What Stories are We Looking For for 2020?

Cirsova Publishing will be opening Submissions for our flagship magazine in October. Details can be found here. Everything in the descriptions there hold true in terms of what it is we’re looking for, but I’d like to highlight a few things in this post:

Raygun noir – Dark detective stories that had exotic space locals as their setting were a staple in the pulps, particularly Planet Stories. We’d love to see more of these.

Monster Girl – We got a couple of these last go-round, but none were quite what we were looking for. Seriously, go read C.L. Moore’s The Bright Illusion and get back with us. You got something along those lines? We’d definitely be interested.

South Seas Adventure and Chinoiserie – There’s a lot of interesting territory to be explored here, and we’ve dipped our toes in a bit [see The Last Fortune of Ali al’Ahmar and The Bookhunter’s Apprentice as more fantastical examples]. That’s not to say we’re looking for Yellow Peril; we’re looking for exotic settings outside the normal fare of a lot of contemporary fantasy and adventure.

Afrofuturism – We’re genuinely interested to see what can be done in this field. We haven’t gotten any in our submissions before [though we’ve received and published fantasy stories with both northern and sub-Saharan African settings].

Mystery – If we get some genuinely good mystery stories, we don’t even necessarily need there to be fantastical elements, though strange and exotic settings would certainly be a plus.

Men’s/Boy’s Adventure – While we aren’t looking for Weasels Ripped My Flesh, classic early-to-mid 20th century Men’s adventure or, even further back, RL Stevenson Boy’s adventure would be of interest. See also Frank G. Slaughter and C.S. Forester.

Antiquity Romance and Medieval Mythology – You guys know how I rave about Swann. Also, remember that Medieval fantasy isn’t just dragons, elves and fairies; it’s also Blemyae, Skiapods, and Prester John.

Gothic Horror/Romance – We’ve actually received and published some of this sort of stuff in the past two years. Our Lords, The Swine and Pale Moon’s Bride are two solid examples. Remember that Gothic doesn’t just mean Vampires and Werewolves. In fact, we’re really not looking for either of those unless you can put a really damn good spin on it. Gothic means ghosts, crumbling dungeons, disused manses, courtly love, mysterious knights, and heretics and clergymen too damn zealous for their own good.

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