Recently got in my copy of Doug Ernst’s newest installment of his Soulfinder series, Black Tide.
With everything Tim Lim has going on, Doug had to switch artists, but with Matt Weldon taking over pencil duties, it still has excellent artwork.
The core of Black Tide is a nautical horror/monster story; a cultist in the navy absconded with a nuclear sub and its crew and is looking for an incorruptible who sank to the bottom of the ocean. Without offering up too many spoilers, they go out to sea, encounter the cultist, fight the monster.
The most impressive part of Black Tide may be its gorgeous packaging; I don’t think I’ve EVER seen a comic presented as nicely as this–multi-textured casewrap hardcover, heavy-stock pages, gold-foil leaf, sewn in ribbon. It’s REALLY nice.
The comic itself was good, but I don’t think it was quite as good as Demon’s Match. This might just be a matter of taste, but the first Soulfinder delved a bit deeper into the characters, and I think that’s where Ernst’s work really shines. In Black Tide, the characters are there but the circumstance of their mission has to carry the book, because there’s not much new that we see in regards to their backgrounds.
If I had any real complaint about Black Tide, it’s that the story didn’t have enough space to properly breathe and unfold. The setup is one which should allow for a greater buildup of menace and suspense. But I also understand that there’s always the fear with the graphic medium that decompression not only leads to pacing issues, it inflates costs. That said, I think that Black Tide needed more pages and more time to let the tension between the Soulfinders and the crusty old sea captain simmer. I also think that a longer story would have better suited the ultra-deluxe presentation of this volume. Strangely, while both Demon’s Match and Black Tide are 56 pages (I actually had to check), Black Tide felt substantially shorter.
Fans of the first Soulfinder will enjoy this–I did–but I don’t know that Black Tide is a good jumping on point for new readers, particularly at its price. The production values certainly justify the price point, but some readers may want more story for their money.