Guest Post, J. Comer – Cora Ives Semmes’ The Princess of the Moon: A Confederate Fairy Tale

The genre of sword-and-planet, best known from Edgar Rice Burroughs’ Barsoom novels, is a frequent topic at Cirsova.  This kind of literature, of course, had its inspirations earlier.  One such was the ‘Edisonade’, such as Garrit P. Serviss’ Edison’s Conquest of Mars. These proto-SF tales featured interplanetary war, wild new technologies, and weird critters.  They served to introduce the ideas of adventures with new technology, and established the SF tropes of Earthlike life on other worlds and the inventor as hero.

Another forebear of sword-and-planet was lost-world and otherworld fantasy.  Several writers of this genre, including Rider Haggard, E. Nesbit and Charles Kingsley, wrote for younger readers.  Another was Cora Semmes Ives.*  Her 1869 The Princess of The Moon: A Confederate Fairy StoryThe Princess of The Moon: A Confederate Fairy Story is a proto-sword-and-planet fantasy.  

The pro-Confederate tone of this novel gave me pause.  Unlike Augusta Evans’ Macaria, it was not written during the War.  However, the author’s biases are clear.  Some readers would dislike the story for this reason.  However, I believe that this tale is worth study and will discuss the reason.  

Ives begins by stating that she made the story up to amuse children at Mecca Plantation.  A Southern soldier named Randolph wanders after the end of the War. He sees the Moon and wishes to flee there.  A fairy appears from the moon and gives him a flying horse in return for his devotion.  Randolph flies, sees the wrecked Confederacy from the air, and then heads to the Moon- a pacifistic utopia lacking war and slavery.  The fairy is the mother of the monarch (‘moon-arch’?).  Her granddaughter is the ‘Princess’.  The hero woos her in disguise, is captured, but wins the grandmother’s approval after a hallucination which resembles Muhammad’s Night Journey.

Thereafter the Yankees appear in balloons bearing carpetbags  (somewhat unsubtly). They bear with them a former slave of Randolph’s who is glad to see ‘old massa’.  The Yankees steal the Moon-folk’s silver spoons, but Randolph pleads for mercy, and the thieves are spared.  

What is it possible to say, a hundred and fifty years later, about a story as eccentric as this?  The plot is a stock fairy-tale with a winged horse, swordsmen, and a princess.  The hero is hardly a distinct character.  But there parallels to a later work.  A hero transported by a wish to another world?  A swordsman who flies around on his adventures and wins the love of a beautiful princess?  A Virginian Confederate officer?  The Princess of the Moon is echoed, decades later, by A Princess of Mars! I am unaware of any direct connection, but further investigation may be fruitful.  In closing, read this novel if you want to.  Recommended for connoisseurs of planets, swords, and oddities.

*:Daughter of Captain Raphael Semmes of the Alabama and wife of Joseph
C. Ives, Western explorer and Confederate officer.

Greater than Gods

Given the Google nonsense, I think it would be fun to give a little synopsis of C.L. Moore’s Greater than Gods.

Male babies are dying out, and a scientist is working on a means of using X-Rays to ensure a balance between the genders. More importantly, though, he’s trying to decide between Betty and Veronica (their real names are unimportant). His friend comes in and tells him how crazy it is that the future exists in a quantum state and how our choices can cause entire universes to come into or flash out of existence. Coincidentally, the scientist is psychically contacted by his future descendants at the same time… But they are from completely different timelines!

Short version, if the Doctor marries Betty, he spends more time with his beautiful but vapid wife, he has a kind and sensitive daughter, his work fails, and mankind slouches into a decadent feminist dystopia in which everyone is hippie-dippie and living in peace and harmony in little groves as all knowledge and technology is lost, dooming the race of man to end in a whimper.

If the Doctor marries Veronica, the sexy brilliant scientist gives him a brood of strong and virile young men, his work succeeds but leads to endless war and conquest of earth and someday the stars, with a mankind bred to rule and be ruled.

One of his lines of descendants will be wiped from existence, and he can doom mankind to a future of decadence and death or galactic immortality and perpetual war.

Given the choice between feminist dystopia and war world, he immediately proposes to his secretary instead, wiping out both possible futures and  opting instead for the unknown.

Still Reading!

We’re making headway into our submission stack. I got over halfway through our submissions list. Then I checked my email today, and I am now significantly less than halfway through our submission list.

If you want to submit, submit soon. If we get to a point where it’s clear that the cup overfloweth, we may cut off submissions a bit early.

Lastly, now is a great time to support the magazine by buying back issues, merch or taking out an ad with us. Online sales revenue this month will be available next month to be put towards acquisitions. Ads will help right away and will go into our fall issue coming out in a couple months.

So, uh…

Guardians of the Galaxy 2: Yondu vs. Obi-Wan (Major Spoilers)

So, saw Guardians 2 last night, and I gotta say. As a franchise, people who like pulp SF should maybe start looking to Guardians of the Galaxy instead of Star Wars. Star Wars has averaged out to be trash, coasting more on the theoretical potential of the property as it has been explored by other creative types rather than the films themselves. But more importantly, Guardians of the Galaxy has a much stronger moral core than Star Wars.

Let’s take a look at Obi Wan vs Yondu for a second. Yondu is superior by far as the older father figure mentor character.

This isn’t something I’m going to put a lot of energy into explaining or even defending, but I just want to toss it out there. Let’s even completely forget my theory that Obi-Wan is the main villain of Star Wars for a sec.

In Star Wars, Obi-Wan has been secretly watching out for Luke, and eventually he takes him under his wing. He tries to explain the situation in a way that will not hurt the young Skywalker, because while he believes in him, he does not believe in him enough to trust him with the truth. And ultimately, that’s his bad. Only when it comes down to it, he doesn’t really accept responsibility for what he has done and tries to justify rather than coming fully clean and apologizing, even when it wouldn’t have cost him anything to do so. And when knowledge that Leia is Luke’s sister would jeopardize the fate of the Rebel strike on Endor, Obi-Wan’s ghost rather casually confirms it.

In Guardians of the Galaxy, Yondu pretty much raises Star Lord after his mom dies. He’s a tough father figure, and does a lot wrong by the kid growing up, but he genuinely does care about him. Yondu is also protecting Star Lord from his father with a lie, but when the chips are down, Yondu comes clean and is honest about his reasons “I knew your daddy was bad and killed those kids, and I couldn’t stand to see that happen to you.” After all is laid bare, Yondu makes the ultimate sacrifice so that his “son” will live.

Both franchise are owned by Disney, and both are cogs in multi-billion-dollar merchandising apparatuses, so I’m not going to factor that in when comparing the two. Even with all of its flaws and cringe-points, I’m gonna have to give this one to Guardians.

Cirsova Publishing Doing Reprints?

I’ve had more than a couple of writers ask me if Cirsova would be interested in buying previously published stories to reprint in Cirsova. Up to this point, my answer has been “No” for several reasons.

  • First, one of the selling points of Cirsova is that we are offering new and exclusive content that can’t be found anywhere else.
  • Second, if a story has been published elsewhere, especially if it has been self-published, that puts a new issue of Cirsova in competition with that work in a way that may not be beneficial to either Cirsova or the author.
  • Third, it would not make sense for us to pay the same rates for a non-exclusive story as an exclusive story. I want to keep Cirsova paying semi-pro rates, but I can’t currently justify those rates for reprint stories while paying the same as I would for exclusivity.

Still, I’ve had a lot of inquiries about reprints and have been brainstorming on the matter. I have a couple thoughts:

  • A reprinted story has less “value” to Cirsova than an exclusive story, so it would make sense to pay a lower rate.
  • A reprinted story would require a different agreement between Cirsova and the Authors of the story. (i.e., we would not be purchasing first rights, exclusivity, etc., just whatever necessary mechanical rights to include them in an anthology).
  • It would make the most sense for us to do separate issues/anthologies, keeping Cirsova Magazine a Semi-Pro market featuring original content while creating a new, offshoot title to showcase reprints, a sort of “best of indie” meets “in case you missed it”.

Given that we’re in the midst of an anti-gatekeeper movement, I find it ironic that I’m essentially in a position where I’m asking people “Is my gatekeeping enough of a selling point that I should consider this?”

At least from an author’s perspective, the answer may be yes – the belief that they can reach a wider readership with their work via Cirsova is a real thing (even if I can hardly believe it myself!), and bringing great stories to the masses is something I’m passionate about. And enough authors have approached me about reprints that I’ve begun to seriously consider.

I put our current regular readership at roughly 150. If we get 100 more yeses than nos, I’ll whip up a framework for a new Cirsova annual spin-off.

Note: This title would have no bearing on what would be acquired for Cirsova HF&SF; it would be a wholly new publication under the Cirsova “banner”. Think of it like a “Tops In Science Fiction” vs. Planet Stories proper, only we’d be reprinting other stories rather than those featured in Cirsova HF&SF.

Hugo Award Voter Packet

Today, I sent the Hugo Voter Packet to Worldcon officials.

For those who are curious, we selected the following representative works:

  • The Lion’s Share, by JD Brink
  • The Hour of the Rat, by Donald J. Uitvlugt
  • The Space Witch, by Schuyler Hernstrom
  • Rose by Any Other Name, by Brian K. Lowe
  • The Last Dues Owed, by Christine Lucas
  • The Phantom Sands of Calavass, by S.H. Mansouri
  • Lost Men, by Eugene Morgulis
  • The Priests of Shalaz, by Jay Barnson
  • Squire Errant, by Karl K. Gallagher
  • A Hill of Stars, by Misha Burnett
  • My Name is John Carter (Pt 1), by James Hutchings
  • The Feminine Force Reawakens, by Liana Kerzner

All total, it adds up to about 63K words, slightly longer than our latest issue.

While a part of me wanted to be able to just send all of the stories, I understand that Hugo voters will have millions of words to go through in their packets, so I wanted to send them an amount that showcases the types of pieces we publish while not presenting them with a daunting amount of content to read.

The other day, JD Brink joked about degrees of separation from a Hugo nomination. In a sense, he was wrong; Cirsova’s nomination is HIS nomination, just as it is a nomination for ALL of our writers and artists. We would not be here without you.

To all of our contributors, congratulations on your Hugo Award Finalist Selection!

Cirsova Receives Hugo Nomination for Best Semi-Pro Zine!

It is incredibly difficult to convey just how hard it’s been to keep this under my hat for the last couple of weeks. I’ve been so excited that I just wanted to scream.

Thank you to everyone who has supported us and made this possible! If I name names, I know I’ll forget folks, so I’ll try to cover everyone as best I can. Thank you to my fellow bloggers at Castalia House, thank you to the Alt-Furry crew for putting us on Sad Pookas, thank you to the folks on Pulp Twitter, thanks to everyone who follows and reads the blog, thanks to the friends and family who’ve supported us, and especially thanks to all of our readers and contributors – without you, we’d be just another WordPress site!

I probably won’t be able to make it up to Finland this year, but if any local Helsinki black metal musicians plan on attending Worldcon, I’d be thrilled to have you to accept the award on our behalf!