Young Tarzan and the Mysterious She

As some of you know, Cirsova will be publishing a “lost” Tarzan story in our spring issue. Michael Tierney tells in his own words how this story came into being. (Originally published here on Michael’s Facebook).

Update! The original manuscript’s whereabouts has resurfaced as of Jan 17, 2019; Bill Hillman of ERBzine.com has claimed that the original handwritten manuscript is in his possession. Corrected text is marked within the original:

It’s an old question of, if you could, who you would visit from the past? Take that question a step further and ask if you could collaborate with literary giant on their greatest creation, who and what would it be?

Here’s my answer: Young Tarzan and the Mysterious She.
Releases March 2019 from Cirsova magazine.

The fragment I worked with was first hand-written by Edgar Rice Burroughs in 1930. It was left unfinished, and then lay hidden in his safe for decades after his death. When it was rediscovered, many well-known writers were offered the chance to complete the story, but there were elements that they considered problematic, and they passed.

Around the year 2000, ERB’s grandson, Danton Burroughs, offered me the chance. I found the problems to be opportunities to explain what I considered to be inconsistencies in the jungle lord’s established history.

But on the day of Danton’s greatest accomplishment, when he became President of his grandfather’s company, Edgar Rice Burroughs Inc., there was a fire in the offices that destroyed many of his father, John Coleman Burroughs’ paintings–some of them were lost forever without a record. Danton tragically died that night of a heart attack.

What I didn’t learn until recently was that the fire left ERB, Inc. with no record of the story. Danton took his knowledge with him, and the fire apparently took the fragment.and the fragment was essentially lost to the company his Grandfather founded.

Fortunately, I still had my digital files, and the file Danton sent.and the original fragment was discovered after the announcement of this publication.

Danton had sent it to be transcribed into digital format by Bill Hillman, webmaster of ERBzine.com, who announced this very day that he still has it.

While I was creating the Edgar Rice Burroughs 100 Year Art Chronology, I’d asked current President Jim Sullos for an opportunity to do something with the story. What I didn’t realize until recently was that he thought this was all my creation. We didn’t both put all the pieces together until just a few weeks ago.

That’s the story behind the story of Young Tarzan and the Mysterious She.

 

2-1 front cover only jpg

Michael Tierney has been a regular contributor to Cirsova Magazine, whose stories Shark Fighter, The Bears of 1812, The Criteria for Admission Into the Galactic Community, and Jack’s Basement have been published in Cirsova 2, 5, 7, and 9 respectively, and his 4-volume Edgar Rice Burroughs’ 100 Year Art Chronology was published last year by Chenault & Gray. Last Summer, Cirsova published his sold-out Wild Stars Novella, Wild Stars III: Time Warmageddon.

Cirsova’s Spring issue featuring Young Tarzan and the Mysterious She will be out March 15th.

Kindle eBooks are available for pre-order now.

Print and other digital formats will be available for pre-order soon.

While you’re waiting, feel free to grab a coffee mug or T-Shirt featuring our cover artist Anton Oxenuk‘s fantastic original Tarzan art.

tarzan mug

Also, don’t forget that we have Duel Visions, a new anthology of Weird New Wave Horror from Misha Burnett and Louise Sorensen, coming out in February.

Tarzan(R) is a register trademark of Edgar Rice Burroughs, Inc.; Young TarzanTM and Young Tarzan and the Mysterious SheTM are trademarks of Edgar Rice Burroughs, Inc.; and appear in Cirsova by permission of Edgar Rice Burroughs, Inc.

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Goblin Slayer and the PulpRev

With the first series of Goblin Slayer wrapping up, I wanted to touch on the show that’s been not only one of the number one animes in North America but has also been rather popular among the PulpRev crowd.

I enjoyed Goblin Slayer, but when all was said and done, it occurred to me that not only was it not a great anime, it was not even a particularly good anime—what gave it the illusion of greatness was that it met all of the meager expectations it set, delivering in heaping doses what little it promised. It set a low bar and clears it with ease. You want to watch a show where a guy kills goblins? This is it, chief. The utter lack of pretension is far more delicious than the “fake depth” many shows try to coast on before crashing in a mess at the end. Goblin Slayer needs no apologia, and there are no great divides in the fandom over thema, symbolism, and other minutia.

goblin slayer

Is Goblin Slayer pulpy? The only reason I ask is that it’s pretty well loved by the PulpRev crowd. And thinking about it, not only is it not particularly pulpy or Appendix N-style fantasy, it’s Pink Slime fantasy to a degree even worse than Record of Lodoss War; it’s pure, in a vacuum, D&D fan-fic.

What separates it Lodoss, however, and many other pink slime fantasies is that the D&D it draws from (if indeed it is drawing from D&D; evidence abounds) is of the older, classic variety, in which the purpose of “adventurers” is to kill monsters, because monsters represent an existential threat to mankind and because they have treasure. Goblin Slayer lacks the pretense of the game in which great and powerful forces are at work and the heroes must act because the fate of the world is at stake and the party represents the champions of all humanity and all that is good.* There are no destined saviors, chosen ones, lost princelings, who are going to stop the Dark Lord. That none of the characters in Goblin Slayer even have names beyond what they do or have accomplished or what their profession is almost serves to lampshade this lack of “special” and “important” fantasy heroes in its narrative. In D&D terms, these are characters who lasted a couple adventures and gained reputations around the table, rather than being wadded up and thrown in the trash because they died—this in contrast to the contemporary trend in D&D to craft intricate backstories for the very-special-snowflake characters who are destined for great things and will almost certainly having nothing too bad happen to them because the player might throw a hissy-fit.

The first episode of Goblin Slayer, which created quite a stir for its brutality and graphic nature**, mainly served to illustrate that the kind of game that inspired Goblin Slayer*** is the kind in which level one characters die in the dungeon and you have to roll up new ones. There’s no point in bringing your very special bisexual tiefling princess with daddy issues who is the most beloved of her tribe to the goblin cave, because the goblin and his spear that will kill her don’t give a shit about your character’s backstory.

I think that, even though Goblin Slayer is shallow and derivative fantasy to the extreme, this is the reason why it resonated so well with the PulpRev crowd, a group that grew largely from the OSR and which preferred the more brutal old school style of Dungeons & Dragons to the modern narrative-driven style of play that’s come to dominate tabletop gaming.

*: This is going on to some extent in the background; the setting is the aftermath of an earlier such conflict—but the climactic battle is not to save the world or even a town, but rather the farm where the girl who likes the Goblin Slayer lives.

**: Yo, the way everyone was talking about that first episode, I was expecting Mezzo Forte levels of gratuitous…

***:Look at all the goddamn dice rolling and talk of gods rolling dice and try to convince yourself it’s anything but TTRPG inspired.

Happy New Year!

We’re just about ready to put a bow on 2018!

Just need to enter our final Amazon revenues and begin popping those numbers into tax forms to go full-steam ahead towards getting a tax refund and reinvesting that in the company.

So…

I’m a bit behind on one or two things because I threw my back out last Friday, but I’m getting caught up today.

Expect a big official announcement on the blog soon regarding the Misha Burnett x Louise Sorensen project I talked about on Saturday.

I haven’t even listened to this yet, and I’m sure it was a trainwreck (I was on a lot of pain pills and we weren’t even sure if I’d still be on until practically the last minute; ironically, Dan and I probably had a better chat on SFF stuff AFTER we went off the air and were just shooting the shit while playing Doom), but it was a lot of fun!

Tomorrow, I’ll probably do a full round-up of recent-ish Castalia House Short Reviews I’ve done, because I haven’t done them in awhile. I’ve finally gotten over my aversion to Amazing Stories [I didn’t want to give the rebooted current incarnation any publicity, even indirectly] and started in on it with a Rog Phillips novella. And I’m already seeing the PulpRev’s blind-spot due to only talking about a few magazines. This guy is solid.

Clock’s Watch II Out Now!

Regular Cirsova readers will remember the Coney Island adventures of Michael Reyes’ invisible dwarf sorcerer, Clock. As Warden and servant of the chaos goddess, Eris, it is Clock’s duty to prevent all manner of demons, monsters, witches, and warlocks from destroying the world.

Clock’s Watch II reprints The Iynx, which was featured in Cirsova #7, alongside an all new novella-length adventure, Daughters of the Black Moon.

While this isn’t a Cirsova release, I did help put this edition together–they’re awesome stories with gnarly illustrations by Sean Bova.

eBook is out now, and Paperback edition will be out soon.

clockcover

Cirsova 2018 Awards Eligibility by Category

Cirsova Heroic Fantasy & Science Fiction Magazine is a semi-pro publication that, in 2018, paid .01 per word with an additional .01 per word on the first 2500 words.

We published 36 Awards Eligible works this year.

Novella

  • Wild Stars III: Time Warmageddon, by Michael Tierney
  • In the Land of Hungry Shadows, by Adrian Cole (#7)

Novelette

  • Slavers of Venus, by Nathan Dabney (#8)
  • Promontory, by Jon Zaremba (#8)
  • Littermates, by J.D. Brink (#8, #9)
  • All That Glitters, by Paul Lucas (#9)
  • The Orb of Xarkax, by Xavier Lastra (#9)
  • Crying in the Salt House, by B. Morris Allen (#10)

Short Stories

  • Galactic Gamble, by Dominika Lein (#7)
  • The Iynx, by Michael Reyes (#7)
  • The Legend of Blade, by Jason Scott Aiken (#7)
  • The Great Culling Emporium, by Marilyn K. Martin (#7)
  • The Toads of Machu Hampacchu, by Louise Sorensen (#7)
  • Criteria for Joining the Galactic Community, by Michael Tierney (#7)
  • Anna and the Thing, by Abraham Strongjohn (#7)
  • Brandy and Dye, by Jim Breyfogle (#8)
  • Breaking the Accords, by Amy Power Jansen (#8)
  • The Dream Lords, by Donald Jacob Uitvlugt (#8)
  • Only a Coward, by Jennifer Povey (#8)
  • Party Smashers, by Ken McGrath (#8)
  • Going Native, by J. Manfred Weichsel (#8)
  • The Faerie Pool, by Edward McDermott (#9)
  • Our Lords, the Swine, by N.A. Roberts (#9)
  • The Bejeweled Chest, by S.K. Inkslinger (#9)
  • Jack’s Basement, by Michael Tierney (#9)
  • Antares, by PC Bushi (#9)*
  • Cirque des Etoiles, by Bo Balder (#9)
  • Hot Water in Wormtown, by Robert Lang (#9)
  • Jeopardy Off Jupiter IV, by Spencer E. Hart (#10)
  • The Best Workout, by Frederick Gero Heimbach (#10)
  • A Song in Deepest Darkness, by Jason Ray Carney (#10)
  • Amsel the Immortal, by Lauren Goff (#10)
  • An Interrupted Scandal, by Misha Burnett (#10)
  • The Sword of the Mongoose, by Jim Breyfogle (#10)
  • When Gods Fall in Fire, by Brian K. Lowe (#10)

Related

  • My Name is John Carter, by James Hutchings (#7, #10)

Our #7, #9, and #10 covers were by Anton Oxenuk.

Our #8 cover was done by Benjamin A. Rodriguez.

*:Ursa Eligible

Cirsova 2019 Lineup

We’re moving along at a nice clip towards getting 2019 ready to go. In fact, we even have sketches done for spring plus 1st round edits and layout done. We’ll be sending Vol 2 Issue 1 off to our copy editors before the new year, with any luck.

So, here’s the line-up. We’ve got two issues that are a little thicker than normal (think our 2017 issues) plus something new we’re trying, a Cirsova Summer Special that will showcase a few of the longer (novelette and novella) works we received.

And yes, we’ll be talking more about that first story listed in the Spring issue very soon.

Vol 2. No. 1 Spring (March)

  • Young Tarzan and the Mysterious She, by Edgar Rice Burroughs and Michael Tierney
  • Atop the Cleft of Ral-Gri, by Jeff Stoner
  • The Idol in the Sewers, by Kenneth R. Gower
  • Born to Storm the Citadel of Mettathok, by D.M. Ritzlin
  • The Book Hunter’s Apprentice, by Barbara Doran
  • How Thaddeus Quimby the Third and I Almost Took Over the World, by Gary K. Shepherd
  • Deemed Unsuitable, by W.L. Emery
  • Warrior Soul, by J. Manfred Weichsel
  • Seeds of the Dreaming Tree, by Harold R. Thompson
  • The Valley of Terzol, by Jim Breyfogle
  • The Elephant Idol, by Xavier Lastra
  • Moonshot, by Michael Wiesenberg

Cirsova Summer Special (June)

  • Bleed You Dry, by Su-Ra-U
  • The Ghost of Torreon, by Edd Vick and Manny Frishberg
  • The Bullet From Tomorrow, by Misha Burnett
  • The Star God’s Grave, by Schuyler Hernstrom
  • Halcyon, by Caroline Furlong
  • The Last Fortune of Ali al’Ahmar, by Rev. Joe Kelly

Vol 2. No. 2 Fall (September)

  • A Little Human Ingenuity, by William Huggins
  • The Burning Fish, by Jim Breyfogle
  • For I Have Felt a Fire in the Head, by Adrian Simmons
  • La Molejera, by Marie Brennan
  • Pale Moon’s Bride, Ville Meriläinen
  • Pawn to the Queen by Christine Lucas
  • People of Fire, by Jennifer Povey
  • Blue-Like-The-Sky, by Spencer E. Hart
  • Doomsday Shard, by Ken McGrath
  • Titan, by Rebecca Devendra
  • The Handover of the Scepter of Greatest Regret, by Hal Y. Zhang

In the meantime, please take a moment to support us by leaving a review of a past issue of Cirsova that you’ve enjoyed! It’s free, it helps us tremendously, and only takes a moment of your time.

Wild Stars & Cirsova Updates

I spent all day Saturday at The Comic Book Store, stuffing boxes.

WS 1

10 AM

WS 2

5 PM

Today, I’ll be shuttling these to the post office.

The Cirsova Kickstarter is doing mediocre–there’s no other word for it. We’ve got less than 2 weeks left, but we still need to raise $2.5k more to fund. I set a $5k goal because I wanted to actually see if we could get sustainable support after establishing a successful track record of delivering a quality product and delivering it on time. Given the success of other anthologies and magazines at this level (sometimes even vastly exceeding it), it’s not outside the realm of possible.

But hey, at least our first volume lasted longer than Skelos (given it’s $15 retail price and the fact that it crapped out after 3 issues, that $125 lifetime subscription is not looking like such a hot investment).

I don’t think it’s unpossible for us to reach our $5K goal, but please understand this is a Xanatos Gambit–

Funds: I have enough money to take submissions for 2019, and I spend days entering fulfillment for 200ish subscribers.

Doesn’t Fund: I just upload everything the way I normally do; people have to buy Cirsova from Amazon. Even with the attrition from people who backed the kickstarter but don’t end up buying on Amazon right away, people who go ahead and buy anyway will boost the issues’ Amazon profiles with sales they’d otherwise never see. I won’t take submissions for 2019, so will have some extra time for my own writing. I’ll possibly be able to bankroll a Volume 2 on the tentative success of Illustrated Stark.

So, will there be a volume 2? Will it be out in 2019? Really, that’s going to be up to our fans and readers. Stark is happening. That’s my main focus for 2019. I’ve also spoken with a couple of our other contributors about possibly putting out anthologies of their work. That would be an interesting opportunity for us to branch out as a publisher, moving beyond just a periodical fiction anthology.

Anyway, if you DO want volume 2 to pick up right away in 2019, here is where you can throw your money.

https://www.kickstarter.com/projects/1161542777/cirsova-vol-1-final-issues-9-and-10