Reminder: Subscriptions are Open!

You can get your subscription for Cirsova Heroic Fantasy and Science Fiction Magazine for as low as $1!

Issue 7 Cover 1 Front Cover lower res

We need to increase our readership if we’re going to keep this going. Our target for next year is 200 subscribers. Tell your friends!

We’ll have the art for Summer available soonish and will be posting it as soon as it’s ready.

For those of you who’ve been digging the art for spring, you can get it on Mugs, T-Shirts and more from our Tee Public store!

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Review: Whispers From the Abyss

Sometimes life gets crazy and you don’t manage to juggle all of the things that you thought you could take on, but that’s really no excuse. I’m long overdue for reviews of 01Publishing’s Whispers From the Abyss series. I’ve made a few tweets about these, but that’s nothing compared to the actual reviews they deserve, considering the fact that the awesome Kat Rocha actually sent me physical copies to read.

It’s also not easy to review anthologies of flash fiction because there are SO MANY STORIES TO TALK ABOUT! So, rather than take on the daunting task of reviewing the hundreds of stories, I’ll say that the average quality and selection of these pieces is incredible. That’s not to say that I thought all of the stories were good or that I enjoyed them all, but there were some really great ones, some pretty good ones, and the bad ones were only a page or so.

I know it doesn’t sound like much on the face of it, but those who know me as someone who loathes “Lovecraftian” (fingerquotes) fiction understands what it means that I should have any praise at all for such an anthology, much less the high praise for it I’m now struggling to articulate.

I think where this anthology best succeeds is in finding short horror stories that seek to tonally match Lovecraft and others’ short weird fiction and horror rather than fill its pages with Mythos gobbledygook.

They’re worth checking out, and you can find them on Amazon.

Happy Birthday Leigh Brackett!

Look, I don’t have any new or insightful content to share right now, but let’s at least revisit these highlights:

https://cirsova.wordpress.com/2017/08/21/did-you-just-misgender-leigh-brackett/

http://www.castaliahouse.com/short-reviews-the-moon-that-vanished-by-leigh-brackett/

http://www.castaliahouse.com/short-reviews-the-vanishing-venusians/

http://www.castaliahouse.com/retro-fandom-friday-bring-us-the-head-of-harry-parkhurst/

Michael Reyes’ Clock’s Watch Out Now in Paperback and Hardback

 

Awhile back, I’d mentioned that I’d helped Michael Reyes, one of Cirsova’s contributors, put together an anthology of his Clock stories. I did interior formatting and cover layout (though not the front design/layout).

It’s now available in paperback and hardback.

The next story in the sequence, The Iynx, will be featured in the Spring 2018 issue of Cirsova. Pre-Order Today!

https://www.kickstarter.com/projects/1161542777/cirsova-2018-spring-summer-subscription

 

Cirsova 2018 Spring/Summer Subscriptions Available Now!

 

Stickied Post

We’re using Kickstarter to sell subscriptions for our Spring and Summer issues. Click through for the full lineup.

This isn’t really a Kickstarter, since it’s not actually kickstarting anything. It’s just for folks who’ve been saying “Shut up and take my money already!” to finally put down for the early-bird special (save a few bucks, mostly on shipping).

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DC Metal’s Dark Knights Ranked

As promised, I am ranking the Dark Knights from DC’s Metal event.

First, I’d like to note a few things about the other cross-over/tie-in titles:

Gotham Resistance was the real gem of the event. It picks up with Damian right after Batman’s disappearance, and brings in the Teen Titans, Suicide Squad, Green Arrow, and Nightwing for an all-out-assault on a Gotham City that has been transformed into a series of Malebolges by the Batman Who Laughs and a number of Gotham Rogues he’s empowered with Nth Metal Joker cards. The story flowed well across all four titles and, despite the fact that they’re titles I’m not interested in, made me consider giving them a shot because they were ALL GOOD!

Bats Out of Hell was a disappointment. While the B-team heroes brought an A-game story, the A-team heroes’ writers brought their B-game. Despite a shot to have some really great fights between the Dark Knights and the Justice League, or some good character development to build on some of the stuff established in the one-shot tie-ins, Bats Out of Hell was largely wasted. The first two issues felt like a muddle mess of clips, failing to establish much of story in its own right. Part 3 had a decent idea of primarily featuring a Knight interacting with his counterpart, but gets an F for execution. Hal Jordan and the Green Lantern Corps 32 literally uses Dawnbreaker’s power as an excuse to not draw half the comic. “Oh, he has power over light AND darkness? Let’s make ever other panel solid black and not draw backgrounds!” This meeting was nothing but wasted potential, and I much rather would’ve seen a Wonder-Woman tie-in devoted entirely to her and Merciless.

Batman Lost was really good. It may not have been a work of genius, but it’s easy to mistake a competently done Batman story in this vein as being genius because they’re so easy to mess up. It reminds me a bit of those navel gazey and introspective Bat stories that Grant Morrison is prone to writing; you know, the ones that that are tie-ins to his Bat Saga but are so off the wall that they don’t get collected in context of the works that would allow them to make the remotest amount of sense? It was like that, only you could follow it and it was enjoyable enough. It didn’t feel like a complete waste of time as a Bat story, even if it was kind of filler.

Now, onto the rankings of the Knights!

7. The Drowned – The Drowned is by far my least favorite of the Dark Knights. The gulf between the 6 and 7 slots are tremendous. The art wasn’t bad, but other than the whole “Batman is a woman in this world—also she is Aquaman,” it didn’t really do much to look at the character in any sort of unique, insightful, or exciting way. It had a nice aesthetic, but it failed to do anything with it and just was not an interesting book.Batman-The-Drowned.jpg

6. Red Death – Okay, Red Death is down here in number 6, but not because it was bad, just the others were better! Batman fuses with the Flash to gain access to the Speed Force. It’s kind of Cronenbergesque. The reason why it’s ranked so low is Red Death book really just portrays one brief scene between the two. I liked the concept, but wanted something meatier.Batman-The-Red-Death.jpg

5. Dawnbreaker – Dawnbreaker gets a lot of hate because Dawnbreaker is dumb. The premise, that is. The Green Lantern ring went to Bruce Wayne, who used it for revenge against criminals and went insane with power (like that one time Green Lantern went insane, except worse, because he’s Batman and has Maximum Willpower + 200%). He ends up killing everyone and everything, plunging his world into total darkness. It’s dumb, yeah, but his book tells a complete story with beginning, middle, and end, and it features some really great artwork of Lantern-Ring horrors; which is what makes HJ&tGLC 32 that much more disappointing.Batman-The-Dawnbreaker.jpg

4. Batman Who Laughs – Batman Who Laughs falls in the middle because it met expectations. And meeting expectations was not easy to do, and this could’ve been a big let-down. As it is, though, we got a pretty gruesome Bat story that gives us a decent canonical reason for why, at the end of the day, Batman CAN’T kill the Joker. Imagine Return of the Joker, only with the real Batman being possessed and not schlubby middle-aged Tim Drake. Had a real “Oh, man… Oh, shit…” vibe to it; not for the faint of heart.

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3. Murder Machine – Murder Machine was kind of bizarre and surreal, but oh my gosh it had some amazing art! In MM’s universe, Bane killed Alfred instead of breaking Batman’s back, and an AI Alfred program goes crazy, Batman along with it. This is one I need to reread so it’ll make more sense in context of the rest of the Event, but it was good enough that I decided to pick up all of Metal even though the Outsiders were a bait-and-switch in The Casting.Batman_The_Murder_Machine_Vol_1_1.jpg

2. Devastator – This one was a real surprise; I expected Devastator to be in the middle, but whoa. Here we have a Batman who had to deal with a Superman who went crazy, so he injected himself with the Doomsday virus. I was not expecting that what sent this Batman off the deep end was seeing Superman kill Lois. Devastator’s interactions with Lois were some of the most powerful in the whole event (the “I’m doing this for you, Lois…”), in part because, unlike with some of the Knights, we don’t really have an “evil” Batman so much as a Batman who is broken by his worst fear—Superman going full murdergod and no force on earth able to stop him—coming true.batman devastator.jpg

1. Merciless –Another big surprise and the best of the bunch. I’m a DCAU Wonder Woman x Batman OTP guy, so this one really tugged at the heart strings. Bats and Wonder have been leading the force of good in an extensive war with Ares. Wondy dies, and it breaks the Bat. Bats takes up Ares’ Helm of War, and goes all death knight crusader. And it’s awesome. Merciless is one of the only ones of the bunch who I could see having worked as a standalone villain. In fact, a Batman corrupted by Ares would make a pretty good recurring Wonder Woman villain, especially given the weakness of her own rogue gallery. The biggest letdown of Metal so far has been that Merciless and WW haven’t gotten much page time together, and the couple panels they got Bats Out of Hell were bland and even kinda spoiled some of Merciless’ depth. But still! Of the whole bunch, this is the one I want to see more of after Metal is over.

Merciless-1.jpg

Addenda: Mom-Jeans Lois is smokin’ hot.

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Cirsova Primarily a PulpRev Publication?!

We got mentioned recently in Steve DuBois’ review of one of our contemporaries, Broadswords & Blasters. It’s a good review, B&B is a pub I’ve really been meaning to check out, I just haven’t had the time.

Still, it’s an interesting take-away that we “work primarily with authors who identify as members of the movement” given that maybe half a dozen out of over 50 contributors are actively involved beyond having used the tag a few times.

Rather than just say that Steve’s wrong (I probably turned down as many stories from members of the #PulpRev community for next year as I acquired, more if we count anyone who used either hashtag), I think it would be more useful to look at how this misconception came to be.

Some of this misunderstanding might spring from Cirsova having been a pre- publication, so there may have been the misconception that all of our writers were part of the movement when the movement was a fan of our publication.

I spoke about this once here, but I’ll reiterate that being published by us does not draft anyone into any movements nor does being part of any movement guarantee you’ll be published by us.

I’ll also note that there are, at this point, two distinct PulpRevs/PulpRevolutions

The first was the Movement, back when it was #PulpRevolution and eventually #PulpRev. It was small, but there was momentum behind it. This was mid-late 2016 through early 2017. Several authors, including Cirsova contributors, latched on because there was buzz and it was an exciting time. It was a “Beyond Sad Puppies”/”Beyond Rabid Puppies”/”Beyond other stuff” thing that folks were looking to get in on.

The second is the Community, which formed from participants in the movement. This is #PulpRev. It’s not really a club, because its doors are pretty open, but it’s not really a movement anymore, either. It’s more introspective, having become something of a writers’ circle. Involvement in the first =/= involvement in the second.

I was an active proponent of the first and remain an involved, but peripheral, figure in the second, but I do consider them very different things.

However that brings me around to how one could have the misconception of Cirsova being a primarily “#pulprev” magazine. What we were looking for in our stories got taken and held up as exemplary; we kept looking for the same things and buying stories from writers who wrote what we were looking for.