Today may be the last day for the next few months to snag a free ebook of City at the Top of the World.
I spent too much of a busy weekend finishing up collecting Riddler trophies in Arkham City. Considering that he feels like the big bad of the game, I really wish there was more that happens once you get all his stupid trophies and kick his ass. I feel like you almost deserve a second special credits roll or something. I screwed around a bit with some of the challenges, but, like with Asylum, I think I’m not going to bother with doing them with any level of thoroughness. Probably after I finish Harley’s Revenge, I’ll be taking a break for a bit. I need to get more reading done and (maybe) work on Alfheim, which will be on hold until after a few sessions of Pockets (unless people revolt and demand we finish my game, which I hope doesn’t happen, as it could split up our group).
I’m a little over halfway through the bio of Talleyrand I’ve been reading; it’s interesting given how little attention was paid to Talleyrand’s role in the Revolution in the history by Abbott (presumably because of his Napoleonophilic tendencies) to now read a very detailed account of his involvement with both the Revolution and the Empire, in which he is portrayed, while incredibly corrupt and inscrupulous, as the only sane man in Napoleon’s otherwise useless political machine. All in all, it’s made me really want to revisit my childhood and play L’Empereur. Maybe I can find an emulated dosbox version somewhere.
Reading about the Revolutionary and Post-Revolutionary period shoots some holes in the meme of women’s role in history or their absence from it. While the role they played was certainly different, it was incredibly significant nonetheless. It was through the various influential society ladies that the key players networked and it was in their parlors that they planned and schemed, and when caught by the opposition, women joined their husbands and lovers on the gallows of the Revolution. Much of what we know about the Revolutionary period and the political intrigue at home during the Napoleonic Wars comes from the writings and correspondence of these great ladies who put pen to paper their thoughts on the events of the day and the men who played their parts as the ladies played theirs. It’s made me consider coming up with some sort of variant on Coup or Resistance in which all of the players represent aristocratic women in Paris in whose salons the the acts of treason for and against the Bourbons are planned and betrayed.
While I’ve been slower than I’d like in reading MYFAROG, I’ve been coming up with a few ideas which will hopefully be useful to players. When I get around to it, I plan on making print & play Role cards for the various roles in MYFAROG for use with MYFAROG as quick reference or for adapting MYFAROG roles into a role-based pocket system such as Altars & Archetypes. I’ve run this idea by one of the players in my group and they sound interested.