I’ve been trying to do a lot more reading lately, to get through my giant stack of unread books. A big part of why is that I inherited my dad’s gigantic library of history books, and I have nowhere to put all of them, so I’ve been trying to read them as quickly as possible and then give them away to friends and followers to make room for more boxes of books. If you want a chance to get your hands on the books I’m giving away, be sure to follow us on twitter [twitter.com/cirsova], where I regularly raffle off the books I finish.
The Personal Memoirs of Ulysses S. Grant
This has been a fantastic read. I’m about half-way through. I don’t think I’ve ever read a clearer narrative by a soldier and commanding officer of his campaigns. Even if it were only the first 100 pages covering the Mexican War, this would be a priceless account.
While extremely detailed, it serves to give the reader vivid and precise accounts of the action rather than bog the reader down.
Grant’s deference in his prose to the various commanders under him and over him is delightful–the frank portrait of Zachary Taylor as a commander in the Mexican War, his friendship with and deep admiration for Sherman, his frustration with Halleck as his superior and McClernard as his subordinate, are all laid out from a Grant who is focused principally on the facts of events, generous with praise for men who did their duty’s well and reluctant to disparage those deserving beyond stating what occurred in the course of things.
Lorena – Frank G. Slaughter
I’ve taken a quick break from Grant at roughly the half-way point [Chickamauga & the relief of Burnside in Knoxville] to read a period romance from Frank G. Slaughter. I really enjoyed his Phoenician romantic adventure, The Purple Quest, and have been meaning to read more of his books. I grabbed this and read the first four chapters while my GF was shopping at the Goodwill, and so far, it has not disappointed.
A brilliant young woman from the East coast has married a southern officer who is the heir to a massive plantation. The officer turns out to be a total wastrel and scoundrel; his father, the old county judge, realizes this and, before his death, teaches Lorena the ins and outs of the business of running a plantation.
Fast forward to mid-to-late in the Civil War: Lorena has managed to keep things running and profitable after the Judge’s death and while her husband is fighting in the war, though her methods are rather unorthodox for a Southern Lady [among other things, she has made a black her bookkeeper!] Her husband thinks himself a Rebel Hero and looks down on his wife; if he ever gets back and in charge, he’ll run the place into the ground. On the other hand, when the North inevitably wins the war, will Lorena be able to hold things together? She is well-loved and respected by the blacks on her plantation, including some who would be willing to stay on with her after the liberation–but if her rotten no-good husband has anything to say about it, he’ll drive them all to ruination.
Okay, this is just a for funsies thing on the side [and no, I’m not raffling these off]. Redfox is a British indie sword & sorcery comic from the 80s. It’s been amusing and pretty fun so far. Redfox is looking for treasure in dungeon, but it turns out that the treasure is bogus and the rumors existed so that at some point someone would come and revive a wizard from a healing torpor he placed himself in.
The wizard DOES reward Redfox, offering to teach her magic; while she’s an apt student, however, magic ultimately disagrees with her barbarian nature.
While the art isn’t amazing, the story has been pretty engaging. It’s a little shlocky and gaggy the way a lot of indie comics tend to be, but it’s not so much so that it detracts from the enjoyment.
So far, I think my favorite character is Whitefox… After Redfox leaves the wizard, the wizard becomes despondent and fixated. He ultimately creates a clone of Redfox who he makes his new apprentice. She is powerful and brilliant but like the other living magical creations of the wizard, she struggles with her identity [it has very strong Dying Earth vibes.] You just want to give her a hug.
This is why it’s so important to support Cirsova Classics projects on the front end:
We sacrificed physical copies of the pulps and spent countless hours salvaging this near-lost work for Timeless to come along and claim “we take every step possible to ensure the original integrity of this book has been upheld to its highest standard” when they dump the eBook that we donated to Project Gutenberg.
It’s their right to do so, just as it’s the right of anyone to publish works that are available in the public domain. But our edition remained unique for 1.5 months, and this mercenary edition from Timeless was published less than one month after the Project Gutenberg edition we donated went live.
So please, when we do these projects, support us however you can on the front end so we can afford to continue salvaging near-lost works of pulp fiction.
The Cirsova Classics editions of The Cosmic Courtship are available on Amazon at the following links:
Absolute Evil is one of the few Hawthorne stories that is not only extant but oft-reprinted. While Cirsova Classics is a project primarily focused on pulp stories that have never been collected or reprinted, we opted to include it for completion’s sake so that we would be releasing all of Hawthorne’s All-Story Weekly fiction together.
Not only has Absolute Evil been collected in a recent horror anthology [American Fantastic Tales: Terror and the Uncanny from Poe to the Pulps, 2009], following its publication in All-Story Weekly, it was reprinted in a British periodical, The Premier Magazine, in June 1919 as “The Island of Ghosts” with a handful of changes. Indeed, it is this version that has seen print more than the original [Island of Ghosts appears in both The Ash Tree Press Annual Macabre 2000 and Stark House’s Strange Island Stories anthology(2018)].
Most of the changes are superficial and the vast majority of the text remains the same. The only notable change of any significance is that throughout the text, the villain, the Reverend Nathaniel Tyler, an eloquent and fierce-preaching Calvinist pastor and theologian, is transformed into merely Professor Nathaniel Tyler. Some of the more blasphemous details described in the method by which a man engaged in diablerie might be granted powers to transform and work evil are omitted to tone down some of the imagery. Additionally, though of somewhat less consequence, Martha merely supposes by tradition her ancestry from the Salem witches rather than asserts it.
To an extent, it ruins this excellent line from the original:
“I was interested in original sin, and had dabbled in esoteric philosophy; my remote ancestors had been Salem witches. So, on these grounds at least, I was ready to meet Nat Tyler half-way.”
While I personally think that the changes made to the revised version weaken the themes and horrific nature of the tale [sure, we could all see a College Professor renouncing Christ and committing blasphemies to be granted Satanic powers to terrorize the New England coast, but a well-respected New England minister? Why that pops monocles even today!], I do think it is worth checking out both versions of the story for comparison sake.
Something interesting worth noting is that Martha Klemm is NOT the “Goth from Boston.” Yes, she’s mildly clairvoyant, yes, and she was the protagonist of a “gothic” horror [what the editors of All-Story Weekly refer to as a “different” story]. But…
The title is actually an artifact of this line:
“It was wonderful to hear the chaste lips of Cabot Selwyn reproduce the speech of the old Yorkshire mariner—as if from the portals of a Greek temple were to issue a Gothic gargoyle.”
Cabot Selwyn, the stodgy university biology professor, is quoting the uncle of his cute tomboy maid (Polly King) describing how she would “wallop” the boys, “but the first one as licks [her, she’ll] marry him.”
So, the “Goth” from Boston is Polly King.
Who’s that on the cover?
Maybe Martha Klemm, or more likely just a generic portrait that seemed like it would fit the title.
It’s hard to see from the original cover that A Goth From Boston is neither a gothic nor a horror nor even really a supernatural story! Rather it is a romantic comedy that features a South Seas adventure.
Martha tries to convince Selwin he should settle down with the lovely but rough girl, stop being stodgy, and take up farming and raise a family. When that doesn’t work, Martha and Polly go on an adventure together but keep running into Selwin.
Whether by rail or by ship, every time Martha thinks they’re finally off on their own just-girls adventure:
Since there were no original pieces of pulp art to use associated with either Doris Dances or Fires Rekindled, Michael Tierney suggested that we have an original piece done by Dark Filly, who has become Cirsova Magazine’s regular interior illustrator since the glowing reception of her work on Mongoose and Meerkat.
But why is there a blond woman in Ancient Egypt being attacked by a necromancer? This has popped a couple monocles and gotten a few head shakes.
There is, however, a good reason for it, and DarkFilly nails the scene and Michael’s colors [specifically the blonde in Ancient Egypt] are accurate.
Fires Rekindled contains a “pulp within a pulp”; while on the trail to find the identity of the individuals he feels a past-life connection with, the hero finds a Georgian/Regency magazine that loosely fictionalizes the affair and possible murder, setting it in Ancient Egypt.
As to why the princess is blond, the mise en abyme story is explicitly a ham-fisted and hackneyed thinly-veiled allegorical account of the blond visiting opera singer who died in Georgian England.
We decided that the climactic scene of the mise en abyme Egyptian tragedy would make a better cover than a guy poking around archives trying to solve the 100 year-old mystery [and a more exciting cover than an eccentric millionaire playing the banjo].
As for the more “cartoony” aesthetic, how does one convey a scene of a cartoon within a cartoon medium? We were challenged with conveying a pulp adventure [one which the text itself describes as pretty shlocky] within a pulp adventure. Of course, actual Georgian/Regency-era magazine covers were likely not particularly thrilling on the whole; the magazine the protagonist finds most likely looked [and was meant to evoke] something like Blackwood’s Magazine:
Cirsova Publishing’s effort to rescue Julian Hawthorne’s planetary romance The Cosmic Courtship from its ‘near-lost’ status was met with a tremendous response. We established a new and ongoing Cirsova Classics imprint devoted to finding ‘near-lost’ pulp fiction in the public domain and publishing them in modern format as part of a Stretch Goal that was met.
We only thought it fitting that, before moving on to other works by other authors, we should complete a set of Julian Hawthorne’s All-Story Weekly-era fiction in a standard set.
What is ‘near-lost’ fiction?
When we talk about ‘near-lost’ fiction, we refer to works that extant but virtually unobtainable for most modern readers. These particular stories are Public Domain and part of the world’s common literary heritage, however, in many cases, there’s virtually no way for anyone to read them! Many works from this era have only ever been printed in now very expensive and hard to find pulp magazines. Even if cost were not an object, availability often is.
As with The Cosmic Courtship, the aim of this project is to collect and reproduce these works in a standard modern format for readers today to be able to enjoy without having to spend a fortune collecting the rare and antique magazines in which they were originally published.
Who is Julian Hawthorne?
For those who are new and didn’t follow our project to restore The Cosmic Courtship, hello! Julian Hawthorne was the son of iconic American writer Nathaniel Hawthorne and an incredibly prolific writer in his own right. Julian wrote on a wide variety of subjects, ranging from literary analysis of his father’s works to poetry to period romances and adventures. Late in his career, Julian even dabbled in the emerging genre of Science Fiction. He was especially fascinated by the metaphysical, and many of his stories foreshadow “Weird Fiction.”
Who is Martha Klemm?
“JULIAN HAWTHORNE and Marth Klemm! Here is a combination to provoke the most jaded fiction appetite. Hawthorne, who is in the tradition of his illustrious father, transcends the commendation accorded lesser lights.” Thus did the editor for the December 20, 1919 issue of All-Story Weekly introduce the second appearance of Hawthorne’s heroine.
Martha Klemm describes herself as “a handsome spinster, of the Beacon Street, Boston, brand.” Claiming descent from the “Salem witches,” Martha is bold and forward modern woman with a touch of clairvoyance and a penchant for finding herself in strange circumstance and odd adventure in her globetrotting lifestyle.
Following The Cosmic Courtship, Hawthorne featured Martha as protagonist narrator of the horror novelette, Absolute Evil. The character must have been well received, at least by the editorial staff of All-Story Weekly. All-Story would go on to publish the novella A Goth From Boston and the novel Sara Was Judith, both of which featured Martha as narrator and a central figure in the midst of wild and tumultuous events, while vociferously lauding and touting Hawthorne’s charming heroine in the editor-written lead-ins.
Like The Cosmic Courtship, all three books in this project will be offered in the following formats:
Pocket Paperback – Cirsova has been bringing back the Pocket Paperback format! These are no-frills and have a small type face to reduce page count and costs. A good, cheap way to get the stories, but maybe not the best for older readers and the visually impaired.
Magazine Format – Cirsova recreates the look and feel of the pulps with these large-sized double-columned magazine-style paperbacks.
Trade Paperback – Standard trade paperback format. Good balance of cost and convenience.
Hardcover – Cirsova is offering each book as a handsome hardcover volume with wrap-around dust-jacket.
We are also offering an incredible limited edition coffee table Omnibus that collects ALL of Hawthorne’s All-Story Weekly fiction in a single oversized volume.
All in all, that’s 13 different books!
There are a LOT of books being offered as part of this project, so we want to try to make things as clear as possible!
Individual books – Whether it’s the pocketbook, trade, magazine, or hardcover, you can back for a single one of the books we’re offering. You can back for one book and choose other titles/formats as add-ons to your pledge. THIS INCLUDES THE LIMITED OVERSIZED HARDCOVER OMNIBUS.
Sets of a title – You can back for a set of a single title and receive all formats for that title. For instance, if you backed for a set of Sara was Judith, you would receive the pocketbook, the trade, the magazine, and the hardcover formats of Sara was Judith, and you could add other titles/formats as add-ons to your pledge.
Sets of a format – You can back for a set of all titles in a single format. For instance, if you backed for a hardcover set, you would receive Absolute Evil & A Goth From Boston, Sara Was Judith, and Doris Dances & Fires Rekindled in the hardcover format, and you could add other titles/formats as add-ons to your pledge.
All of the titles and all of the formats we’re offering through this project are available as add-ons which may be added individually to any tier. THIS INCLUDES THE LIMITED OVERSIZED HARDCOVER OMNIBUS! We’ve set aside an additional 100 which may be included as add-ons to orders for individuals who want the other sets or individual volumes.
This project has taken an immense amount of time, money, and energy from the team. Copies of the issues containing pieces of the stories that were NOT extant had to be tracked down, purchased, and scanned.
The text then had to be retyped from the scans of the pulps by Robert.
The retyped text has had to undergo numerous reviews for accuracy and then placed into format. We’ve brought in additional help, Cirsova Magazine copy editor Mark Thompson, so that P. Alexander isn’t doing all of those reviews himself. Hopefully, this third set of eyes will reduce embarrassing errors and typos managing to get through.
The artwork has had to be digitally restored by Michael using multiple copies of old, faded and sometimes damaged pulp covers.
We’re getting these fantastic stories back into the world come hell or high water, but being able to compensate the team for their time, effort, and investment is absolutely critical to allowing us to continue this project of restoring near-lost pulp works.
$10,000 – Pulp Trading Cards
We will be including free pulp trading cards for the Cirsova Classics releases. Each card will be fronted with the cover of the Cirsova Classics pulp title, and the reverse will contain vital facts, such as author, publication dates, originally printed, etc. and a short summary. Backers will be sent cards corresponding to the titles they pre-order. A card for The Cosmic Courtship will be sent to backers who pre-order the Hawthorne Omnibus. These cards will be exclusively made available through our pre-orders for Cirsova Classics titles!
$15,000 – Digital copies to all backers and donating the text to Project Gutenberg
The ultimate goal of a project like this is to make these available to the world because they are part of our literary heritage and everyone should be able to discover and analyze these works to better understand the patchwork history of this fascinating era of fiction.
If we manage to hit this goal, we will give EPUB ebooks to all backers AND we will donate the digital texts of these stories to Project Gutenberg!
Absolute Evil & A Goth From Boston
This volume collects the novelette Absolute Evil and the novella A Goth From Boston.
Unlike many of Hawthorne’s All-Story works, Absolute Evil has been collected and reprinted many times and is considered an absolute classic of horror. A Goth From Boston is a bit more obscure. Serialized across two issues, this story CAN be found online in scans with some digging, but has never been collected and presented as a whole.
Absolute Evil– (1918)
“Thomas Aquinas says that angels, white and black, can change men into beasts permanently; enchanters could do it, too, but not for long. Seventeenth century witchcraft affirmed that certain natural objects and rites could produce strange effects without aid of God or devil. But the operator must renounce God and Christ, be re-baptised, trample on the cross, and be marked in a certain way—a symbolic transaction. The person could then do only evil—good was forbidden to him, or her!”
Absolute Evil is, in many ways, Julian Hawthorne’s coda on his father’s works pertaining to the theme of Calvinist “doom.” Many of Nathaniel Hawthorne’s villains and tragic figures hearken back to Marlowe’s Faustus, with the worldview that destiny and damnation are unalterable though it was the choices they made through free-will that set them on the road to hell.
Unlike his father’s work on the subject, however, Absolute Evil is an action-packed thriller in which a Presbyterian minister turns himself into a werewolf and haunts the New England beaches.
A Goth From Boston– (1919)
“Her father assured me with pride that she could—as he expressed it—lick any boy of her age on the Beach. And he said to her once, in my hearing, when she had come in rather late to cook dinner, with that grin of hers, in spite of a black eye and a bloody nose, and with a tale how she had ‘walloped’ her latest antagonist—‘Right-o, Polly, my lass,’ he said; ‘as long as ye lick ’em, ye’re excused; but the first one as licks you ye’ll marry him—mind that!—so be he’s not married already; and that’ll be a lesson to ye never to mix it up with married men, anyway!’ A plain reversion to the Stone Age, you see.”
While on an errand to gently turn down a proposal from Cabot Selwyn, a Professor of Biology, Martha Klemm meets a most intriguing and alluring beauty–working in the service of the good doctor as mere maid!
Fate and the forces of nature conspire to throw the trio together time and again: can the Doctor escape his ivory tower understanding of biology and embrace the human?
Hawthorne explores the dichotomy between the “Prospero” and the “Caliban” within the human spirit, in this adventure on the high seas featuring a delightful Tomboy, a hapless professor, a chad sailor, and of course, Martha Klemm!
Sara Was Judith
This volume collects a true near-lost Hawthorne story. Originally serialized across five issues, Sara Was Judith was Hawthorne’s final novel for All-Story Weekly. It has never been collected or reprinted until now.
Sara Was Judith – (1920)
“She is not there, she is something else; she is an angel—or a devil come back to peep at us, to be worshiped, to mock us, to kill us, to smile on us as we die, and to go on to another, again to ravish and destroy him! What is she—who is she? No one knows! But she was, before the Pyramids, and when our great Londons and Parises are a jungle and a swamp, she was what men desire and can never possess, the glimmer in the dark, the mirage in the desert, the thing that is, and is not!”
The editor for All-Story Weekly called “Sara Was Judith” “one of the most remarkable stories ever written. It is entirely unlike any story that you have ever read.” Indeed, Hawthorne weaves a strange tale that straddles gothic, romantic adventure, and even body horror in a work that is truly prototypic of what would eventually become known as “Weird Fiction.”
Martha Klemm’s school chum, Sara, is an impossibly bland and uninspired woman living a rather dull and ordinary life–quite the contrast with Martha’s, filled with globetrotting adventure. Sara’s daughter Judith is her exact opposite: filled with life and vibrancy, mystery and mischief.
When a deadly storm drowns the girl saving the young lad who fancies her, Sara, in her one act of passion, hangs herself in her boudoir. Pronounced dead, Sara shocks the mourning household, friends, and doctor when she emerges later that evening, more vivacious than she has ever been… and protesting that she is Judith!
Julian Hawthorne’s final novel for All-Story Weekly is a haunting and beautiful tale of love and betrayal and the struggle between good and evil that Miss Martha Klemm finds herself caught, an active and partial observer, within!
Doris Dances & Fires Rekindled
Before All-Story would revisit Martha Klemm in 1919 with A Goth From Boston, the magazine ran two more of Julian Hawthorne’s novellas, which are collected in this volume. As neither of these stories had accompanying cover art, we’ve commissioned this original cover with pencils & inks by Dark Filly [Tales of the Mongoose and Meerkat, Wild Stars] and colors by Michael Tierney [Wild Stars, Beyond the Farthest Star].
Doris Dances– (1918)
“But for two kittens, Bob might have grown up a Calvinist divine, and been celebrated in ecclesiastical annals. As it was, he can boast of no memorial more pretentious than this plain record of his career.”
Robert “Bob” McIvor Melrose, an eccentric banjo-playing millionaire, was always a child at heart and wanted nothing more than a child of his own. When his gold-digging wife, forces him to choose between her and an orphan infant girl he adopted, Bob takes little Doris with him on the road.
Leaving all but a pittance for himself and Doris to live on to his wife, the father and daughter live a simple and carefree life as tramps. Gerda Kent, an artist on the verge of fame, hones her skills and creates her masterpiece capturing the loving father and daughter, Bob picking on his banjo while Doris dances.
Hawthorne delivers a cozy and clever comic romance to warm the heart.
“Yes, it may be that thunders of Armageddon portend that after so many blindfolded ages, the veil of Isis is being lifted at last! Some of us at last may consciously be admitted to intercourse with souls disincarnate, and hear nightingale notes of paradise. How can I doubt it!”
Against the backdrop of the Great War, an American visitor in London is struck by a peculiar deja vu–much stronger than the mere sense he has been to the house where he is staying, he finds he knows of details that he could not possibly, even had he once visited in his youth. The strange sense sends him on a quest for knowledge to uncover a past-life love and solve a century-old possible murder!
Fires Rekindled: The Complete All-Story Weekly Fiction of Julian Hawthorne
This hardcover coffee-table volume will collect ALL of Julian Hawthorne’s All-Story Weekly Fiction in one oversized omnibus. This is limited to the Kickstarter and will NOT be made available through retail!
The Cosmic Courtship (1917)
Absolute Evil (1918)
Doris Dances (1918)
Fires Rekindled (1919)
A Goth From Boston (1919)
Sara Was Judith (1920)
About The Team
MichaelTierney is a pulp historian and archivist who has written extensively on Edgar Rice Burroughs, having created the massive four volume Edgar Rice Burroughs 100 Year Art Chronology, and is currently working on another Art Chronology about Robert E. Howard. He has been involved in the comic book industry for 40 years, owning two of the oldest comic book stores in Central Arkansas until switching to mail-order only in 2020. He is also an accomplished science fiction writer and artist, having worked on his Wild Stars saga since the 1970s. Michael not only made his pulp library available for this project, he provided the photographic images of these rare magazines so that a manuscript could be produced. He has also lent his years of experience digitally restoring damaged pulp art to restore the original covers of A Goth From Boston and Sara Was Judith. He also did colors for the Fires Rekindled/Omnibus cover.
Robert AllenLupton is a prolific author, pulp historian, and commercial hot air balloon pilot. He has published nearly 200 short stories across numerous anthologies, including the New York Times Best Selling Chicken Soup For the Soul series, and has published several anthologies and novels. His most recent novel, “Dejanna of the Double Star” was published in December 2020. Robert has been an active Edgar Rice Burroughs historian, researcher, and writer since the 1970s, including at ERBzine, where several of his articles and stories are published. Robert has painstakingly recreated the texts as they were originally published from the digital images provided from Michael’s and his collections.
CirsovaPublishing has been publishing thrilling adventure science fiction and fantasy since 2016. They have published nearly 20 issues of their flagship publication, Cirsova Magazine. Additionally, they have published a number of anthologies, a fully illustrated edition of Leigh Brackett’s Planet Stories-era Stark adventures, Jim Breyfogle’s Mongoose and Meerkat, and the 35th Anniversary Editions of Michael Tierney’s Wild Stars.
LITTLE ROCK, Ark., August 30, 2021 (SEND2PRESS NEWSWIRE) –Cirsova Publishing will be collecting and restoring the nearly-lost All-Story Weekly fiction of Julian Hawthorne, son of famed American author Nathaniel Hawthorne.
In Spring of 2021, Cirsova Publishing partnered with Michael Tierney and Robert Allen Lupton to restore and reprint “The Cosmic Courtship,” a near-lost science fiction novel by Julian Hawthorne. Following the success of this project, Cirsova Publishing established a new Cirsova Classics imprint dedicated to restoring and reprinting other near-lost pulp fiction.
Given the interest in The Cosmic Courtship, Cirsova has prioritized collecting the rest of Hawthorne’s All-Story Weekly fiction in a standard format. In addition to The Cosmic Courtship, Hawthorne had one novel and four novellas published in the Munsey magazine.
“The Strange Recollections of Martha Klemm” resurrects Hawthorne’s pulp heroine, a witty and modern woman with a touch of clairvoyance and descent from Salem witches, in two volumes, collecting Absolute Evil, A Goth From Boston, and Sara Was Judith. A third volume will collect the stand-alone romances, Doris Dances and Fires Rekindled.
These collected editions of Julian Hawthorne’s All-Story Weekly fiction will be released later in 2021.
Cirsova Publishing ( https://www.cirsova.wordpress.com ) has been publishing thrilling adventure science fiction and fantasy since 2016. They have published over 20 issues of their flagship publication, Cirsova Magazine. Additionally, they have published a number of anthologies, a fully illustrated edition of Leigh Brackett’s Planet Stories-era Stark adventures, Jim Breyfogle’s Mongoose and Meerkat, and the 35th Anniversary Editions of Michael Tierney’s Wild Stars.
Michael Tierney ( http://www.thewildstars.com ) is a pulp historian and archivist who has written extensively on Edgar Rice Burroughs, having created the massive four volume “Edgar Rice Burroughs 100 Year Art Chronology,” and is currently working on another Art Chronology about Robert E. Howard. He has been involved in the comic book industry for 40 years, owning two of the oldest comic book stores in Central Arkansas until switching to mail-order only in 2020. He is also an accomplished science fiction writer and artist, having worked on his Wild Stars saga since the 1970s. Michael not only made his pulp library available for this project, he provided the photographic images of these rare magazines so that a manuscript could be produced. He has also lent his years of experience digitally restoring damaged pulp art to restore the original covers.
Robert Allen Lupton ( https://www.facebook.com/people/Robert-Allen-Lupton/100022680383572 ) is a prolific author, pulp historian, and commercial hot air balloon pilot. He has published nearly 200 short stories across numerous anthologies, including the New York Times Best Selling Chicken Soup For the Soul series, and has published several anthologies and novels. His most recent novel, “Dejanna of the Double Star” was published in December 2020. Robert has been an active Edgar Rice Burroughs historian, researcher, and writer since the 1970s, including at ERBzine ( www.erbzine.com/lupton/ ), where several of his articles and stories are published. Robert has painstakingly recreated the texts as they were originally published from the digital images provided from Michael’s and his collection.
Mary Faust, a brilliant scientist, has developed a machine that can allow the conscious human soul to explore the cosmos! Her promising young assistant Miriam Mayne has accidentally transferred her consciousness to Saturn, where she falls under the enchantment of an evil sorcerer! Jack Paladin, her love, sets out after her on a thrilling celestial journey to the ringed planet! Swashbuckling adventure and high romance await in Julian Hawthorne’s The Cosmic Courtship!
The Cosmic Courtship is now available through Retail!
Pocketbook – This is a no-frills budget release of The Cosmic Courtship. It ONLY includes the novel itself and none of the bonus content we included in other formats. Be aware that it features small print so as to reduce page count and offer an economical alternative to the other formats. Not recommended for older readers or readers with eye-strain issues!
Trade Paperback– This is the standard format edition of Cirsova’s presentation of The Cosmic Courtship. It contains the novel plus all bonus content. Note that the font in this edition is a much larger and a cozier read.
Hardcover – This is essentially the same as the Trade edition, except in hardcover with a lovely dust jacket.
Magazine– This version is presented in a format similar to Cirsova Magazine, with large print and double columns at an 8.5 x 11 trim size. In some ways, this format may be the ideal way to appreciate the facsimile reprinting of “Scenes from Hawthorne’s Romance” that was included as bonus content. Some of the bonus content was shifted around to fit the magazine format better, but everything is here!
eBook – The content of the eBook is pretty much the same as the Trade/Hardcover/Magazine. You really won’t be missing out on anything except for the part where you have an actual book in your hands.