House of Seven Gables + DC Festival of Asian Heroes

Given how much of Julian Hawthorne I’ve been reading lately, I thought it behooved me to read a bit more of his father’s work, and I just happened to have a fairly nice illustrated copy of The House of Seven Gables lying around waiting to be read.

I get why kids who had to read this in high school hated it, I really do. Though it is a tale of mystery, murder, madness, mesmerism and a wizard’s curse, so very little happens and Hawthorne takes his sweet time in the telling to get there.

Yet, despite how tedious and absolutely turgid House of Seven Gables is, I feel like it could be easily adapted into Children’s Puppet Theatre, probably boil the whole bloody gist of it down to about 20 minutes.

I have to admit that I felt a bit smug that Henry James’ afterword for House of Seven Gables seemed to entirely support and justify this belief.

He notes that the characters, while lavishly and intricately detailed, are mere “pictures” and grotesques, acting out their tropes, than truly fleshed out ‘real’ characters. The book focuses almost entirely on tableau and scene, painting the picture of these characters.

So, while the “story” is, imo, great–fantastic, really–it is such a small portion of the work itself–buried, really, like the old sorcerer himself, underneath the endless description of the house and its accursed inhabitants.

I think that it could be distilled easily into 20-30 minutes:

  • Narration of the Pyncheon vs. Maule saga culminating in the bloody death
  • A brief parade of the characters and their foibles, culminating in Phoebe’s awkward introduction to Jaffrey
  • Tableau of the dinner, Phoebe and Clifford’s relationship, maybe the bit with the weird chickens, done in a couple minutes’ description and puppet pantomime
  • Phoebe and Holgrave + Holgrave narrates the story of Alice, Phoebe departs.
  • Jaffrey’s attempt to confront Clifford
  • Clifford and Hepzibah’s flight + a very condensed version of Clifford’s rant about impending modernity
  • The return to Seven Gables, Phoebe & Holgrave’s union, and the discovery of the lost “treasure” could be condensed to a single scene with a narrated happily ever after.

I’d probably cut Uncle Venner, since, while he may be thematically important, I think he can be removed wholly from the narrative and the story remain unaffected. He’s there only as commentary and to comment on the other characters who are engaged in the plot.

Anyway, whether or not I’ll have time to come up with a puppet operetta, we’ll have to see…

So, I recently picked up Festival of Asian Heroes as an excuse to introduce myself at a new shop. I don’t know what I was expecting, but somehow this book was much worse and much more cringe than I imagined. Practically no one knows how to write cape stories anymore… practically every story just doing the “here is the character monologuing about their life and their feels while things happen in the panels.” Plus the awful strawman villains in the Katana story were oof.

Literally the only short I liked was Tamaki’s Cassie, and even tho it was mostly monologuing, at least it pulled off being cute. It sucks that they chose to showcase Asian capes [somehow Damian Wayne qualifies as this?] in such a lousy book with such lousy stories. I’d say these characters deserve better, but I’m not really caring that much anymore.

Foreword: “There just weren’t any Asian heroes in comic books when I was a kid.” will_smith_wildly_gesticulating_at_the_glut_of_now-forgotten_asian_led_titles_in_the_70s_and_80s.jpg

Dice Latte - DC Festival of Heroes The Asian Superhero Celebration #1 (One  Shot) Cover B Stanley Artgerm Lau Variant
Pretty much the only reason I bought this.

The ArtGerm variant was gorgeous, I was curious to see what Gene Luen Yang was gonna do [was kinda disappointed] and it was an excuse to meet the new store without having to add it to a pull [so at least DC doesn’t get to boast about order numbers from picking up an extra that the new place had.]

  • Sounds: Liked it, favorite of the bunch. I think I’m forgiving of internal monologuing when it’s Cassie because she has a speech impediment.
  • Dress Code: eh… So, asian green lantern wears an asian dress tunic. plz do not make fun of him.
  • Hawke and Kong: okay, I guess. Two Asian expys of other heroes who don’t get along fight a villain and become friends. Whatever…
  • Special Delivery: didn’t like it, also I guess Damian Wayne is Asian?
  • Masks: okay, but mainly I guess it was the sort of story I would’ve liked to have seen after the new Cheshire had been brought into Catwoman [I don’t know that they’ve done anything at all with her since she was introduced, and I had just about forgotten about her.]
  • What’s in the Box: I don’t even know who the other character who is not Cassie is
  • Family Dinner: Cringe and tired ‘meeting the parents’ story. Seriously, can we stop doing “gay superheroes meet dad/mom over dinner and it’s awkward” comics?
  • Kawaii Kalamity: cute but didn’t really do anything for me
  • Festival of Heroes: Ultra cringe with a stupid strawman villain [a bunch of white supremacists show up to harass people at an Asian food festival]; sad that this was what they had for the Katana story.
  • Perseptible: dull, didn’t like it, but I’ve never really liked Captain Atom.
  • The Monkey Prince: torn between okay and cringe; kinda wanted to like it cuz I love what Yang has done w/other books, but I rolled my eyes a lot. May still give it a chance. On one hand, a Son Goku vs. capes comic could be a lot of fun, but this gave off really bad “How do you do, fellow kids?” vibes that are really disappointing considering that Yang writes/wrote two of my favorite DC titles [Terrifics and Batman/Superman]

Really, DC missed out on a great opportunity to introduce a new anti-Asian villain, The Fixer–an obese enby who goes around “fixing” Asian people’s artwork.

Speaking of comics, be sure to check out the next installment of Badaxe in the Summer issue!

Cirsova Publishing to Reprint Nearly-Lost Julian Hawthorne Planetary Romance, “The Cosmic Courtship”

LITTLE ROCK, Ark.—Cirsova Publishing is proud to announce that it has partnered with Michael Tierney and Robert Allen Lupton to restore and reprint Julian Hawthorne’s The Cosmic Courtship, a never-before-collected pulp Planetary Romance by the son of famed American author Nathaniel Hawthorne.

The Cosmic Courtship Serialized across four issues.

Mary Faust, a brilliant scientist, has developed a machine that can allow the conscious human soul to explore the cosmos! Her promising young assistant Miriam Mayne has accidentally transferred her consciousness to Saturn, where she falls under the enchantment of an evil sorcerer! Jack Paladin, her love, sets out after her on a thrilling celestial journey to the ringed planet! Swashbuckling adventure and high romance await in Julian Hawthorne’s The Cosmic Courtship!

While most are at least somewhat familiar with Nathaniel Hawthorne as one of the great American authors, less well known is that his son Julian was an incredibly prolific writer in his own right. Julian wrote on a wide variety of subjects, ranging from literary analysis of his father’s works to poetry to period romances and adventures. Late in his career, Julian even dabbled in the emerging genre of Science Fiction.

The Cosmic Courtship was serialized in Frank A. Munsey’s All-Story Weekly across four issues, beginning with the November 24, 1917 issue and running through the December 15, 1917 issue. While this story has been in the public domain for some time, it has never been collected or published elsewhere until now.

Cirsova Publishing has taken on this exciting project with the aim of preserving this story for posterity and ensuring that it is not lost to future generations.

Fred A. Small Cover Restored by Michael Tierney

Michael Tierney is a pulp historian and archivist who has written extensively on Edgar Rice Burroughs, having created the massive four volume Edgar Rice Burroughs 100 Year Art Chronology, and is currently working on another Art Chronology about Robert E. Howard. He has been involved in the comic book industry for 40 years, owning two of the oldest comic book stores in Central Arkansas until switching to mail-order only in 2020. He is also an accomplished science fiction writer and artist, having worked on his Wild Stars saga since the 1970s. Michael not only made his pulp library available for this project, he provided the photographic images of these rare magazines so that a manuscript could be produced. He has also lent his years of experience digitally restoring damaged pulp art to restore the original cover by Fred W. Small to create a unique cover for this edition.

Robert Allen Lupton is a prolific author, pulp historian, and commercial hot air balloon pilot. He has published nearly 200 short stories across numerous anthologies, including the New York Times Best Selling Chicken Soup For the Soul series, and has published several anthologies and novels. His most recent novel, “Dejanna of the Double Star” was published in December 2020. Robert has been an active Edgar Rice Burroughs historian, researcher, and writer since the 1970s, including at ERBzine, where several of his articles and stories are published. Robert has painstakingly recreated the text as it was originally published from the digital images provided from Michael’s collection.

Cirsova Publishing has been publishing thrilling adventure science fiction and fantasy since 2016. They have published nearly 20 issues of their flagship publication, Cirsova Magazine. Additionally, they have published a number of anthologies, a fully illustrated edition of Leigh Brackett’s Planet Stories-era Stark adventures, Jim Breyfogle’s Mongoose and Meerkat, and the 35th Anniversary Editions of Michael Tierney’s Wild Stars.

This collected edition of The Cosmic Courtship will be released later in 2021.