Cirsova 2018 Awards Eligibility by Category

Cirsova Heroic Fantasy & Science Fiction Magazine is a semi-pro publication that, in 2018, paid .01 per word with an additional .01 per word on the first 2500 words.

We published 36 Awards Eligible works this year.

Novella

  • Wild Stars III: Time Warmageddon, by Michael Tierney
  • In the Land of Hungry Shadows, by Adrian Cole (#7)

Novelette

  • Slavers of Venus, by Nathan Dabney (#8)
  • Promontory, by Jon Zaremba (#8)
  • Littermates, by J.D. Brink (#8, #9)
  • All That Glitters, by Paul Lucas (#9)
  • The Orb of Xarkax, by Xavier Lastra (#9)
  • Crying in the Salt House, by B. Morris Allen (#10)

Short Stories

  • Galactic Gamble, by Dominika Lein (#7)
  • The Iynx, by Michael Reyes (#7)
  • The Legend of Blade, by Jason Scott Aiken (#7)
  • The Great Culling Emporium, by Marilyn K. Martin (#7)
  • The Toads of Machu Hampacchu, by Louise Sorensen (#7)
  • Criteria for Joining the Galactic Community, by Michael Tierney (#7)
  • Anna and the Thing, by Abraham Strongjohn (#7)
  • Brandy and Dye, by Jim Breyfogle (#8)
  • Breaking the Accords, by Amy Power Jansen (#8)
  • The Dream Lords, by Donald Jacob Uitvlugt (#8)
  • Only a Coward, by Jennifer Povey (#8)
  • Party Smashers, by Ken McGrath (#8)
  • Going Native, by J. Manfred Weichsel (#8)
  • The Faerie Pool, by Edward McDermott (#9)
  • Our Lords, the Swine, by N.A. Roberts (#9)
  • The Bejeweled Chest, by S.K. Inkslinger (#9)
  • Jack’s Basement, by Michael Tierney (#9)
  • Antares, by PC Bushi (#9)*
  • Cirque des Etoiles, by Bo Balder (#9)
  • Hot Water in Wormtown, by Robert Lang (#9)
  • Jeopardy Off Jupiter IV, by Spencer E. Hart (#10)
  • The Best Workout, by Frederick Gero Heimbach (#10)
  • A Song in Deepest Darkness, by Jason Ray Carney (#10)
  • Amsel the Immortal, by Lauren Goff (#10)
  • An Interrupted Scandal, by Misha Burnett (#10)
  • The Sword of the Mongoose, by Jim Breyfogle (#10)
  • When Gods Fall in Fire, by Brian K. Lowe (#10)

Related

  • My Name is John Carter, by James Hutchings (#7, #10)

Our #7, #9, and #10 covers were by Anton Oxenuk.

Our #8 cover was done by Benjamin A. Rodriguez.

*:Ursa Eligible

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Cirsova 2019 Lineup

We’re moving along at a nice clip towards getting 2019 ready to go. In fact, we even have sketches done for spring plus 1st round edits and layout done. We’ll be sending Vol 2 Issue 1 off to our copy editors before the new year, with any luck.

So, here’s the line-up. We’ve got two issues that are a little thicker than normal (think our 2017 issues) plus something new we’re trying, a Cirsova Summer Special that will showcase a few of the longer (novelette and novella) works we received.

And yes, we’ll be talking more about that first story listed in the Spring issue very soon.

Vol 2. No. 1 Spring (March)

  • Young Tarzan and the Mysterious She, by Edgar Rice Burroughs and Michael Tierney
  • Atop the Cleft of Ral-Gri, by Jeff Stoner
  • The Idol in the Sewers, by Kenneth R. Gower
  • Born to Storm the Citadel of Mettathok, by D.M. Ritzlin
  • The Book Hunter’s Apprentice, by Barbara Doran
  • How Thaddeus Quimby the Third and I Almost Took Over the World, by Gary K. Shepherd
  • Deemed Unsuitable, by W.L. Emery
  • Warrior Soul, by J. Manfred Weichsel
  • Seeds of the Dreaming Tree, by Harold R. Thompson
  • The Valley of Terzol, by Jim Breyfogle
  • The Elephant Idol, by Xavier Lastra
  • Moonshot, by Michael Wiesenberg

Cirsova Summer Special (June)

  • Bleed You Dry, by Su-Ra-U
  • The Ghost of Torreon, by Edd Vick and Manny Frishberg
  • The Bullet From Tomorrow, by Misha Burnett
  • The Star God’s Grave, by Schuyler Hernstrom
  • Halcyon, by Caroline Furlong
  • The Last Fortune of Ali al’Ahmar, by Rev. Joe Kelly

Vol 2. No. 2 Fall (September)

  • A Little Human Ingenuity, by William Huggins
  • The Burning Fish, by Jim Breyfogle
  • For I Have Felt a Fire in the Head, by Adrian Simmons
  • La Molejera, by Marie Brennan
  • Pale Moon’s Bride, Ville Meriläinen
  • Pawn to the Queen by Christine Lucas
  • People of Fire, by Jennifer Povey
  • Blue-Like-The-Sky, by Spencer E. Hart
  • Doomsday Shard, by Ken McGrath
  • Titan, by Rebecca Devendra
  • The Handover of the Scepter of Greatest Regret, by Hal Y. Zhang

In the meantime, please take a moment to support us by leaving a review of a past issue of Cirsova that you’ve enjoyed! It’s free, it helps us tremendously, and only takes a moment of your time.

Submissions are Open!

We’re accepting Submissions now for Cirsova volume 2.

Details are here.

We’re looking to acquire ~100K words in text in total. That’s enough to fill two issues of Cirsova.

Payment is .0125 per word. That’s less on the short end than we used to pay, but more on the long-end. [mostly it keeps our expenses flat, which we need on such a tight budget, as opposed to when we paid a .01 cent bonus on the first 2500 words and costs fluctuated based on the number of stories rather than actual wordcounts.]

 

Wild Stars III: Time Warmageddon–Available for Pre-Order Now!

Pre-Orders for Michael Tierney’s Wild Stars III: Time Warmageddon are live now!

cover

Faster-than-light scouts are arriving at distant suns to discover that they have been “replaced” by white dwarfs and their planets have gone missing… Terraformers find a world that shows signs of previous human colonization: who were those people and where did they go? The saga of the Wild Stars continues as former-President Bully Bravo seeks to solve these mysteries while pursued by an evil pirate queen and a rogue time-traveler trying to create a god.

Time Warmageddon is a fully illustrated novel by Michael Tierney, featuring cover art by Tim Lim (Donald Thump, My Hero Magademia) and interior art by Mark Wheatley (Jonny Quest, Fables: 1001 Nights of Snowfall).

This edition of Wild Stars III: Time Warmageddon will be a Kickstarter exclusive and will ship in September. This pulp-style magazine printing will be manufactured strictly to order and will be “sold out” upon release.

Over the last 35 years, the world of the Wild Stars has come to encompass multiple comics, novels, art folios, and a zine, and it has featured work by comic industry veterans Frank Brunner (Doctor Strange, Howard the Duck), Dave Simons (Ghost Rider), Armando Gil (Ka-Zar the Savage, Conan the King), and David Brewer (Cable, Deadpool). To celebrate this new entry into the franchise, Cirsova Publishing and Little Rocket Publications will be making an extensive catalog of older Wild Stars material, including some of the few remaining original Wild Stars comics and art portfolios from the 1980s, available to new fans and old.

Michael Tierney has been involved in comics and the publishing industry since the 70s. Owner and proprietor of both The Comic Book Store and Collector’s Edition, Michael was a Finalist for both the Star*Reach Comics Retailer of the Year Award in 1985 and the Will Eisner Spirit of the Comics Retailer of the Year Award in 1999, has been an Overstreet Comic Book Price Guide Advisor since the 1990s, and is a staple of Central Arkansas’ comic scene.  A former journeyman printer and printing division manager, he’s written, published, and at times even penciled, inked, and printed his own comics. He is currently writing, lettering, and coloring Edgar Rice Burroughs® Beyond the Farthest StarTM. Wild Stars III: Time Warmageddon comes right on the heels of his four volume Edgar Rice Burroughs 100 Year Art Chronology published by Chenault & Gray. Michael has been a regular contributor to Cirsova Heroic Fantasy and Science Fiction Magazine.

For more information about Michael Tierney and the history of the Wilds Stars, be sure to visit his website: http://thewildstars.com

 

Commies, Poul Anderson, a Wrap on Kline, some Simak and a Book-Store Score

Jeffro has posted a pretty good piece which coincides with my Monday rant and the last Retro Fandom Friday I posted. Be sure to read it.

Last Friday’s Short Review left me feeling kind of dirty, but fortunately I’m told that Anderson reconsidered many of his youthful positions and his later iconic works benefit from this shift greatly. I’ll try to read a few of his better known works before going back to his 40s stuff.

Double Dyed Villains meme.png

I approved this comment for you to laugh at.

RR from I

Finished Swordsman of Mars, and the communist dictator dies an unrepentant traitor, the hero ends up with a dame, though not the one he thought he would; the good emperor pulled an All Father with a strategic daughter-swap. Fortunately, the innate goodness in the old emperor carried over into his daughter, while the villain’s daughter benefited from the good upbringing the old emperor gave her.

Started reading Simak’s Enchanted Pilgrimage. I’ll have some excerpts and highlights later. While I’m not blown away by it, it’s a fascinating look at a pre-Tolkienian 70s party/quest-focused fantasy adventure that features a demi-human adventuring party. It does a pretty good job highlighting the weirdness of such a company and the political and cultural implications of a Keep on the Borderlands setting extrapolated into a post-conflict world.

Over the weekend, hit up Once-Upon-A-Time Books in NWA, and scored, among other fine treasures, a still-shrink-wrapped Compleat Dying Earth omnibus and a hardbound Skaith omnibus, and some other C.L. Moore and Vance paperbacks.

Oh, and if you haven’t already, be sure to order your copy of Cirsova #7 today! Currently more popular on Amazon than the Swords Against Darkness reboot!

Sometimes You Just Need an Excuse to Get to Your Implausible Action

I’m reading The Swordsman of Mars, my 5th planetary romance by Otis Adelbert Kline, and the 4th in his Dr. Morgan series. As with all of the Doc Morgan stories, we are briefly introduced to the concept of telepathic exchange of minds across space and time–a process which he discovered with the help of Lal Vak, a Martian scientist living a million years in Earth’s past, which allows for individuals with similar enough physiques and thought patterns are able to transfer personalities with the help of their devices.

Dr. Morgan finds bored or down on their luck highly capable individuals and sends them off to implausible adventures on alien worlds, with the promise of thrills and romance and assurances that they’ll probably do just fine once they get there and learn the language.

It’s a silly concept, one which Kline even lampshades in the author’s foreword of the second Dr. Morgan book, The Prince of Peril:

Dr. Morgan had worked on telepathy for many years in his spare time, when he was in practice; but on his retirement, he tried a different track. “I had to amend the theory,” he explained. “I decided that it would be necessary to build a device which would pick up and amplify thought waves. And even this would have failed had my machine not caught the waves projected by another machine, which another man had built to amplify and project them.”

Now I had been a devotee of imaginative fiction for many years, and had often thought of turning my hand to writing it. I prided myself on having a better than usual imagination; yet, I did not think of the implications of the theory of telepathy when Dr. Morgan told me that the man who built the thought-projector was on Mars. While I deferred to no one in my fondness for Edgar Rice Burroughs’s stories of John Carter and others on Barsoom, I was well aware of the fact that what we knew of the planet Mars made his wonderful civilization on that planet quite impossible. I said as much, going into facts and figures.

“Of course, we won’t really know for sure about the exact conditions there unless we land on Mars. But still we know enough to make Burroughs’s Mars probability zero,” I concluded.

Dr. Morgan nodded. “Entirely correct,” he said. “There is no such civilization on Mars.”

He then explained his own incredulity when his machine picked up the thoughts of a man who identified himself as a human being— one Lal Vak, a Martian scientist and psychologist. But Lal Vak was no less incredulous when Dr. Morgan identified himself as a human being and scientist of Earth. For Lal Vak was certain that there could be no human civilization on Earth, and cited facts and figures to prove it.

Interestingly enough, with the exception of the third Venus book, the Dr. Morgan books have all been prequels to the first one–the second Venus book recounts the adventures of a character who hooked up with Grandon for the climactic battle at the end of Planet of Peril (a “you wouldn’t believe what it took for me to get here in time, remind me to tell you someday!”), and this first Mars book I’m reading is actually the account of Harry Thorne, the guy Dr. Morgan tells Grandon about at the start of Planet as his first successful experiment with Lal Vak.

And it is the task of this first successful experiment to stop the first failed experiment. The first guy Doc Morgan sent to Mars, Frank Boyd, turned out to be an asshole and set himself up as a strongman to take over the world.

In barely more time than it took to you to read this post, Thorne gets sent to Mars, where he is attacked by a stirge-like insect, which he quickly dispatches… however his loss of blood has made him weak, so when Lal Vak brings him back into town and he’s bumped into by an arrogant oaf who demands satisfaction–he falls faint before the first sword-blow! The engineer of his disgrace? None other than Frank Boyd, the man Thorne was sent to stop! And because he de facto lost the duel, he may not honorably challenge him again and is bound to accept any and all humiliations that Boyd may subject him to!

That’s as far as I’ve got, but if it’s like any of Kline’s other stories, it’ll be cram-packed with sword-fight, wild monsters, and hot action dames.

Argosy-1933-07-01

I think that thing is supposed to be his pet flying duck-bat mount. DIFFERENT FROM WOOLA, I PROMISE!

Review of Cirsova #5

Steve DuBois posted an excellent review of our Eldritch Earth issue; I suggest you go and read it.

He brings up a few interesting points:

“I have found cause for gripe about a lot of fiction that’s labelled ‘Lovecraftian’—the biggest being that it is not particularly Lovecraftian at all. To a large extent, ‘Lovecraftian’ falls into the same rut as Steampunk, only instead of gluing gears to everything, it’s tentacles.” [editor’s note; this was quoted from my intro to the issue]

This begs the question:  what IS Lovecraftian fiction?  For me, the defining characteristic is a cosmic horror born of the sudden realization that humanity is not, in fact, at the top of the food chain; indeed, that from a universal perspective, we’re not even insects.  Lovecraft posits that entities exist whose motives are not exactly malevolent, but so far beyond our understanding that to even encounter them is a sanity-shattering experience.

Bluntly, I don’t know that this leaves much room for the heroic.  I don’t think Lovecraft’s stories would have been improved if Randolph Carter had been handed an SMG and he’d started mowing down shoggoths.  New Pulp is a celebration of human ability and potential.  Lovecraft’s message is “your abilities are irrelevant in a cosmic context, and you are potentially something’s dinner.”  I don’t think, in short, that heroic fiction can be made Lovecraftian by gluing some tentacles to it.

In many ways, yes, the stories in the issue weren’t Lovecraftian in either the modern or the traditional sense. To an extent, you could accuse some of the stories of “gluing tentacles” to heroic fantasy and calling it “Lovecraftian” and not be too terribly far off from the truth. However, one of the reasons why I was willing to pursue this direction and showcase it in Cirsova is because so much in the current field of “Lovecraftian” fiction is either a deconstruction of Lovecraft and his themes through identitarian lenses on one end and modern pastiches of detectives with guns vs. Cthulhu on the other end. I looked at the project as a reconstruction of Burroughsian (though in practice Howardian) heroic tropes and, in the case of Misha Burnett’s and S.H. Mansouri’s stories, a reconstruction of the identity-based horror.

The stories work least well when they try to transplant Robert E. Howard to the Triassic, with brawny iron-age heroes mowing down scads of enemy henchmen and advancing towards boss fights.  Additionally, the whole Eldritch Earth concept is still in an early stage developmentally, and as with other such experiments (notably Baen’s Grantville) there are times when the authors involved seem to be proceeding from fundamentally incompatible concepts of how the story’s world works.  I can just about buy that humanity was designed as a slave race by Mind Flayers, but what’s up with all these other late-Pleistocene mammals popping up all over the place?  The horses?  The dogs?  The tapirs?  Or even Cretaceous critters such as birds, for that matter?  These aren’t story-killers, but they’re anti-atmospheric and destructive of reader immersion, and the Eldritch Earth stories will become more fun for readers once the authorial community leaves the tropes of iron-age Earth behind.

This is an interesting critique, in part because he goes on to praise Sky Hernstrom as “unmistakably right as an author of New Pulp”, but also because he is right that in the early phases of this shared universe, there is some conflict of what everyone’s vision is. I did not impose an editorial hand to maintain a consistent sense of world-building, as I didn’t feel that was my job. In those cases, such as The First American and Beyond the Great Divide where there was conflicting information about the nature of the Slagborn or the stories that included but gave very different impressions of Deodanth, I decided to let the stories stand on their own rather than try to pick which story was canon and demand the other authors try to shape theirs to better fit that canon.

I do hope that the Eldritch Earth project has some life left in it, because I think it has produced some spectacular early tales. We have a new Darla tale in our current issue and will have a brand-new tale of the Plateau of Leng from Cirsova regular Donald J. Uitvlugt later this year.

This is absolutely the sort of feedback that we’re looking for when we say “Hey leave us a review!” I mean, yeah, a couple lines and some stars on Amazon helps us a ton, too, but this is excellent, actionable stuff that lets us know what we’re doing right, where we can improve, and what direction we should take the magazine in the future.