The “Pulp Revolution” seems to be met with confusion, misunderstanding and conflation when those unfamiliar with what is going on first catch wind of it. As such, I wanted to try to define and explain some of what the Pulp Revolution is and is not to dispel some of those misunderstandings. I’d like to disclaim that Cirsova Magazine is NOT the Pulp Revolution (it’s much bigger than us), though we are happy to be a part of it, with many friends and writers who are involved to varying degrees.
The Pulp Revolution is not a genre or a subgenre.
The Pulp Revolution is not about reprints or rehashes. We are writing and creating new things every day.
The Pulp Revolution is apolitical and international. There are writers and readers from all walks of life and all political persuasions – the Pulp Revolution only cares about great storytelling.
Pulp Revolution is not a rebranding of the Sad Puppies. Some of us got drawn into the maelstrom of fandom politics when Sad Puppies 3 blew up and caught our attention, but at this point, we’re doing our own thing independent of Sad PuppiesTM. In fact, I daresay that the Mad Genius Club might be happier without us being associated with them.
We also aren’t just a rebranding of modern pulp (New Pulp/Pulp Revival). Those cats are doing what they do largely apart from us. To my knowledge, there’s been very little if any crossover influence between the New Pulp/Pulp Revival crowd and the Pulp Revolution folks.
We are not using the term “Pulp” as a substitute for “classic SF” pre 1990. Various folks involved with the Pulp Revolution may have slightly different definitions, but I’m talking about the literal pulp format (not the digest mags), and in terms of influence, I’m specifically looking at a handful of titles that published stories that influence MY acquisition guidelines (Planet Stories, Weird Tales, Thrilling Wonder Stories, and Argosy, if you need some specifics).
We are not using the pulps to recapture kitsch; we are not using the pulps as a trope-mine. What we are doing is going back to some of the exemplary authors from that period and using them as a starting point. Not to ape them, but because we love them – we love the stories they told, the characters they brought to life, and the vivid colors in which they painted the exciting futures and worlds of the unknown.
We are not hell bent on re-inhabiting the past; we are using it as a launching point to go off in new directions. We do not ignore nor do we deny the influence of writers who are not from the pulp eras.
The Pulp Revolution today has only a tenuous link to the ‘pulp revolution’ of the 70s. That pulp revolution was part of the climate that inspired things like D&D by bringing a bunch of pulp writers who had fallen into semi-obscurity back into the forefront via paperback reprints, pastiches and homages. But that was 40 years ago. That was a generation ago. Many of us were not even alive in 70s, much less old enough to been a part of that resurgent wave of fiction. Do not assume that because people got interested in the pulps 40 years ago that everything is all good and people don’t need to get interested in the pulps again. There was not an unbroken cultural continuity that kept those works and authors in the public conscious. Do not assume that we are only talking about Burroughs, Howard or Lovecraft. Do not assume that because you have old works sitting on your shelf that people today know about them or worse that new people do not need to be told about them or should not be excited about them.
I am curious what lessons we are relearning that we do not need to relearn. Of course authors are going to write what they want to write – that is why we are supporting those who do who also happen to be writing the stories we love. Many writers involved have been writing for years, yes. The Pulp Revolution itself is more defined by the surge of excitement among these authors’ shared reader-base, who have come together to celebrate and encourage what they are doing.
But we have already been done. We are pointless. We will cease being a thing after a relatively short time. We can safely be ignored.