Cirsova Cashflow Crisis

So, while Cirsova Publishing itself is doing okay, personal expenses have been mounting higher and higher over the last several months.

Because of last year’s tornado, my homeowner’s premiums went up by a lot and I had to pay a $900 escrow shortfall earlier this year.

I’ve had a minor plumbing job that cost around $400, needed to replace an AC capacitor, which was $200, needed to replace a lawnmower, which was $300, plus I’ve been having something go wrong with the car just about every month, whether it’s a oil valve needing replacing, or brakes needing replacing, or a belt needing replacing, so on and so forth. This week, while the SO was taking the car to visit a friend out of town, it broke down, needed a tow + a $700 repair job.

Basically, this has all added up to several thousand dollars in expenses that have eaten away at what spare funds I have for the magazine.

We’ve got a few listings we’ve added on eBay to try to both make space and get some extra cash:

First off, we have a bunch of DCC modules + the starter rules:

I’m selling my Batman No Man’s Land trade collection:

This one is big-ticket, but it’s easily a $1600 value to the right buyer; each band member fig goes for around $200 parted out, and this set comes with all 5 of them + 20 pit slave figures (those go for around 20-25) + the rules. We’re only asking $1000 for this, sealed in the box.

We also have a lot of original Cirsova artwork for sale, plus some board games and other miscellaneous items.

I’m going to be listing more graphic novels and more board games soon.

Big Happenings! (A General Update)

A Bad Case of Dead is now officially out the door! All backers who have provided us their addresses have had their packages shipped.

Jim Breyfogle’s A Bad Case of Dead will be available for retail on 5/15.

We will be sending out ARCs to ARC subscribers on Friday, so you still have a little time to sign up!

The Spring issue is out, of course, and while it’s off to an okay start, we really need it to be doing the numbers of our Summer 2023 issue if we’re going to have funds to buy stories in August.

If you’ve already bought a copy, consider leaving us a review!

We’re still taking advertisements for the other three issues this year, so if you want to support us that way, hit us up!

We’ve got a big project with JD Cowan that we’ll officially be announcing next Monday [it’s Star Wanderers; I’ve probably mentioned it before, I’m terrible at keeping a secret]. So, the promotion for it will officially begin next week.

And, of course, we’ve got Wild Stars 7 and the Dream Lords omnibus lined up, but we’ll be able to talk more about that down the road.

I’ll be updating the rest of the webpage with various stuff and doing maintenance here.

The Spring 2024 Issue is Out Now!

The Spring 2024 Issue of Cirsova is out now! This is a HUGE one. Despite clocking in at nearly 200 pages, we’ve kept the cover price the same at $15. You won’t want to miss this!

A Quick Laugh with Death
By WILLIAM DRELL

Investigating the medical blackmail of a xenofruit magnate leads Mickey Vance to the sweltering planet Verdus, where the locals are beautiful and criminals deadly!

The Titan of Zhorn
By RICHARD RUBIN

Burke Fletcher, the fighting man from Earth stranded on Rigel IV, has been hired to find the Titan of Zhorn: a lost mechanical wonder that could end his client’s war!

Jewel of the Joltunwyrm
By KEVAN LARSON

Incredibly dangerous to harvest, the strange organ found deep within the joltunwyrm is worth a fortune! Jackson’s share will be enormous… if he can survive!

The Weather Maker
By J. COMER

Fleeing the devastation of a sacked city on the war-torn Pendleton’s World, a small band happens upon a nun with a peculiar piece of technology to aid in their escape!

Joe vs. the Mad Wizard of Druun
By W.E. WERTENBERGER

Ripped from his own world, Joe has taken up the life of a mercenary! But will the wizard who threatens a village of Lemurians be more than even Joe can handle?

On the Eve of Xerkhet-Buul
By HOWIE K. BENTLEY

Thargg Tanuth seeks to avenge the death of his beloved Princess Lenoris! Betrayed on the eve of Xerkhet-Buul, Thargg finds that he too is to be hunted by her killer!

Cargo Cult
By JED JALECO DEL ROSARIO

A Xenological mission investigating a potentially sapient species has disappeared! Dugo has been hired to find them… and eliminate all traces of contact!

The Screamers
By ANDREW REICHARD

A military officer must give his official assessment on the aliens of Vaela following the establishment of relations! Are they friendly? Hostile? All they do is scream…

Caf-fiend
By JULIE FROST

Alex Jarrett just wants his perfect cup of coffee… Unfortunately for Alex, a mysterious and diabolical threat has brought his supplier’s plantation to a standstill!

Computer Games
By LOUISE SORENSEN

Forced to act as assassin and executioner for the supercomputer she helped create, Diamond Bright bides her time for the moment when she can save her husband!

The Codex of Naku-Lankha
By FRANK SAWIELIJEW

Shortly after having escaped the Iron Moon, Arshiya and Varnok are hired to find an ancient and mysterious text… But the dangerous Codex is not what it seems!

The Superior Griefs
(Part 1)
By MICHAEL TIERNEY

Investigation into government disposal of abused children leads to the discovery of a primeval race of lizardmen stockpiling them for food in stasis chambers! What is their connection to the strange new threat that has emerged on the edge of space!?

My Name is John Carter [Part 17]
By James Hutchings

Guest Post by J. Comer: Review of The Downloaded by Robert Sawyer

Apocalypse is old news. Apocalypses aplenty have been predicted for millennia, and apocalyptic fiction is at least as old as Mary Shelley’s The Last Man and Richard Jeffries’ After London[1].

In more recent years, post-apocalyptic fiction has become both popular and ubiquitous, needing no introduction. Robert Sawyer’s new novel, The Downloaded[2],  takes a new spin on these old themes, with intriguing results.

Sawyer himself is an interesting man. Billed as “Canada’s Only Native-Born Sci-Fi Writer”, or variations thereon, he came to public attention with his Quintaglio Ascension books, about a group of sentient descendants of Earth’s Nanotyrannus living on an alien world. What followed were an assortment of novels dealing with classic SF themes, along with a constant promotion of Canada’s SF industry. One novel, Flashforward, was even the basis for a TV show[3].

Downloaded is a series of “interviews” with an initially unnamed interlocutor. We meet one person, a murderer, and two more, astronauts, who are scanned into computers as their bodies are frozen (in this setting, life returns after freezing/thawing, but not consciousness, so a scanned personality enables the person to live again). The convict, together with other criminals and the astronaut crew are all together in a building where a quantum computer had housed their minds, while their corpses were frozen.

They wake five hundred years after an apocalypse. The astronauts speculate that a coronal mass ejection shut down electronics on Earth[4]. They meet the convicts, who are mostly reasonable people, save for one creep. They also meet Mennonites, who survived by having no modern technology. The survivors find that Earth’s civilization, apart from the Mennonites, is extinct.

They set up a government and elect the murderer as their leader. They travel to the ruins of Toronto, and learn that an asteroid is going to hit the Earth. It is also revealed that a nuclear war, not a coronal mass ejection, killed the people of Earth.

At some point during all of this, we become aware that the interviews are with Reywan, a genderless blue-skinned descendent of Martian colonists, who orbits above these groups and communicates via hologram. Reywan takes some refugees to Mars, and the astronauts find an Earthlike world and travel there.

So what can we make of this addition to the history of postapocalyptic novels? Well, compared to Sawyer’s Quintaglio books or to his excellent Calculating God and Red Planet Blues, it is a minor work. Its characters, compared to Don and Sarah Halifax in Rollback or Thomas Jericho in Calculating God, are less richly developed, but they do include one sensitively portrayed trans person.

The ideas in the novel are fun, but not new. Regardless, Sawyer’s narrative authority makes this a good read. I enjoyed the story, and recommend it.


[1] Richard Jeffries, After London. London: Cassell & Company, Ltd., 1885.  This novel was possibly the first to depict a medieval society existing after a collapse.

[2] Sawyer provided a PDF copy of the novel to this reviewer.

[3] Sawyer also wrote the series bible for the excellent Charlie Jade.

[4] Numerous books such as William R. Forstchen’s 48 Hours use this idea.

Press Release: (Cirsova Contributor) J. Manfred Weichsel’s Into the Bush Out March 18th!

Most people are unaware that before he became America’s premier writer of subversive fiction, J. Manfred Weichsel cut his teeth in Hollywood, crafting screenplays for the notorious Action Girls, a trio of indie starlets whose on and off-screen antics captivated audiences throughout the 2010s. In this tell-all memoir, Weichsel dishes out the most salacious details on the making of their most notorious film, Into the Bush.

After the overwhelmingly successful premiere of Jungle Jitters, Jennifer, the leader of the Action Girls, is eager to make another jungle adventure movie, and she asks her regular scribe, J. Manfred Weichsel, to write it.

His pitch? A three-hundred-mile-long giantess named Patty McGloop lies eternally on her back in the Mojave Desert, with a pubic hair region spanning seven miles from below her navel to between her thighs. Just as the Gargantua ray made Patty McGloop very big, it also enlarged the microscopic animals that live on her skin and hair. Wouldn’t it be fun to go exploring inside her pubic hair jungle in order to document all the interesting flora and fauna?

The Action girls excitedly make all the preparations needed to shoot such a bizarre motion picture and take a helicopter to Patty McGloop’s navel, the gateway to her colossal realm. But when the girls become captive to a tribe of zealous lice, it’s up to Manfred to go on a daring mission into the bush to rescue them.

While the glitz and glamor of Tinseltown may seem like a dream come true, insiders know that life with the Action Girls was anything but ordinary. Weichsel’s days were a whirlwind of adrenaline and excess. Rumors of secret romances, bitter rivalries, and drunken nights on set only add fuel to the fiery saga of his Hollywood tenure. Don’t miss out on these behind-the-scenes revelations that will leave you laughing, gasping, and begging for more.

Into the Bush will be available in eBook and Paperback at all your favorite stores March 18.  

Preorder Into the Bush at one of the following links:

Universal book link: https://books2read.com/u/b5Y87A

Amazon eBook: https://www.amazon.com/dp/B0CXL49LXG

Amazon paperback: https://www.amazon.com/dp/1088285228

Barnes & Noble paperback: https://www.barnesandnoble.com/w/into-the-bush-j-manfred-weichsel/1145023791?ean=9781088285220

To be notified immediately when Into the Bush is released, follow J. Manfred Weichsel on social media:

https://substack.com/@jmanfredweichsel

https://twitter.com/JonWeichsel

https://www.threads.net/@j_manfred_weichsel

https://bsky.app/profile/jmanfredweichsel.bsky.social

https://www.facebook.com/profile.php?id=100063632302619

To learn about J. Manfred Weichsel and all his other books, visit his website: https://j-manfred-weichsel.mailchimpsites.com/

On Demographic “Genre”

If you didn’t know, in Japan, fiction isn’t marketed by publishers by genre in the way that we typically think of but rather by the demographic to which it will be marketed. The main categories are shonen (boys), shojo (girls), seinen (men), and josei (women).

So, this is kind of interesting…

This series is Shonen…

I do think that the gendered/aged demographic genres in Japan are starting to fall apart and people can’t recognize a lot of things that are kind of on the edges of interests, particularly in a culture where what would once be obscure seasonals are regularly becoming mainstream global sensations thanks to streaming, simulcast, and piracy.

Japanese genre has more to do with who the publisher will intend to market it towards rather than what kind of story it is and who it might appeal to. The latter will usually line-up with the former because the magazines are in the business of making money, but it’s clearly not limited or well-defined once you get outside of battle shonen.

There are also shonen mags, such as Weekly Shonen Sunday, that clearly publish a broader range of content including stuff that appeals to girls and women (at least in the US).

Most Shojo mags that are known in the West tend to stick to highschool romance [though LaLa published the action-thriller Library War, so it cuts both ways], often not super distinguishable from female-written/female-protag highschool romance published in shonen books.

This series is shojo. Knowing the difference will let you win an internet argument.

My girlfriend enjoyed Horimiya, while I thought it was boring and tedious. My GF was shocked that Romantic Killer was not Shojo. Heck, we were both a little surprised that InuYasha was Shonen cuz it was a Fujo series before anyone in the states knew what a Fujo was. Or at least, in the US it seemed to be mostly girls who liked it. I haven’t seen/read Skip and Loafer or Apothecary Diaries, but while Witch Hat looks and feels kinda girly and is written/drawn by a woman, it IS a shonen and my GF didn’t get into it [I dropped it for different reasons]. On the other side, you have something like Ascendance of a Bookworm that feels like it should be a shonen but it’s published by a shojo outlet.

And particularists would fall over themselves if My Love Story had been published in a shonen mag because it easily reads as shonen wish-fulfillment gf title, even though it also hits the typical shojo romcom narrative beats.

You also have some weird cases, like Little Witch Academia which has had official manga works published in Seinen, Shonen, and Shojo publications, meaning that you can’t pin the IP down as being any one of those.

So, now we’re getting to the point of “No, this thing that largely appeals to girls isn’t actually a thing for girls because that’s not how it was marketed!”

TL;DR, unless demographic genres are turned into ghettoes, even target demographic labels for genres become useless when it comes to stories that have broad appeal.

I know there’s a tendency to “Thing: Japan” over even something like publishing genres, but as much as the western genre taxonomy used by publishers has failed us, I’m hesitant [some shitposts aside] to actually claim the Japanese way is better or the answer.