individual issues is generally cheaper than trades—you can get a six issue run of something for about $6, while unless you can score a really good deal on it, a trade of the same run will go for around $10-$20.

The real reason, though, is I love seeing the ads and reading the letters columns, getting a glimpse back at pop-culture and fandom from yesteryear (probably something I’ve picked up on from going through my stack of pulps).

>Really bad advertisements for Final Fantasy: Mystic Quest

>Some really creepy fanboying for Tim Drake Robin in the letters sections

>Really bad, ham-fisted AIDS PSA

>Some people really excited to buy almost half a dozen variants of the same issue

>Some people really mad about obvious and cynical short term cashing in via half a dozen variants of the same issue

>Editor of DC admitting as early as 92 that with the millions of copies being printed, the collectors’ market was a house of cards, nothing would be worth anything.

Chuck Dixon’s Robin stories are good enough to make me real fan of the character, seeing Gotham through the eyes of some characters close to, but not, Batman. Not enough to make me a squeeing Robin Fanboi, but enough to keep an eye out for any of the Robin mini-series.

Still loving the Legends of the Dark Knight stuff. Destiny makes me hope that there are more stories about Old Norse “Bat Man” (who is basically a deeply introspective version of Dark Wolf from Fire & Ice). There probably aren’t, though.

As recent as 2015, with the Convergence event, there was a Batman & the Outsiders 2-parter, with Katana in her old costume and Halo with long hair. This makes me optimistic for DC.

Unfortunately, Suicide Squad looks like the Harley Quinn show and Katana still has her garbage New 52 redesign. I’d like to see her on another team away from the Harley Quinn trashfire.

Seriously, I’ll be convinced that Suicide Squad is a trash title so long as Harley’s a part of the team.

I know I’d sworn off DC with the New 52, but I may get back in if I find the right title. Until then, though, so long as this #comicsgate mess is going on, I’ll be supporting my local comic shop by buying back issues of 20 and 30 year old stories I’ve missed out on.

Thoughts on Looker and the End of Batman and the Outsiders Vol. 1

I’m nearing the end of Batman and the Outsiders, and though overall I’ve loved it, I have enough future issues to be somewhat wary of the direction that it may go in Outsiders Vol.1.*

The tail-end of Batman and the Outsiders introduces the new character, Looker, and several of the Outsiders solo covers on early issues promise some really hammy villains (the Duke of Oil, the Nuclear Family, and the godawful Force of July**).

 

Even though Looker’s 4 issue origin arc was one of the best runs since Katana’s yakuza arc, there are dark clouds appearing on the horizon.

First of all, the redesign of Halo. It first showed up in Outsiders #1 the previous month, but it shows up for the first time in continuity here. Frankly, she looks awful with a pompadour.

Beyond looking awful, this feels somewhat questionable because it’s coinciding with the introduction of Looker. I guess they couldn’t have two pretty women with long hair on the Outsiders, so they gave Halo this awful do to help differentiate between them?

Emily Briggs’ introduction and the foreshadowing of the character hint at her being a much more interesting character than I’m almost certain she’ll end up being. I don’t want to prejudge too much, but it looks like they’re going to play her up as being a sex-pot despite giving her some potential for real nuance. She’s a plain-jane bank-teller who wishes her husband would notice her more, and the comic sets her up for a friendship with Tatsu, but I spoiled it for myself and find out that once she gets her powers and joins the Outsiders, she ends up being something like the “bad-mom” to Katana’s “good-mom” where Halo’s concerned.

And it’s weird that I can tell I’m going to hate this character despite the fact that she had a perfect origin story. Really, it’s because she has such a perfect origin that I feel so certain I’m going to hate her, because I know that she won’t live up to its potential.

So, Looker’s deal is that she’s a descendant of a god-blooded race of kings from the inner earth; the Abyssian royal family had been growing more and more powerful and warlike until one of them decided to throw on the brakes and preach peace–he’s exiled and stewards rule in the family’s place while searching for a descendant to put upon the throne as a puppet. Briggs turns out to be the granddaughter of the exiled king, and the warring brother and sister pretenders are fighting over her. They unlock her god-blood powers (and beauty), and each magically brainwashes her. Before Halley’s comet can destroy the earth (wait, isn’t that the sort of thing Superman is for?), Looker shakes off the conflicting magical controls and ends the bloody civil war once and for all, naming a couple mooks rulers and ushering in an egalitarian society. While Batman’s more cynical as to how Looker overcame the conflicting brainwashing, Tatsu is certain it was Briggs’ love for her husband that broke the spell (she snapped out of it and wrecked the pretender king after he broke her wedding band and demanded she be his queen). Briggs’ husband realizes he’s been taking her for granted and how much he appreciates and loves her–he spent most of the arc devastated and praying that Batman can rescue his wife (and as a mirror to Sapphire Stagg, whom Metamorpho had just married and is in the same straits); at the end of the adventure, Briggs surprises her husband as Looker happy that she can treat her husband as ‘a woman as beautiful as she thinks he deserves’.

Based on how she’s set up, Looker seems like she could go down a number of interesting paths. She could keep up her friendship with Tatsu and help her dealing with her grief over her husband and child. She could play around a lot with the ‘true beauty is on the inside’ trope, with Looker being Briggs’ “inner self brought out”, as just a really good and loving person trying her hardest. Lots of stuff. But no, she ends up being self-centered and narcissistic and even has an affair with Geo-Force (which is really not a direction I like to see him going as the team’s “Righteous Dude”).

Eventually she becomes a vampire thot or something.

Anyway, of the issues I’m missing out B&tO, it would have to be the two immediately preceding the consecutive run of nearly 20 other issues I own, so it may be a minute before I find out just how wrong or how right I turn out to be.

*:The first several issues of Outsiders vol.1 ran concurrently with Batman and the Outsiders and the post-Batman “Adventures of the Outsiders”, the solo series takes place a year after the events of the original and still ongoing (though wrapping up) title. So, yay for confusing continuity.

**:For what it’s worth, I think that in the right hands, Force of July could be a great property. If they were given their own book in which they were presented unironically as good and earnest patriots who loved and fought for America instead of just being used a cheap punching-bag to attack Reagan Republicans, they would have a ton of potential for great stories as a kind of D or C list Justice League. I love their designs, particularly Mayflower’s. 

The Force of July: A Villain Team, Obviously!

DC Supers Shows – Just OK Enough To Not Be Terrible

I’ve started watching a handful of the DC superheroes shows, and while I’m not blown away by any of them, they do, for the most part, feel ‘adequate’. They are dumb, kinda cutesy, feel good dreck you can enjoy with the entire family. I just wish it went beyond that into something genuinely enjoyable.

I watched most of the first season of Supergirl, and yeah, it has a quirky charm to it. The biggest issue I have is with Jimmy Olsen; no, it’s not that they made Jimmy Olsen black, it’s that they’ve made Jimmy Olsen a heart-throb that all the women swoon over. There should be nothing cool about Jimmy Olsen other than that he’s Superman’s pal, otherwise it just feels wrong.

One of the best parts of Supergirl is that it fairly explicity exists in a verse where Clark and Kara are the only supers. This resolves the biggest problem that the DC Universe has that while there’s always some cataclysmic crisis on the horizon, there should theoretically be a glut of superheroes to take care of it.

I’ve started watching The Flash, as well; again it’s a kind of quirky, harmless, “oh, we’re a lovable bunch of goofs working to save the world” show. I wouldn’t say I like it more or less than Supergirl; it’s different. While the megaplot of Flash is more interesting than Supergirl’s, the day-to-day is more tiresome. It’s frustrating to watch Flash hopelessly moon over Iris who is a pretty garbage love interest.

Strangely, the setting premise of the Flash reminds me more of Static Shock than any Flash stuff I was particularly familiar with (which admittedly isn’t much).

While it’s certainly a different generation of show from the current crop, Smallville, which I’ve started on with my girlfriend, shows that things really haven’t changed that much. It’s clearly a template for what I’ve seen of the other series so far. I’m not sure how much of it I can take; everything I suspected about this show that I used to justify not watching it first run is pretty correct-BS teen highschool drama with supervillains thrown in. The only interesting hook is pinpointing when and why Lex Luthor becomes a villain – imagine how many lives could’ve been saved if Jonathan Kent weren’t just constantly a dick to him!

The supervillain of the week grind in these shows is frankly pretty boring. None of the villains are particularly developed or interesting, and the shows’ structure seems to exist in part to distract from how uninteresting the interactions between most of the characters are. It’s like, they want to come across as shows with heart, but they really don’t have any.

Somehow, Lois and Clark managed to pull of what these shows try with fewer special effects and next to no supervillains. Somehow the characters just felt more real and more warm than the current crop of DC shows. I can’t put my finger on it, and to just write it off as “well, Lois and Clark was a rom com with some action and the new ones are actually superhero shows” seems to not quite hit the nail on the head, even if it’s partial true.

Unless something changes, the current DC supers shows are never going to have good enough special effects for the superhero aspect to carry them, and I really feel like they don’t have good enough character actors and writers to bring the levels of charm necessary to come close to the old Lois and Clark’s tier of entertainment. Frankly, the main thing these shows have going for them are being recognizable superhero properties that people are hungry for and being family friendly enough that folks can watch them with the kids.

Of the current crop of DC shows, iZombie is far and away the best, and it’s not a supers show, and it’s barely a comic-book show, because the first thing they did was throw out nearly everything from the comic but the name. But it’s got good writers and better character actors than the other CW DC shows, and is just an all-around better watch. It’s really in a class of its own.