Cirsova’s Planetary Awards Nominee: Out of the Soylent Planet, by Robert Kroese

I’m killing two birds with one stone on this one. Robert Kroese’s Out of the Soylent Planet is my pick for this year’s Planetary Awards in the long-form category.out of the soylent planet

On paper, Kroese’s Rex Nihilo series seems like the last thing I’d enjoy—a snarky, self-aware, often parodic science fiction series featuring a sleazy protagonist whom I’ve described as a cross between Jon Lovitz’s Tommy Flannagan character and Zapp Brannigan.  But the strength of Kroese’s writing and his sense of humor accomplish the herculean task of keeping his premise from descending into obnoxious twee. While the first book, “Starship Grifters”, cleaves dangerously close to Star Wars parody, the sequel, “Aye, Robot” abandoned much of the familiar plot beats and moved away from parody, delving further into the realm of satire.

I was worried, then, that “Out of the Soylent Planet” might return to the safer realms of parody when it began with a direct send-up of New Hope’s opening, with SASHA standing in for 3P0. And it was a prequel, no-less!

My fears were quickly allayed, however, as Out of the Soylent Planet progressed rapidly into new territory, establishing the relationship between SASHA and Rex, further developing SASHA’s nature as a near-sentient AI without retreading the first two books, and using some wild and exciting set-ups to do so.

Out of the Soylent Planet is self-aware, and many of the characters are dangerously (wrong) genre savvy, but Kroese handles all of this exceptionally well. He uses Rex to explore the nature of the picaresque hero over the course of the series while even hanging a lampshade as other characters discuss what qualifies one to be a lovable rogue. Like Obi-Wan’s villainy, it all comes down to “a certain point of view.”

While Out of the Soylent Planet is a prequel, it is written in such a way that it could stand alone to a reader new to the series but does not belabor descriptions and exposition which readers of the previous books might be familiar with. The first installment suffered a bit from the “Only Sane Man” trope with SASHA playing the straight-man to the insanity of the entire universe. While there are plenty of mixed up characters in Out of the Soylent Planet, much of that burden is taken off SASHA’s shoulders, giving her a few odd but competent and reliable characters to play off of. This lets her character have some fun/self-indulgence without risking having the world fall to pieces around her. The only weakness it has is an absence of Pepper Melange. Then again, part of what Pepper brought to the stories was that sense that there were people in the universe besides SASHA who were competent (who were not stark-raving mad or lunatic idiots), and by giving SASHA and Rex other ‘straight men’ to play off of, her absence will not be felt by new readers so much as by existing fans of the character.

Even if you haven’t been reading Kroese’s Rex Nihilo Series, this one is worth picking up and diving into.

Just a reminder to readers and other book bloggers: You too can nominate for the Planetary Awards. As a publisher, Cirsova is abstaining from nominating in the short form category, but there’s been a lot of love so far for Schuyler Hernstrom’s “The First American.” All you have to do to nominate a work is post on your blog what you think should receive a Planetary Award and why. Feel free to nominate something we published in 2017.

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A Very Short Review of Aye, Robot and The Yanthus Prime Job

The other night, I finished Robert Kroese’s new Rex Nihilo book, Aye, Robot.aye robot

While I enjoyed the first one, it did push me to the limits of my tolerance for spoof and parody in SFF – Starship Grifters got away with a lot I wouldn’t normally forgive because Kroese’s such a damn good and damn funny writer.

Starship Grifters’ sequel, Aye, Robot, was much more satire than parody. With the basic level Star Wars stuff out of the way from the first book, we’re left with a much more interesting and less predictable story. All of the top notch humor and brilliant writing from the first book was still there, but its move into unfamiliar territory with its narrative made Aye, Robot even more enjoyable.

Rex is still a Zapp Branniganesque scamp, but he has a few moments of real genius shine through; enough that one might question if some of his mannerisms aren’t just an elaborate act to throw people off. The secondary characters of Boggs and Donny were far less useless than the companions from the first book, so while entertaining in some of their antics, they helped keep Aye, Robot from being another “one sane man” (or one sane robot, in Sasha’s case) story. Even Vlaak managed to be a bit interesting as a character this time around (as opposed to merely a flamboyant cross between Darth Vader and Falco).

In short, while I liked Starship Grifters, Aye, Robot was a much better and much more enjoyable book, even if the humor was not quite as machine-gun-like as in the previous.

YanthusPrimeJobCover_medium-313x381I was also happy that Kroese included his Pepper Melange novella, The Yanthus Prime Job, as a bonus. I’d gotten an ebook of it, but honestly, I probably would’ve never gotten around to reading it had it not been in print. While still including some of Kroese’s brilliant humor, YPJ was a much more straight-forward sci-fi heist story, which I liked a lot. Pepper is a tough SF dame in the older mold – smart, clever, quick thinking on her feet, and creative in her approaches to problems, rather than a 5’2″ war machine in pleather. She was one of the better parts in Starship Grifters and took a lot of the burden off Sasha from being the one competent character, so it was fun to see her in her own story. FWIW, The Yanthus Prime Job is a lot closer to the sort of fiction that I, myself, am looking to buy for Cirsova than either Starship Grifters or Aye, Robot (even though they were both great). YPJ shows me that Kroese’s talents go way beyond clever wordplay interspersed with his nod-giving action SF; in a fairly silly setting, he’s able to tell a straight-forward but intense story that showcases his short fiction chops.

I’m already looking forward to the next installment in the Nihilo-verse, but I think I’ll be looking into more of Kroese’s fiction before then, when I get a chance.

Also, thanks for putting a ray gun in Rex’s hand on the cover. He looked kinda weird just standing there hands- on the last one.

starship grifters*: I backed the Kickstarter for a softcover of the first book. I think that Robert may have sent me a copy of Aye, Robot for having shilled for him (unpaid, of course) on Twitter. If that’s the case, thanks, Robert, I really appreciated it!