Wild Stars III: Time Warmageddon–Available for Pre-Order Now!

Pre-Orders for Michael Tierney’s Wild Stars III: Time Warmageddon are live now!

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Faster-than-light scouts are arriving at distant suns to discover that they have been “replaced” by white dwarfs and their planets have gone missing… Terraformers find a world that shows signs of previous human colonization: who were those people and where did they go? The saga of the Wild Stars continues as former-President Bully Bravo seeks to solve these mysteries while pursued by an evil pirate queen and a rogue time-traveler trying to create a god.

Time Warmageddon is a fully illustrated novel by Michael Tierney, featuring cover art by Tim Lim (Donald Thump, My Hero Magademia) and interior art by Mark Wheatley (Jonny Quest, Fables: 1001 Nights of Snowfall).

This edition of Wild Stars III: Time Warmageddon will be a Kickstarter exclusive and will ship in September. This pulp-style magazine printing will be manufactured strictly to order and will be “sold out” upon release.

Over the last 35 years, the world of the Wild Stars has come to encompass multiple comics, novels, art folios, and a zine, and it has featured work by comic industry veterans Frank Brunner (Doctor Strange, Howard the Duck), Dave Simons (Ghost Rider), Armando Gil (Ka-Zar the Savage, Conan the King), and David Brewer (Cable, Deadpool). To celebrate this new entry into the franchise, Cirsova Publishing and Little Rocket Publications will be making an extensive catalog of older Wild Stars material, including some of the few remaining original Wild Stars comics and art portfolios from the 1980s, available to new fans and old.

Michael Tierney has been involved in comics and the publishing industry since the 70s. Owner and proprietor of both The Comic Book Store and Collector’s Edition, Michael was a Finalist for both the Star*Reach Comics Retailer of the Year Award in 1985 and the Will Eisner Spirit of the Comics Retailer of the Year Award in 1999, has been an Overstreet Comic Book Price Guide Advisor since the 1990s, and is a staple of Central Arkansas’ comic scene.  A former journeyman printer and printing division manager, he’s written, published, and at times even penciled, inked, and printed his own comics. He is currently writing, lettering, and coloring Edgar Rice Burroughs® Beyond the Farthest StarTM. Wild Stars III: Time Warmageddon comes right on the heels of his four volume Edgar Rice Burroughs 100 Year Art Chronology published by Chenault & Gray. Michael has been a regular contributor to Cirsova Heroic Fantasy and Science Fiction Magazine.

For more information about Michael Tierney and the history of the Wilds Stars, be sure to visit his website: http://thewildstars.com

 

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What are the Wild Stars?

[We will begin taking pre-orders for Wild Stars III on Friday! Be sure to keep an eye out for it when we reveal the cover by Tim Lim!]

Michael Tierney’s Wild Stars have a history in print going back nearly 35 years. In the Wild Stars, the stakes are high and the scale is grandiose. Aeons ago, a godlike being led an exodus to stars—the Wild Stars. Unbeknownst to those who remained on earth, mankind flourished in space, but it also found new dangers and new enemies:

The Brothan, a race of vile wolf-like creatures, war against the Wild Stars and hope to deliver a fatal blow against Earth itself.

The Artomique, warlords from a parallel universe, ally themselves with the Brothan and infiltrate Earth, acting as arms-dealers and mercenaries to destabilize the globe.

There’s also a giant megalodon space shark that eats space ships.

The Wild Stars is epic science fiction in the tradition of Edgar Rice Burroughs and E.E. Doc Smith.

The original Wild Stars comics (1984/1988) told the stories of Erlik, an immortal son of the Ancient Warrior, and his conflict with his power-hungry nephew Carthage, and of Carlton MacKanaly, who is selected by the Wild Stars to act as Earth’s representative—the First Marker.

Wild Stars 1 and 2

In 2002, Michael teamed up with Frank Brunner, Tom Smith, David Brewer, and Dave Simons to expand the story of the Wild Stars in a limited comic series. This prequel/sequel run was combined with the original Wild Stars comics as Wild Stars: The Book of Circles. The title refers to the fact that the story is so multi-layered you can read it a second time and see another level of the story not immediately evident on the first read. Michael has talked to people who have read it as many as five times, and he could still show them things they missed.

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In Wild Stars II, the Artomiques sought revenge for the destruction of their world and attempted to recover a lost time travel device to recreate their alternate reality in ours. The traitor Carthage and his Brothan cohorts kidnapped the First Marker’s daughter and escaped into time. The epic battles across space and time against vampiric dragons, Nazi zombies, titanic space sharks, and worse threaten to tear the universe apart.

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Michael’s new novel, Wild Stars III: Time Warmageddon, picks up where II left off, in the future history aftermath of the Brothan/Artomique war, but can be read as a standalone story in the Wild Stars universe.

I am absolutely thrilled to be working with Michael Tierney to put out this new story. Cirsova is all about high-octane action sci-fi adventure, and Wild Stars delivers. It is cool beyond belief to have a chance to publish this. Getting to work with cover artist Tim Lim and interior artist Mark Wheatley is icing on the cake.

Cirsova Publishing will be teaming with Little Rocket Publications to offer an exclusive Kickstarter-only edition of Wild Stars III. We will also be making a lot of the old Wild Stars material available to old fans and new without the resale and auction up-mark (the record listing for a “new” copy of Book of Circles is $615 dollars; Wild Stars Portfolio One currently lists for over $100 on eBay). You will not want to miss it!

Projects Update! Wild Stars III and Cirsova #8 & #9

 

First, we’re gearing up for Wild Stars III: Time Warmaggedon.

This is a high-octane space and time-travel in the vein of Gardner F. Fox, Albert DePina, and Raymond F. Jones. Written by Michael Tierney, whose 4-volume history of the Art of Edgar Rice Burroughs is coming out this summer, and edited by Brian Niemeier (The Soul Cycle) and yours truly, I can assure you this is gonna be one heck of a ride.

What does Brian think about this project?

Wild Stars III is just what fans of fun, heroic action stories have been starving for. How do I know? Easy. I’m the book’s editor.

Michael Tierney has been a joy to work with. He is a true pro whose style and outlook remind me of the old pulp masters. His latest book is a whirlwind space adventure that will become the gold standard for putting fun first.

Wild Stars III: Time Warmageddon is a significant source of all your daily pulp requirements:

 

The more I’ve read this story, the more I love it. We understand, though, that since this is the newest entry into a franchise that has been around for 35 years, it might not be immediately accessible to new readers, so not only will we be making some of the rare and out-of-print Wild Stars material available, we may even be giving the 2002 comic-run away for free to new fans and old picking up this limited edition of Wild Stars III on Kickstarter.

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More details on that soon, but we’re looking at taking pre-orders in June, once we get the cover art in from Tim Lim (yes, that Tim Lim).

In other news…

Cirsova #8 draws ever nearer to being done and ready to go out the door. Actually, it should’ve been ready today, but Amazon is being weird about stuff and they have an obnoxiously long turn-around time for corrections.

But the digital editions are done and there is a pre-order page up.

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Issue 9’s art is done and the latest work-file is in the hands of one of our trusty editors.Issue 9 Cover Front Only low res.png

I’ll be ready to start taking subscription orders for the final issues of Cirsova Volume 1 soonish.

Lastly, here’s a tease for you:

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Art by Star Two.

Coming Soon! Wild Stars III: Time Warmageddon

We have a HUGE project that will be out later this summer!

Cirsova Publishing is teaming up with Michael Tierney and Little Rocket Publications to celebrate the upcoming 35th Anniversary of the Wild Stars with the exclusive release of an all new Wild Stars adventure: Time Warmageddon!

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The fate of mankind and the current timeline are at stake—Space Pirates make a play for control over life in the stars and must be stopped, while rogue time travelers seek to undo the damage of tangled time as a mad-man reaches for apotheosis!

Wild Stars III: Time Warmageddon will be an illustrated novel by Michael Tierney, featuring cover art by Tim Lim (Donald Thump, My Hero Magademia) and interior art by Mark Wheatley (Jonny Quest, Fables: 1001 Nights of Snowfall).

This is a big deal for us at Cirsova. Wild Stars III will be our first release other than our flagship magazine. We’re aiming for a release in August and will begin taking pre-orders in June.

Be sure to keep an eye out for details we’ll be posting throughout May!

The Tough Sword-Fighting Space Dame

I’ve given Disney a lot of shit for their “Hurr durr, we’re finally getting a woman with a light-saber” marketing, because ass-kicking women with swords and light-sabers are kind of Otis Adelbert Kline’s thing:

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From the cover of the 1929 issue of Argosy serializing Maza of the Moon.

A few weeks back, Anthony did a post on how to make good Strong Women characters. He hit in a few good points, even if he didn’t pick a great example. Even “good” Strong Women characters like the one he references are actually figures of fun within their stories; note that he even points out that there are constant references to how unwomanly she is and won’t find a man. I disagree with his take that “They need to suffer some sort of loss related to their femininity” to be a good strong female character, but his point that “They need to be paired up with a male character equally strong or stronger” has merit.

I’ve noted that women in the pulps may suffer from The Worf Effect–if the male hero can’t hold his own against the toughest dame on the planet, he’s not gonna be much help to said dame when they’re really in a pinch. On the other hand, you know a dame is tough when she can give the guy who’s gonna topple a space dictatorship with his sword a run for his money.

It’s a shame that the new kids feel they have to reach for anime for their examples of tough women in sci-fi, when they’ve been hanging out in the pulps all along.

Take for example this great scene from Swordsman of Mars–Thorne has just met Thaine, the childhood friend of the Martian who he’s traded places with. At her camp, the pair are attacked by a band of hostile Martians, and a couple of them pull Thaine into her hut and briefly out of sight of the hero.

He was about to spring through the opening when he saw the girl framed in the doorway, dagger in one hand and sword in the other, both dripping blood. Behind her, barely visible in the dim light of the interior, lay one dead and one dying foeman.

“Why – why, I thought…” stammered Thorne, lowering his point.

The girl smiled amusedly and stepped out of the hut. “So you believed these clumsy Ma Gongi had cut me down. Really, Sheb, I gave you credit for a better memory. Have you forgotten the many times Thaine’s blade has bested yours?”

So her name is Thaine, mused Thorne. Aloud he said: “Your demonstration has been most convincing. Yet I have not lost my ambition to improve my swordsmanship, and I should be grateful for further instruction.”

“No better time than now. Still, I have you at a disadvantage, since you hold an inferior weapon.”

“It is a handicap which a man should accord a girl,” Thorne replied.

“Not one this girl requires.”

She sheathed her dagger and extended her blade. Thorne engaged it with his captured weapon which, though more heavy and clumsy, was somewhat similar to a saber.

He instantly found that he had to deal with the swiftest and most dexterous fencer he had ever encountered, and time after time he barely saved himself from being touched.

“It seems your stay at the military school has improved your swordsmanship,” said the girl, cutting, thrusting, and parrying easily – almost effortlessly. “In the old days I would have touched you long ere this. Yet, you but prolong the inevitable.”

“The inevitable,” replied Thorne, “is sometimes perceptible only by deity. For instance, this” – beating sharply on her blade, then catching it on his with a rotary motion – “has often been known to end a conflict.”

Wrenched from her grasp by his impetuous attack, her sword went spinning into the undergrowth.

Instead of taking her defeat badly, Thaine actually beamed.

“You have developed into a real swordsman, old comrade! I am so glad I could almost kiss you.”

“That,” Thorne answered, recovering her weapon for her, “is a reward which should fire any man to supreme endeavor.”

“It is evident that you have mastered courtly speech as well as fencing. And now I will prepare your favorite dish for you.” She called the brute. “Here, Tezzu,” indicating the bodies. “Take these away.”

There are a number of things in effect here:

Thaine’s able to remain boastful to rib her childhood friend, but the hero wasn’t deprived of his moment in “saving her”; alone, either of them might have been overtaken, but Thaine can hold her own. It’s important to note that this wasn’t a case of the hero showing up and the woman has done all of the work and didn’t need any help at all.

Thorne gets a chance to both size up Thaine’s fighting skills and judge how good he’s supposed to be, since at this point, he’s new to Mars and new to filling in the shoes of the young Martian viscount he’s stepped into. Ultimately, it’s his lack of proper Martian table manners that gives him away to Thaine.

Now that Sheb/Borgen Takkor (actually Harry Thorne) has been shown to have taken a level in badass, the girl can be impressed by his growth. She no longer sees him as an inferior, regards him as someone who she could genuinely rely on when pressed and is prepared to reward him with her affections as a strong woman who’s found a stronger man.

Food. A lot of women like to cook for a man. And being promised that you’ll be cooked your favorite meal is a hell of a thing. An unbelievable amount of human behavior is predicated on doing things that will get you your favorite meal cooked for you by a lady and the endeavors undertaken to earn such a privilege. So, you want a beautiful Martian lady to cook you tasty bug-steaks? You’d better be able to kill AT LEAST as many evil Martian swordsmen as she can when you guys get attacked by them.

From Heroes Fighting Communist Space Dictators to Post-Capitalist Utopias

Well before the Cold War, even many years before World War II, speculative fiction writers saw and forewarned of the dangers of Communism. In Burroughs’ Tarzan series, Tarzan himself goes up against communist agents and assassins sent by Stalin on a number of occasions!

Yet by the 40s, after Europe had been thoroughly wrecked by two conflicting socialist ideologies, you had nudniks writing into Science Fiction magazines talking about post-scarcity society and proclaiming that once we were all socialists, space would be so great and safe that the notion of heroes fighting villains and dictators among the stars would be unthinkably silly.

Like Burroughs, Kline, who was by all reasonable standards a forward thinking writer with all sorts of progressive notions of tough, powerful and independent women, equality of man, suffrage, yadda-yadda-yadda, was unafraid to make the tyrannical evils of a space communist society something for his fighting man to topple.

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Originally serialized in Argosy Magazine in January and February of 1933.

Harry Thorne has been sent to Mars to act in the stead of a young Martian noble:

“As Borgen Takkor, you are, of course, son of Sheb, the Rad of Takkor. If he were to die, your name would become Sheb. As it is, you are the Zorad of Takkor. Zorad, in your language, might be translated viscount, and Rad, earl. The titles, of course, no longer have meaning, except that they denote noble blood, as the Swarm has changed all that.”

“The Swarm?”

Lal Vak nodded.

“I can think of no other English equivalent for our word Kamud. The Kamud is the new order of government which took control of Xancibar about ten Martian years, or nearly nineteen Earth years ago. At that time, like other Martian vilets, or empires, of the present day, we had a Vil, or emperor. Although his office was hereditary, he could be deposed at any time by the will of the people, and a new Vil elected.

“For the most part, our people were satisfied. But there suddenly rose into power a man named Irintz Tel. He taught that an ideal community could be attained by imitating the communal life of the black bees. Under his system the individuals exist for the benefit of the community, not the community for the befit of the individuals.

“Irintz Tel did not gather many followers, but those who flocked to his banner were vociferous and vindictive. At length, they decided to establish their form of government by force. Hearing this, Miradon, our Vil, abdicated rather than see his people involved in a civil war. He could have crushed the upstart, of course, but many lives would have been lost, and he preferred the more peaceful way.

“As soon as Miradon Vil was gone, Irintz Tel and his henchmen seized the reins of government in Dukor, the capital of Xancibar. After considerable fighting, he established the Kamud, which now owns all land, buildings, waterways, mines and commercial enterprises within our borders. He promised us annual elections, but once he was firmly established as Dixtar of Xancibar, this promise was repudiated. Theoretically, like all other citizens, Irintz Tel owns nothing except his personal belongings. But actually, he owns and controls all of Xancibar in the name of the Kamud, and has the absolute power of life and death over every citizen.”

“What do people think of this arrangement?” asked Thorne. “Do they submit to such tyranny?”

“They have no choice,” replied Lal Vak. “Irintz Tel rules with an iron hand. His spies are everywhere. And those detected speaking against his regime are quickly done away with.

“Some are executed, charged with some trumped-up offense, usually treason to the Kamud. Men in high places are often challenged and slain by Irintz Tel’s hired swordsmen. Others are sent to the mines, which means that they will not live long.”

During his adventures on Mars, Thorne finds himself assigned to be the personal guard of the Dixtar’s beautiful daughter–a virtual death sentence:

“It is a fatal beauty that corrupts our most loyal followers and makes traitors of our stanchest patriots. And today we are constrained to part with two more of our best swordsmen. They were her guardsmen, but they chose to let their hearts rule their heads. For such a malady, where our daughter is concerned, we have a most effective form of surgery.”

“What is that, excellency?”

“In order that the heart may no longer rule the head, we separate them. A bit drastic, we will admit, but it never fails to cure. We sent for you and this prisoner because we must replace the two excellent swordsmen. Our daughter, as you know, must be well guarded.”

Kline even lampshades the hypocritical ostentatious largess communist dictators indulge in:

The size and magnificence of the suite reserved for the daughter of this apostle of simplicity who would make all citizens equal, was astounding.

To the communist nudniks infiltrating fandom, this sort of slander against their perfect system of life and governance is unthinkable and intolerable and therefore must be denigrated as unserious and implausible and unworthy of consideration by Tru connoisseurs of science fiction.

Consider this letter to the editor of Planet Stories written in 1946:

All stories concerned with interplanetary wars, space piracy, pioneering, racketeering, etc., are taking for granted that present economic operations will continue unchanged. But, even today, the advances of science and technology are bringing the day close at hand when the method of buying and selling goods for a price, using money, will have to be abandoned, with a scientific method of distribution taking its place. And what effect would this have on the future! War, with the elimination of buying and selling, would cease to exist. As money would no longer be used, space pirates, interplanetary police and what-have-you would also have to go. Consider the exploration of a new planet. With machines doing most of the work, let us take mining as a specific example. The rough-and-ready drink-hard, die-hard miner would cease to exist. Educational standards of the time would be such that the staff of trained technicians required to man the machines would not be the type to engage in drunken brawls and fist-fights.

At the risk of sounding like Jeffro, SOMETHING HAPPENED!

Review of Cirsova #5

Steve DuBois posted an excellent review of our Eldritch Earth issue; I suggest you go and read it.

He brings up a few interesting points:

“I have found cause for gripe about a lot of fiction that’s labelled ‘Lovecraftian’—the biggest being that it is not particularly Lovecraftian at all. To a large extent, ‘Lovecraftian’ falls into the same rut as Steampunk, only instead of gluing gears to everything, it’s tentacles.” [editor’s note; this was quoted from my intro to the issue]

This begs the question:  what IS Lovecraftian fiction?  For me, the defining characteristic is a cosmic horror born of the sudden realization that humanity is not, in fact, at the top of the food chain; indeed, that from a universal perspective, we’re not even insects.  Lovecraft posits that entities exist whose motives are not exactly malevolent, but so far beyond our understanding that to even encounter them is a sanity-shattering experience.

Bluntly, I don’t know that this leaves much room for the heroic.  I don’t think Lovecraft’s stories would have been improved if Randolph Carter had been handed an SMG and he’d started mowing down shoggoths.  New Pulp is a celebration of human ability and potential.  Lovecraft’s message is “your abilities are irrelevant in a cosmic context, and you are potentially something’s dinner.”  I don’t think, in short, that heroic fiction can be made Lovecraftian by gluing some tentacles to it.

In many ways, yes, the stories in the issue weren’t Lovecraftian in either the modern or the traditional sense. To an extent, you could accuse some of the stories of “gluing tentacles” to heroic fantasy and calling it “Lovecraftian” and not be too terribly far off from the truth. However, one of the reasons why I was willing to pursue this direction and showcase it in Cirsova is because so much in the current field of “Lovecraftian” fiction is either a deconstruction of Lovecraft and his themes through identitarian lenses on one end and modern pastiches of detectives with guns vs. Cthulhu on the other end. I looked at the project as a reconstruction of Burroughsian (though in practice Howardian) heroic tropes and, in the case of Misha Burnett’s and S.H. Mansouri’s stories, a reconstruction of the identity-based horror.

The stories work least well when they try to transplant Robert E. Howard to the Triassic, with brawny iron-age heroes mowing down scads of enemy henchmen and advancing towards boss fights.  Additionally, the whole Eldritch Earth concept is still in an early stage developmentally, and as with other such experiments (notably Baen’s Grantville) there are times when the authors involved seem to be proceeding from fundamentally incompatible concepts of how the story’s world works.  I can just about buy that humanity was designed as a slave race by Mind Flayers, but what’s up with all these other late-Pleistocene mammals popping up all over the place?  The horses?  The dogs?  The tapirs?  Or even Cretaceous critters such as birds, for that matter?  These aren’t story-killers, but they’re anti-atmospheric and destructive of reader immersion, and the Eldritch Earth stories will become more fun for readers once the authorial community leaves the tropes of iron-age Earth behind.

This is an interesting critique, in part because he goes on to praise Sky Hernstrom as “unmistakably right as an author of New Pulp”, but also because he is right that in the early phases of this shared universe, there is some conflict of what everyone’s vision is. I did not impose an editorial hand to maintain a consistent sense of world-building, as I didn’t feel that was my job. In those cases, such as The First American and Beyond the Great Divide where there was conflicting information about the nature of the Slagborn or the stories that included but gave very different impressions of Deodanth, I decided to let the stories stand on their own rather than try to pick which story was canon and demand the other authors try to shape theirs to better fit that canon.

I do hope that the Eldritch Earth project has some life left in it, because I think it has produced some spectacular early tales. We have a new Darla tale in our current issue and will have a brand-new tale of the Plateau of Leng from Cirsova regular Donald J. Uitvlugt later this year.

This is absolutely the sort of feedback that we’re looking for when we say “Hey leave us a review!” I mean, yeah, a couple lines and some stars on Amazon helps us a ton, too, but this is excellent, actionable stuff that lets us know what we’re doing right, where we can improve, and what direction we should take the magazine in the future.