We did an interview with Paul Hair the other day for Hollywood in Toto. It went up yesterday and can be read here.
(Big shiny link so you don’t miss it ^^^^)
The article mostly features the exciting story of how we came to be publishing a brand-new Tarzan Story in our Spring Issue.
Some of the interview had to be truncated for length, so as a bonus, here’s a bit about the history of Cirsova, where the name comes from and why we started the magazine.
Cirsova started out as a TTRPG (think D&D) setting blog. Cirsova was the name of both an empire and its central province. I lucked out that Cirsova was one of those made-up words like “Kodak” that didn’t really exist in any language and didn’t really mean anything, so I was the only one using it. When I first started, if you tried to search for us, Google would ask “Do you mean Alissa Firsova?” (Look her up, she’s good.)
The setting was unused (it’s not a great setting, and while the “Encyclopedia” posts are all still on the blog if anyone really wants to read them, I wouldn’t recommend anyone try gaming in it). I did write a Choose Your Own Adventure book that took place in the distance past of the setting called “City at the Top of the World” which, despite Cirsova Magazine’s success has probably sold maybe a dozen copies.
The blog morphed towards more mechanical game-oriented topics as I became involved with the OSR [Old School Renaissance, though there’s disagreement about what the R really stands for]. This in turn led to additional focus on old school science fiction and fantasy writing. Conversations with Jeffro Johnson, who was a Hugo Awards finalist for his writings on 1e AD&D’s Appendix N works (books that had influenced the development of D&D), along with the Sad Puppies debacle got me thinking “I should start my own SFF zine”.
At this point, the most important thing to know is that it’s pronounced with a hard Latin “C”.
[…]Jeffro Johnson and the Sad Puppies had a lot to do with [why I started the Magazine].
I became aware of the latter because I was friends with the former, and he was on their short-list for best fan-writer.
“How cool!” I thought “The serious-business science fiction community has taken notice of the OSR!”
The history of the Sad Puppies, the name-calling, the record number of No Awards given out is too long and, at this point, too stupid to devote much time to.
But one thing that Sad Puppies had promised was what Brad Torgersen called “Nutty Nuggets”; basically if a spaceship and action was on the cover of a book, you ought to find action and spaceships in the book—just like if a box of cereal says “Nutty Nuggets”, you expect the box to have “Nutty Nuggets” inside.
Except a lot of the short fiction that the Sad Puppies nominated was not discernibly different from a lot of the stories that I’d seen some members of Mad Genius Club (a blog behind the Sad Puppies campaign) complaining about.
Jeffro Johnson had a joke about needing to “regress harder”, and I’d been reading a bunch of Planet Stories and whatnot around that time and thought “Surely there are people out there actually writing stories like this today; I’ve just got to find them.” So, instead of doing something sensible like trying to find a magazine that published the kind of fiction I enjoy, I started my own and was willing to pay around $75-$100 per story for short fiction.
I managed to cobble together a first issue with a handful of stories and some great art from Jabari Weathers. It was a little bit sloppy, especially compared to our current issues, but it was a shot across the bow. By the end of 2016, we’d put out 4 issues and around 250k words of fiction.
This got us a Hugo nod in the Best Semi-Pro Zine category in 2017 (apparently it doesn’t take many votes for non-pro magazines to get nominated). And we were No Awarded, as expected, because we were one of Vox Day’s recommendations that year and because I review old pulp stories and old war games on the Castalia House blog.
But we closed out 2018 having put out 10 issues in 3 years.
[RE: rebranding] (…)even though Tarzan’s technically SFF because he exists in the same setting as Pellucidar, the dinosaur-filled hollow earth, he seemed as good an excuse as any to reposition ourselves as something of an Argosy, rather than a Magazine of Fantasy & Science Fiction.